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'we thought you were a runaway thief, and we wanted to help you whatever you were.' She pointed to the sofa, where the whole costume of the untrue aunt was lying in simple completeness. 'And you're in honour bound never to tell a soul. Think,' she added in persuading tones—'think of the cold bacon and the cheese, and all those pickles you had, and the fire and the cocoa, and us being up all night, and the dry all-wool boots.'
'Say no more, miss,' said the photographer (for such he indeed was) nobly. 'Your will is my law; I won't never breathe a word.'
And he sat down to the ham and eggs as though it was weeks since he had tasted bacon.
•••••
But we found out afterwards he went straight up to the Ship, and told everybody all about it. I wonder whether all photographers are dishonourable and ungrateful. Oswald hopes they are not, but he cannot feel at all sure.
Lots of people chaffed us about it afterwards, but the pigman said we were jolly straight young Britons, and it is something to be called that by a man you really respect. It doesn't matter so much what the other people say—the people you don't really care about.
When we told our Indian uncle about it he said, 'Nonsense! you ought never to try and shield a criminal.' But that was not at all the way we felt about it at the time when the criminal was there (or we thought he was), all wet, and hunted, and miserable, with people 'out after him.' He meant his friends who were expecting him, but we thought he meant police. It is very hard sometimes to know exactly what is right. If what feels right isn't right, how are you to know, I wonder.
•••••
The only comforting thing about it all is that we heard next day that the soldiers had got away from the brown bicycle beast after all. I suppose it came home to them suddenly that they were two to one, and they shoved him into a ditch and got away. They were never caught; I am very glad. And I suppose that's wrong too—so many things are. But I am.
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