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The Book of Three Hundred Anecdotes. VariousЧитать онлайн книгу.

The Book of Three Hundred Anecdotes - Various


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age, was deaf and dumb, and was married in 1753 by signs. She resided with her husband at his seat, Rostellan, near Cork. Shortly after the birth of her first child, the nurse saw the mother cautiously approach the cradle in which the infant lay asleep, evidently full of some deep design. The Countess, having first assured herself that her babe was fast asleep, took from under her shawl a large stone, which had purposely been concealed there, and, to the utter horror of the nurse, who largely shared the popular notion that all dumb persons are possessed of peculiar cunning and malignity, raised it up, as if to enable her to dash it down with greater force. Before the nurse could interpose to prevent what she believed would bring certain death to the sleeping and unconscious child, the dreadful stone was flung, not at the cradle, however, but upon the ground, and fell with great violence. The noise awakened the child. The Countess was overjoyed, and, in the fulness of a mother's heart, she fell upon her knees to express her thankfulness that her beloved infant possessed a blessing denied to herself—the sense of hearing. This lady often gave similar indications of superior intelligence, though we can believe that few of them equalled the present in interest.

      Racine.—The celebrated French poet, Racine, having one day returned from Versailles, where he had been on a visit, was waited upon by a gentleman with an invitation to dine at the Hotel de Condé. "I cannot possibly do myself that honour," said the poet; "it is some time since I have been with my family; they are overjoyed to see me again, and have provided a fine carp; so that I must dine with my dear wife and children." "But my good sir," replied the gentleman, "several of the most distinguished characters in the kingdom expect your company, and will be anxious to see you." On this, Racine brought out the carp and showed it to his visitor, saying, "Here, sir, is our little meal; then say, having provided such a treat for me, what apology could I make for not dining with my poor children? Neither they nor my wife could have any pleasure in eating a bit of it without me; then pray be so obliging as to mention my excuse to the Prince of Condé and my other illustrious friends." The gentleman did so; and not only His Serene Highness, but all the company present, professed themselves infinitely more charmed with this proof of the poet's affection as a husband and a father, than they possibly could have been with his delightful conversation.

      Family Sacrifice.—During the French revolution, Madame Saintmaraule, with her daughter, and a youth, her son, not yet of age, were confined in prison and brought to trial. The mother and daughter behaved with resolution, and were sentenced to die; but of the youth no notice was taken, and he was remanded to prison. "What!" exclaimed the boy, "am I then to be separated from my mother? It cannot be!" and immediately he cried out, "Vive le Roi!" In consequence of this, he was condemned to death, and, with his mother and his sister, was led out to execution.

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      Sir Joshua Reynolds.—"What do you ask for this sketch?" said Sir Joshua to an old picture-dealer, whose portfolio he was looking over. "Twenty guineas, your honour." "Twenty pence, I suppose you mean?" "No, sir; it is true I would have taken twenty pence for it this morning, but if you think it worth looking at, all the world will think it worth buying." Sir Joshua ordered him to send the sketch home, and gave him the money.

      Ditto.—Two gentlemen were at a coffee-house, when the discourse fell upon Sir Joshua Reynold's painting; one of them said that "his tints were admirable, but the colours flew." It happened that Sir Joshua was in the next box, who taking up his hat, accosted them thus, with a low bow—"Gentlemen, I return you many thanks for bringing me off with flying colours."

      Richardson, in his anecdotes of painting, says, a gentleman came to me to invite me to his house: "I have," says he, "a picture of Rubens, and it is a rare good one. There is little H. the other day came to see it, and says it is a copy. If any one says so again, I'll break his head. Pray, Mr. Richardson, will you do me the favour to come, and give me your real opinion of it?"

      Turner.—Once, at a dinner, where several artists, amateurs and literary men were convened, a poet, by way of being facetious, proposed as a toast the health of the painters and glaziers of Great Britain. The toast was drunk,


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