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Godfrey Marten, Undergraduate. Charles TurleyЧитать онлайн книгу.

Godfrey Marten, Undergraduate - Charles Turley


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a wagon load of monkeys," Collier complained, "he looks like a baby and is as cunning as a Chinaman. I wonder how we can put up with him."

      I wondered, too, and I should think everybody else, except Dennison himself, found it difficult to explain his popularity. For he was popular, and since no other reason occurs to me I expect the fact that he was always ready to play the piano must have helped him, Lambert on his banjo was enough to depress a crowd of Sunday-school children at their annual treat, but Dennison played the kind of music which made Collier, Ward and me, who were not exactly musical, feel that we could sing quite well. At Cliborough I had established a record by being the first boy who had tried to get into the school choir and failed, but the man who made me sing "Ah, ah, ah," until I really could not go on any longer had told me that I should have a voice some day. Perhaps he said that out of kindness, but when Dennison played I always remembered it, and forgot that when I sang in church people sitting in front of me had been known to look round as if hymns were not made to be sung.

      If discussion beforehand helps to make an entertainment successful our freshers' wine ought to have been a colossal success. For days the thing seemed to pervade the air and I got horribly tired of it, though Collier, who had been given rooms which compared with mine were palatial, had more reason to be sick than I had. Collier had not only a certain amount of space at his disposal but also a piano, and if either of us had been any use at guessing we might have known that his rooms would have been chosen. I may as well say now that if any one of the freshers who had been invited had also possessed a little sense Collier's rooms would not have been chosen, but the last thing we thought of was a row, until we got into one, which is one of the advantages of being a fresher.

      Dennison and Ward finally asked about fifteen men to the wine, and on the appointed night we met in Collier's rooms. It was perhaps not so great a privilege to receive an invitation as we thought it was, because each man who accepted had to pay more than the thing was worth. However, there was no doubt that it was well done, Ward had been to Spinney's shop in the Turl and had benefited by Spinney's experience, and Dennison with the assistance of Collier's scout, and in spite of Collier's mild protests, had prepared the rooms in a way which made me wonder where the owner of them was going to sleep.

      There was a tradition at St. Cuthbert's, and a tradition seems to me a very dangerous possession unless carefully watched, that no wine was complete without a large bowl of milk punch. Ward had been told this by Spinney, who took what he called a fatherly interest in St. Cuthbert's, though it must be an exorbitant kind of interest which makes a man recommend a lot of freshers, or anybody else, to mix punch with champagne and port. Spinney had also provided a terrific amount of fruit and other things, and if Collier's room had only been big enough to provide space for all of us and for what we were expected to eat and drink, I think our wine at the start would have been a most imposing display. As it was everybody thought it had been done well except Collier, who told me to look in his bedroom. I looked without seeing the bed, which was so piled up with superfluities that they nearly touched the ceiling.

      "When this orgie is over," Collier said, "every one will have forgotten that I have to go to bed to-night."

      "I will stay and help you," I answered, for I was in the mood when anything seems to be possible.

      We went back into the "sitter," where everybody was already beginning to eat and, I suppose, to enjoy themselves. There were not enough chairs to go round, but there is always the floor, and a man who won't sit on the floor when there is nothing else to sit upon is no use at an Oxford wine. Some men even prefer the floor, but that usually happens later on in the evening. Ward began the musical part of the entertainment by singing "John Peel," his voice was admirable, because it was loud without being very good, and nobody had the discomfort of wondering whether they could sing well enough to join in the chorus. I like a place where you can fairly bellow without hearing your own voice. A man called Webb, who had a mole on his forehead and had been at Cliborough with me, sang the next song, but it was a sentimental thing, and had a chorus with some high notes in it, an unsuitable choice which fell flat, and when it was over Webb sat down by me in disgust, and helped himself lavishly to punch by way of consolation. I told Webb that he had taken Lambert's seat, because Lambert for some other reason had also been helping himself lavishly to punch, and had become argumentative and almost quarrelsome. Webb, however, said that he was not going to move, and when Lambert returned Dennison had to play the piano very lustily to drown the discussion which took place. Lambert was six feet two and angry, Webb was the same height and obstinate, both of them had been drinking punch, and if Ward had not intervened by asking Lambert to sing, I believe an unexpected item would have formed part of our programme. Lambert sang, or rather tried to sing, and broke down several times; no one minded and he received tremendous encouragement to go on, but he fancied himself as a singer and at last became very indignant and abusive. He was then given champagne to soothe him, and sat on the floor with a very sad expression, and his legs stretched out in front of him. Collier threw a fig at him which he caught and threw back, hitting another man on the cheek, figs began to fly about the room until Ward begged everybody not to make a horrible rag before we had properly begun. Collier went round on his hands and knees collecting figs and calling himself a fool for spoiling his own carpet. Most people gave him a shove with their feet when he came near them, which sent him on to his back and prevented his collection from being a good one.

      Then Dennison began to play "The Gondoliers," which was the popular comic opera of the day. Solos were dispensed with, and each chorus was sung many times. The wine was evidently a huge success, the noise was magnificent, and everybody was reasonably peaceful. No one noticed that Lambert and Webb were now sitting side by side on the floor, swearing eternal friendship and requiring champagne in which to pledge each other, until Webb got hold of the idea that he was Leander trying to swim the Hellespont, and Collier poured a jug of water over his head so that he might make the scene more realistic.

      One or two men went quietly away, saying that it was getting late. The music stopped for a moment, while Dennison walked about the room seeking refreshment and finding very little. The noise subsided so much that a knock was heard, and a scout poked his head into the room and spoke to Dennison who was standing by the door. Every one asked what he wanted, and Dennison assured us that it did not matter, which we were all inclined to believe with the exception of Ward, who went to the piano and began the National Anthem. It was the only tune he could play, and he had to take infinite pains to get the right notes, so he was forcibly removed, and Dennison installed in his place. "The Gondoliers" and the noise began again, while Ward, protesting that it was time we went away, was disregarded entirely. From sheer distaste for punch and only a very limited taste for wine I had not been seeking my enjoyment in drinking, but I had smoked far more than was good for me, and my head felt as large as a pumpkin. It occurred to me, however, that if Ward wished our entertainment to close he was sure to be right, so I pulled over Dennison backwards from the piano. That caused a very fair hubbub and did not do much good, since everybody began to sing what they liked, without music.

      Ward went round persuading men to go, until Lambert, Webb, Collier, Ward, Dennison and I were the only ones remaining. Collier was heavy with sleep, but Lambert and Webb, who still sat on the floor with their backs propped up against a sofa, were full of song. Dennison sulked in a corner; he told me afterwards that I had hurt his head. Ward and I by violent efforts got Lambert and Webb upon their legs and propped them up against each other. They stood singing, "For he's a jolly good fellow," and looking extraordinarily foolish. At last we got them to the door and shoved them out, but unfortunately the Sub-Warden, who had a habit of being in the wrong place, was standing outside the room, and Lambert, who most certainly looked upon him as an old friend, put an arm round him, and hurried him at break-neck speed down the stairs. Webb followed, and when I got into the quadrangle he was on one side of the Subby and Lambert on the other.

      They were persuading him to dance. I tried to seize Lambert, while Ward went for Webb; but as I did so they suddenly released their man, and instead of grabbing Lambert I got my arm entangled in the Subby's. I let it go quickly, but he recognized me, and said something about a disgraceful occurrence. It would have been giving Lambert and Webb away to tell him that I was acting the part of rescuer, so I stood looking at him, while Ward drove the other two men out of the quadrangle. As he did not say anything I expressed a hope that he was not hurt,


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