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A Stable for Nightmares; or, Weird Tales. Joseph Sheridan Le FanuЧитать онлайн книгу.

A Stable for Nightmares; or, Weird Tales - Joseph Sheridan Le Fanu


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“What is all this?” exclaimed a harsh voice behind me. “Mr. Westcar insulting Miss Maryon and her father! it is time for me to interfere.” And Colonel Bludyer approached me menacingly. All his jovial manner and fulsome courtesy was gone; and in his flushed face and insolent look the savage rascal was revealed.

      “You will interfere at your peril,” I replied. “I am a younger man than you are, and my strength has not been weakened by drink and dissipation. Take care.”

      The villain drew himself up to his full height; and, though he must have been at least some sixty years of age, I felt assured that I should meet no ordinary adversary if a personal struggle should ensue. Agnes fainted, and I laid her on a sofa.

      “Miss Maryon wants air,” said the Colonel, in a calmer voice. “Excuse me, Mr. Maryon, if I open a window.” He tore open the shutters, and threw up the sash. “And now, Mr. Westcar, unless you are prepared to be sensible, and make your exit by the door, I shall be under the unpleasant necessity of throwing you out of the window.”

      The ruffian advanced toward me as he spoke. Suddenly he paused. His jaw dropped; his hair seemed literally to stand on end; his white lips quivered; he shook, as with an ague; his whole form appeared to shrink. I stared in amazement at the awful change. A strange thrill shot through me, as I heard a quiet voice say:

      “Richard Bludyer, your grave is waiting for you. Go.”

      The figure of a man passed between me and him. The wretched man shrank back, and, with a wild cry, leaped from the window he had opened.

      All this time Mr. Maryon was standing like a lifeless statue.

      In helpless wonder I gazed at the figure before me. I saw clearly the features in profile, and, swift as lightning, my memory was carried back to the unforgotten scene in the churchyard upon the Lake of Lucerne, and I recognized the white face of the young man with whom I there had spoken.

      “John Maryon,” said the voice, “this is the night upon which, a quarter of a century ago, you killed me. It is your last night on earth. You must go through the tragedy again.”

      Mr. Maryon, still statue-like, beckoned to the figure, and opened a half-concealed door which led into his study. The strange but opportune visitant seemed to motion to me with a gesture of his hand, which I felt I must obey, and I followed in this weird procession. From the study we mounted by a private staircase to a large, well-furnished bed-chamber. Here we paused. Mr. Maryon looked tremblingly at the stranger, and said, in a low, stammering voice:

      “This is my room. In this room, on this night, twenty-five years ago, you told me that you were certain Sir Henry Benet’s will was in existence, and that you had made up your mind to dispute my possession to this property. You had discovered letters from Sir Henry to your father which gave you a clue to the spot where that will might be found. You, Geoffrey Ringwood, of generous and extravagant nature, offered to find the will in my presence. It was late at night, as now; all the household slept. I accepted your invitation, and followed you.”

      Mr. Maryon ceased; he seemed physically unable to continue. The terrible stranger, in his low, echoing voice, replied:

      “Go on; confess all.”

      “You and I, Geoffrey, had been what the world calls friends. We had been much in London together; we were both passionately fond of cards. We had a common acquaintance, Richard Bludyer. He was present on the 2d of February, when I lost a large sum of money to you at écarté. He hinted to me that you might possibly use these sums in instituting a lawsuit against me for the recovery of this estate. Your intimation that you knew of the existence of the will alarmed me, as it had become necessary for me to remain owner of The Mere. As I have said, I accepted your invitation, and followed you to Sir Henry Benet’s room; and now I follow you again.”

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