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Plays : Fifth Series. John GalsworthyЧитать онлайн книгу.

Plays : Fifth Series - John Galsworthy


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[Taking it up] Non, Monsieur, this is from the gas.

      BUILDER. Oh! Ah!

       [He moves up to the table and turns over papers. CAMILLE stands

       motionless close by with her eyes fixed on him.]

       Here it is!

       [He looks up, sees her looking at him, drops his own gaze, and hands

       her the letter. Their hands touch. Putting his hands in his

       pockets]

       What made you come to England?

      CAMILLE. [Demure] It is better pay, Monsieur, and [With a smile] the

       English are so amiable.

      BUILDER. Deuce they are! They haven't got that reputation.

      CAMILLE. Oh! I admire Englishmen. They are so strong and kind.

      BUILDER. [Bluffly flattered] H'm! We've no manners.

      CAMILLE. The Frenchman is more polite, but not in the 'eart.

      BUILDER. Yes. I suppose we're pretty sound at heart.

      CAMILLE. And the Englishman have his life in the family—the Frenchman have his life outside.

      BUILDER. [With discomfort] H'm!

      CAMILLE. [With a look] Too mooch in the family—like a rabbit in a 'utch.

      BUILDER. Oh! So that's your view of us! [His eyes rest on her, attracted but resentful].

      CAMILLE. Pardon, Monsieur, my tongue run away with me.

      BUILDER. [Half conscious of being led on] Are you from Paris?

      CAMILLE. [Clasping her hands] Yes. What a town for pleasure—Paris!

      BUILDER. I suppose so. Loose place, Paris.

      CAMILLE. Loose? What is that, Monsieur?

      BUILDER. The opposite of strict.

      CAMILLE. Strict! Oh! certainly we like life, we other French. It is not like England. I take this to Madame, Monsieur. [She turns as if to go] Excuse me.

      BUILDER. I thought you Frenchwomen all married young.

      CAMILLE. I 'ave been married; my 'usband did die—en Afrique.

      BUILDER. You wear no ring.

      CAMILLE. [Smiling] I prefare to be mademoiselle, Monsieur.

      BUILDER. [Dubiously] Well, it's all the same to us. [He takes a letter up from the table] You might take this to Mrs. Builder too. [Again their fingers touch, and there is a suspicion of encounter between their eyes.]

      CAMILLE goes out.

      BUILDER. [Turning to his chair] Don't know about that woman—she's a tantalizer.

      He compresses his lips, and is settling back into his chair, when the door from the hall is opened and his daughter MAUD comes in; a pretty girl, rather pale, with fine eyes. Though her face has a determined cast her manner at this moment is by no means decisive. She has a letter in her hand, and advances rather as if she were stalking her father, who, after a "Hallo, Maud!" has begun to read his paper.

      MAUD. [Getting as far as the table] Father.

      BUILDER. [Not lowering the paper] Well? I know that tone. What do you want—money?

      MAUD. I always want money, of course; but—but—

      BUILDER. [Pulling out a note-abstractedly] Here's five pounds for you.

      MAUD, advancing, takes it, then seems to find what she has come for more on her chest than ever.

      BUILDER. [Unconscious] Will you take a letter for me?

      MAUD sits down Left of table and prepares to take down the letter.

      [Dictating] "Dear Mr. Mayor—Referring to your call this morning, I have—er—given the matter very careful consideration, and though somewhat reluctant—"

      MAUD. Are you really reluctant, father?

      BUILDER. Go on—"To assume greater responsibilities, I feel it my duty to come forward in accordance with your wish. The—er—honour is one of which I hardly feel myself worthy, but you may rest assured—"

      MAUD. Worthy. But you do, you know.

      BUILDER. Look here! Are you trying to get a rise out of me?—because you won't succeed this morning.

      MAUD. I thought you were trying to get one out of me.

      BUILDER. Well, how would you express it?

      MAUD. "I know I'm the best man for the place, and so do you—"

      BUILDER. The disrespect of you young people is something extraordinary.

       And that reminds me where do you go every evening now after tea?

      MAUD. I—I don't know.

      BUILDER. Come now, that won't do—you're never in the house from six to seven.

      MAUD. Well! It has to do with my education.

      BUILDER. Why, you finished that two years ago!

      MAUD. Well, call it a hobby, if you like, then, father.

      She takes up the letter she brought in and seems on the point of broaching it.

      BUILDER. Hobby? Well, what is it?

      MAUD. I don't want to irritate you, father.

      BUILDER. You can't irritate me more than by having secrets. See what that led to in your sister's case. And, by the way, I'm going to put an end to that this morning. You'll be glad to have her back, won't you?

      MAUD. [Startled] What!

      BUILDER. Your mother and I are going round to Athene at twelve o'clock.

       I shall make it up with her. She must come back here.

      MAUD. [Aghast, but hiding it] Oh! It's—it's no good, father. She won't.

      BUILDER. We shall see that. I've quite got over my tantrum, and I expect she has.

      MAUD. [Earnestly] Father! I do really assure you she won't; it's only wasting your time, and making you eat humble pie.

      BUILDER. Well, I can eat a good deal this morning. It's all nonsense!

       A family's a family.

      MAUD. [More and more disturbed, but hiding it] Father, if I were you,

       I wouldn't-really! It's not-dignified.

      BUILDER. You can leave me to judge of that. It's not dignified for the Mayor of this town to have an unmarried daughter as young as Athene living by herself away from home. This idea that she's on a visit won't wash any longer. Now finish that letter—"worthy, but you may rest assured that I shall do my best to sustain the—er—dignity of the office." [MAUD types desperately.] Got that? "And—er—preserve the tradition so worthily—" No—"so staunchly"—er—er—

      MAUD. Upheld.

      BUILDER. Ah! "—upheld by yourself.—Faithfully yours."

      MAUD. [Finishing] Father, you thought Athene went off in a huff. It wasn't that a bit. She always meant to go. She just got you into a rage to make it easier. She hated living at home.

      BUILDER. Nonsense! Why on earth should she?

      MAUD. Well, she did! And so do—[Checking herself] And so you see it'll only make you ridiculous to go.

      BUILDER. [Rises] Now what's behind this, Maud?

      MAUD. Behind—Oh! nothing!

      BUILDER. The fact is, you girls have been spoiled, and you enjoy twisting my tail; but you can't make me roar this morning. I'm too pleased with things. You'll see, it'll be all


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