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The Mystery of Witchcraft - History, Mythology & Art. William GodwinЧитать онлайн книгу.

The Mystery of Witchcraft - History, Mythology & Art - William Godwin


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of the houses, and sometimes on the ground. The priest declared that, as often as he had entered magic circles, nothing so extraordinary had ever happened to him. As we went along, he would fain have persuaded me to assist at the consecrating a book, from which he said we should derive immense riches. We should then ask the demons to discover to us the various treasures with which the earth abounds, which would raise us to opulence and power; but that those love-affairs were mere follies from which no good could be expected. I made answer, that I would readily have accepted his proposal if I had understood Latin. He assured me that the knowledge of Latin was nowise material; but that he could never meet with a partner of resolution and intrepidity equal to mine, and that that would be to him an invaluable acquisition.” Immediately subsequent to this scene, Cellini got into one of those scrapes, in which he was so frequently involved by his own violence and ferocity; and the connection was never again renewed.

      Nostradamus.

      Michael Nostradamus, a celebrated astrologer, was born at St. Remi in Provence in the year 1503. He published a Century of Prophecies in obscure and oracular terms and barbarous verse, and other works. In the period in which he lived the pretended art of astrological prediction was in the highest repute; and its professors were sought for by emperors and kings, and entertained with the greatest distinction and honour. Henry the Second of France, moved with his great renown, sent for Nostradamus to court, received much gratification from his visit, and afterward ordered him to Blois, that he might see the princes, his sons, calculate their horoscopes, and predict their future fortunes. He was no less in favour afterwards with Charles the Ninth. He died in the year 1566.

      Doctor Dee.

      Dr. John Dee was a man who made a conspicuous figure in the sixteenth century. He was born at London in the year 1527. He was an eminent mathematician, and an indefatigable scholar. He says of himself, that, having been sent to Cambridge when he was fifteen, he persisted for several years in allowing himself only four hours for sleep in the twenty-four, and two for food and refreshment, and that he constantly occupied the remaining eighteen (the time for divine service only excepted) in study. At Cambridge he superintended the exhibition of a Greek play of Aristophanes, among the machinery of which he introduced an artificial scarabaeus, or beetle, which flew up to the palace of Jupiter, with a man on his back, and a basket of provisions. The ignorant and astonished spectators ascribed this feat to the arts of the magician; and Dee, annoyed by these suspicions, found it expedient to withdraw to the continent. Here he resided first at the university of Louvaine, at which place, his acquaintance was courted by the dukes of Mantua and Medina, and from thence proceeded to Paris, where he gave lectures on Euclid with singular applause.

      In 1551 he returned to England, and was received with distinction by sir John Check, and introduced to secretary Cecil, and even to king Edward, from whom he received a pension of one hundred crowns per annum, which he speedily after exchanged for a small living in the church. In the reign of queen Mary he was for some time kindly treated; but afterwards came into great trouble, and even into danger of his life. He entered into correspondence with several of the servants of queen Elizabeth at Woodstock, and was charged with practising against Mary’s life by enchantments. Upon this accusation, he was seized and confined; and, being after several examinations discharged of the indictment, was turned over to bishop Bonner to see if any heresy could be found in him. After a tedious persecution he was set at liberty in 1555, and was so little subdued by what he had suffered, that in the following year he presented a petition to the queen, requesting her co-operation in a plan for preserving and recovering certain monuments of classical antiquity.

      Had Dee gone no further than this, he would undoubtedly have ranked among the profoundest scholars and most eminent geniuses that adorned the reign of the maiden queen. But he was unfortunately cursed with an ambition that nothing could satisfy; and, having accustomed his mind to the wildest reveries, and wrought himself up to an extravagant pitch of enthusiasm, he pursued a course that involved him in much calamity, and clouded all his latter days with misery and ruin. He dreamed perpetually of the philosopher’s stone, and was haunted with the belief of intercourse of a supramundane character. It is almost impossible to decide among these things, how much was illusion, and how much was forgery. Both were inextricably mixed in his proceedings; and this extraordinary victim probably could not in his most dispassionate moments precisely distinguish what belonged to the one, and what to the other.

      As Dee was an enthusiast, so he perpetually interposed in his meditations prayers of the greatest emphasis and fervour. As he was one day in November 1582, engaged in these devout exercises, he says that there appeared to him the angel Uriel at the west window of his Museum, who gave him a translucent stone, or chrystal, of a convex form, that had the quality, when intently surveyed, of presenting apparitions, and even emitting sounds, in consequence of which the observer could hold conversations, ask questions and receive answers from the figures he saw in the mirror. It was often necessary that the stone should be turned one way and another in different positions, before the person who consulted it gained the right focus; and then the objects to be observed would sometimes shew themselves on the surface of the stone, and sometime in different parts of the room by virtue of the action of the stone. It had also this peculiarity, that only one person, having been named as seer, could see the figures exhibited, and hear the voices that spoke, though there might be various persons in the room. It appears that the person who discerned these visions must have his eyes and his ears uninterruptedly engaged in the affair, so that, as Dee experienced, to render the communication effectual, there must be two human beings concerned in the scene, one of them to describe what


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