The Mystery of Witchcraft - History, Mythology & Art. William GodwinЧитать онлайн книгу.
assumptions, of the art of magic. With reference to the pretensions of astrologers, he observes that—
‘There’s but the twinkling of a star
Between a man of peace and war,
A thief and justice, fool and knave,
A huffing officer and a slave,
A crafty lawyer and pick-pocket,
A great philosopher and a blockhead,
A formal preacher and a player,
A learn’d physician and man-slayer;
As if men from the stars did suck
Old age, diseases, and ill-luck,
Wit, folly, honour, virtue, vice,
Trade, travel, women, claps, and dice;
And draw, with the first air they breathe,
Battle and murder, sudden death.
Are not these fine commodities
To be imported from the skies,
And vended here among the rabble,
For staple goods and warrantable?
Like money by the Druids borrowed
In th’ other world to be restored.’
The character of Lilly is to some extent a problem, and I confess it is not one of easy or direct solution. As I have already hinted, it is always difficult to draw the line between conscious and unconscious imposture—to determine when a man who has imposed upon himself begins to impose upon others. But was Lilly self-deceived? Or was he openly and knowingly a fraud and a cheat? For myself I cannot answer either question in the affirmative. I do not think he was entirely innocent of deception, but I also believe that he was not wholly a rogue. I think he had a lingering confidence in the reality of his horoscopes, his figures, his stellar prophecies; though at the same time he did not scruple to trade on the credulity of his contemporaries by assuming to himself a power and a capacity which he did not possess, and knew that he did not possess. Despite his vocation, he seems to have lived decently, and in good repute. The activity of his enemies failed to bring against him any serious charges, and we know that he enjoyed the support of men of light and leading, who would have stood aloof from a common charlatan or a vulgar knave. He was, it is certain, a very shrewd and quick observer, with a keen eye for the signs of the times, and a wide knowledge of human nature; and his success in his peculiar craft was largely due to this alertness of vision, this practical knowledge, and to the ingenuity and readiness with which he made use of all the resources at his command.
NOTE.—DR. DEE’S MAGIC CRYSTAL.
Horace Walpole gives an amusing account of Kelly’s famous crystal, and of the useful part it played in a burglary committed at his house in Arlington Street in the spring of 1771. At the time, he was taking his ease at his Strawberry Hill villa, near Teddington, when a courier brought him news of what had occurred. Writing to his friend, Sir Horace Mann, March 22, he says:
‘I was a good quarter of an hour before I recollected that it was very becoming to have philosophy enough not to care about what one does care for; if you don’t care, there is no philosophy in bearing it. I despatched my upper servant, breakfasted, fed the bantams as usual, and made no more hurry to town than Cincinnatus would if he had lost a basket of turnips. I left in my drawers £270 of bank bills and three hundred guineas, not to mention all my gold and silver coins, some inestimable miniatures, a little plate, and a good deal of furniture, under no guard but that of two maidens....
‘When I arrived, my surprise was by no means diminished. I found in three different chambers three cabinets, a large chest, and a glass case of china wide open, the locks not picked, but forced, and the doors of them broken to pieces. You will wonder that this should surprise me, when I had been prepared for it. Oh, the miracle was that I did not find, nor to this time have found, the least thing missing! In the cabinet of modern medals there were, and so there are still, a series of English coins, with downright John Trot guineas, half-guineas, shillings, sixpences, and every kind of current money. Not a single piece was removed. Just so in the Roman and Greek cabinet, though in the latter were some drawers of papers, which they had tumbled and scattered about the floor. A great exchequer desk, that belonged to my father, was in the same room. Not being able to force the lock, the philosophers (for thieves that steal nothing deserve the title much more than Cincinnatus or I) had wrenched a great flapper of brass with such violence as to break it into seven pieces. The trunk contained a new set of chairs of French tapestry, two screens, rolls of prints, and a suit of silver stuff that I had made for the King’s wedding. All was turned topsy-turvy, and nothing stolen. The glass case and cabinet of shells had been handled as roughly by these impotent gallants. Another little table with drawers, in which, by the way, the key was left, had been opened too, and a metal standish, that they ought to have taken for silver, and a silver hand-candlestick that stood upon it, were untouched. Some plate in the pantry, and all my linen just come from the wash, had no more charms for them than gold or silver. In short, I could not help laughing, especially as the only two movables neglected were another little table with drawers and the money, and a writing-box with the bank-notes, both in the same room where they made the first havoc. In short, they had broken out a panel in the door of the area, and unbarred and unbolted it, and gone out at the street-door, which they left wide open at five o’clock in the morning. A passenger had found it so, and alarmed the maids, one of whom ran naked into the street, and by her cries waked my Lord Romney, who lives opposite. The poor creature was in fits for two days, but at first, finding my coachmaker’s apprentice in the street, had sent him to Mr. Conway, who immediately despatched him to me before he knew how little damage I had received, the whole of which consists in repairing the doors and locks of my cabinets and coffers.
‘All London is reasoning on this marvellous adventure, and not one argument presents itself that some other does not contradict. I insist that I have a talisman. You must know that last winter, being asked by Lord Vere to assist in settling Lady Betty Germaine’s auction, I found in an old catalogue of her collection this article, “The Black Stone into which Dr. Dee used to call his spirits.” Dr. Dee, you must know, was a great conjurer in the days of Queen Elizabeth, and has written a folio of the dialogues he held with his imps. I asked eagerly for this stone; Lord Vere said he knew of no such thing, but if found, it should certainly be at my service. Alas, the stone was gone! This winter I was again employed by Lord Frederick Campbell, for I am an absolute auctioneer, to do him the same service about his father’s (the Duke of Argyll’s) collection. Among other odd things, he produced a round piece of shining black marble in a leathern case as big as the crown of a hat, and asked me what that possibly could be? I screamed out, “Oh, Lord! I am the only man in England that can tell you!... It is Dr. Dee’s ‘Black Stone.’” It certainly is; Lady Betty had formerly given away or sold, time out of mind, for she was a thousand years old, that part of the Peterborough collection which contained natural philosophy. So, or since, the Black Stone had wandered into an auction, for the lotted paper was still on it. The Duke of Argyll, who bought everything, bought it. Lord Frederick (Campbell) gave it to me; and if it was not this magical stone, which is only of high-polished coal, that preserved my chattels, in truth I cannot guess what did.’35
At the great Strawberry Hill sale, in 1842, which dispersed the Walpole Collection, it was described in the catalogue as ‘a singularly interesting and curious relic of the superstition of our ancestors—the celebrated Speculum of Kennel Coal, highly polished, in a leathern case. It is remarkable for having been used to deceive the mob (!) by the celebrated Dr. Dee, the conjurer, in the reign of Queen Elizabeth,’ etc.
The authorities of the British Museum purchased this ‘relic of the superstition of our ancestors’ for the sum of twelve guineas. It is neither more nor less than what it has been described, a polished piece of cannel-coal, and thus explains the allusion in Butler’s ‘Hudibras’:
‘Kelly did all his feats upon
The devil’s looking-glass—a stone.’