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The Mystery of Witchcraft - History, Mythology & Art. William GodwinЧитать онлайн книгу.

The Mystery of Witchcraft - History, Mythology & Art - William Godwin


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(comparatively few) whose reason and humanity alike revolted from a horrible dogma, loudly proclaim the prevailing prejudice. Such protests, however, were, for a long time at least, feeble and useless—helplessly overwhelmed by the irresistible torrent of public opinion. All classes of society were almost equally infected by a plague-spot that knew no distinction of class or rank. If theologians (like Bishop Jewell, one of the most esteemed divines in the Anglican Church, publicly asserting on a well known occasion at once his faith and his fears) or lawyers (like Sir Edward Coke and Judge Hale) are found unmistakably recording their undoubting conviction, they were bound, it is plain, the one class by theology, the other by legislation. Credulity of so extraordinary a kind is sufficiently surprising even in theologians; but what is to be thought of the deliberate opinion of unbiassed writers of a recent age maintaining the possibility, if not the actual occurrence, of the facts of the belief?

      The origin of witchcraft and the vulgar diabolism is to be found in the rude beginnings of the religious or superstitious feeling which, known amongst the present savage nations as Fetishism, probably prevailed almost universally in the earliest ages; while that of the sublimer magic is discovered in the religious systems of the ancient Chaldeans and Persians. Chaldea and Egypt were the first, as far as is known, to cultivate the science of magic: the former people long gave the well-known name to the professional practisers of the art. Cicero (de Divinatione) celebrates, and the Jewish prophets frequently deride, their skill in divination and their modes of incantation. The story of Daniel evidences how highly honoured and lucrative was the magical or divining faculty. The Chazdim, or Chaldeans, a priestly caste inhabiting a wide and level country, must have soon applied themselves to the study, so useful to their interests, of their brilliant expanse of heavens. By a prolonged and 'daily observation,' considerable knowledge must have been attained; but in the infancy of the science astronomy necessarily took the form of an empirical art which, under the name of astrology, engaged the serious attention and perplexed the brains of the mediæval students of science or magic (nearly synonymous terms), and which still survives in England in the popular almanacks. The natural objects of veneration to the inhabitants of Assyria were the glorious luminaries of the sun and moon; and if their worship of the stars and planets degenerated into many absurd fancies, believing an intimate connection and subordination of human destiny to celestial influences, it may be admitted that a religious sentiment of this kind in its primitive simplicity was more rational, or at least sublime, than most other religious systems.


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