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JAMES JOYCE: Ulysses, A Portrait of the Artist as a Young Man, Dubliners, Chamber Music & Exiles. James JoyceЧитать онлайн книгу.

JAMES JOYCE: Ulysses, A Portrait of the Artist as a Young Man, Dubliners, Chamber Music & Exiles - James Joyce


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gone out yet?

      — Yes, father.

      — Sure?

      — Yes, father.

      — Hm!

      The girl came back making signs to him to be quick and go out quietly by the back. Stephen laughed and said:

      — He has a curious idea of genders if he thinks a bitch is masculine.

      — Ah, it’s a scandalous shame for you, Stephen, said his mother, and you’ll live to rue the day you set your foot in that place. I know how it has changed you.

      — Good morning, everybody, said Stephen, smiling and kissing the tips of his fingers in adieu.

      The lane behind the terrace was waterlogged and as he went down it slowly, choosing his steps amid heaps of wet rubbish, he heard a mad nun screeching in the nuns’ madhouse beyond the wall.

      — Jesus! O Jesus! Jesus!

      He shook the sound out of his ears by an angry toss of his head and hurried on, stumbling through the mouldering offal, his heart already bitten by an ache of loathing and bitterness. His father’s whistle, his mother’s mutterings, the screech of an unseen maniac were to him now so many voices offending and threatening to humble the pride of his youth. He drove their echoes even out of his heart with an execration; but, as he walked down the avenue and felt the grey morning light falling about him through the dripping trees and smelt the strange wild smell of the wet leaves and bark, his soul was loosed of her miseries.

      The rainladen trees of the avenue evoked in him, as always, memories of the girls and women in the plays of Gerhart Hauptmann; and the memory of their pale sorrows and the fragrance falling from the wet branches mingled in a mood of quiet joy. His morning walk across the city had begun, and he foreknew that as he passed the sloblands of Fairview he would think of the cloistral silverveined prose of Newman, that as he walked along the North Strand Road, glancing idly at the windows of the provision shops, he would recall the dark humour of Guido Cavalcanti and smile, that as he went by Baird’s stonecutting works in Talbot Place the spirit of Ibsen would blow through him like a keen wind, a spirit of wayward boyish beauty, and that passing a grimy marine-dealer’s shop beyond the Liffey he would repeat the song by Ben Jonson which begins:

      I was not wearier where I lay.

      His mind, when wearied of its search for the essence of beauty amid the spectral words of Aristotle or Aquinas, turned often for its pleasure to the dainty songs of the Elizabethans. His mind, in the vesture of a doubting monk, stood often in shadow under the windows of that age, to hear the grave and mocking music of the lutenists or the frank laughter of waistcoateers until a laugh too low, a phrase, tarnished by time, of chambering and false honour, stung his monkish pride and drove him on from his lurkingplace.

      The lore which he was believed to pass his days brooding upon so that it had rapt him from the companionships of youth was only a garner of slender sentences from Aristotle’s poetics and psychology and a Synopsis Philosophiae Scholasticae ad mentem divi Thomae. His thinking was a dusk of doubt and selfmistrust lit up at moments by the lightnings of intuition, but lightnings of so clear a splendour that in those moments the world perished about his feet as if it had been fireconsumed; and thereafter his tongue grew heavy and he met the eyes of others with unanswering eyes, for he felt that the spirit of beauty had folded him round like a mantle and that in revery at least he had been acquainted with nobility. But when this brief pride of silence upheld him no longer he was glad to find himself still in the midst of common lives, passing on his way amid the squalor and noise and sloth of the city fearlessly and with a light heart.

      Near the hoardings on the canal he met the consumptive man with the doll’s face and the brimless hat coming towards him down the slope of the bridge with little steps, tightly buttoned into his chocolate overcoat and holding his furled umbrella a span or two from him like a divining rod. It must be eleven, he thought, and peered into a dairy to see the time. The clock in the dairy told him that it was five minutes to five but, as he turned away, he heard a clock somewhere near him, but unseen, beating eleven strokes in swift precision. He laughed as he heard it for it made him think of McCann, and he saw him a squat figure in a shooting jacket and breeches and with a fair goatee, standing in the wind at Hopkins’ corner, and heard him say: — Dedalus, you’re an antisocial being, wrapped up in yourself. I’m not. I’m a democrat: and I’ll work and act for social liberty and equality among all classes and sexes in the United States of the Europe of the future.

      Eleven! Then he was late for that lecture too. What day of the week was it? He stopped at a newsagent’s to read the headline of a placard. Thursday. Ten to eleven, English; eleven to twelve, French; twelve to one, physics. He fancied to himself the English lecture and felt, even at that distance, restless and helpless. He saw the heads of his classmates meekly bent as they wrote in their notebooks the points they were bidden to note, nominal definitions, essential definitions and examples or dates of birth or death, chief works, a favourable and an unfavourable criticism side by side. His own head was unbent for his thoughts wandered abroad and whether he looked around the little class of students or out of the window across the desolate gardens of the green an odour assailed him of cheerless cellardamp and decay. Another head than his, right before him in the first benches, was poised squarely above its bending fellows like the head of a priest appealing without humility to the tabernacle for the humble worshippers about him. Why was it that when he thought of Cranly he could never raise before his mind the entire image of his body but only the image of the head and face? Even now against the grey curtain of the morning he saw it before him like the phantom of a dream, the face of a severed head or deathmask, crowned on the brows by its stiff black upright hair as by an iron crown. It was a priestlike face, priestlike in its palor, in the widewinged nose, in the shadowings below the eyes and along the jaws, priestlike in the lips that were long and bloodless and faintly smiling: and Stephen, remembering swiftly how he had told Cranly of all the tumults and unrest and longings in his soul, day after day and night by night, only to be answered by his friend’s listening silence, would have told himself that it was the face of a guilty priest who heard confessions of those whom he had not power to absolve but that he felt again in memory the gaze of its dark womanish eyes.

      Through this image he had a glimpse of a strange dark cavern of speculation but at once turned away from it, feeling that it was not yet the hour to enter it. But the nightshade of his friend’s listlessness seemed to be diffusing in the air around him a tenuous and deadly exhalation and he found himself glancing from one casual word to another on his right or left in stolid wonder that they had been so silently emptied of instantaneous sense until every mean shop legend bound his mind like the words of a spell and his soul shrivelled up sighing with age as he walked on in a lane among heaps of dead language. His own consciousness of language was ebbing from his brain and trickling into the very words themselves which set to band and disband themselves in wayward rhythms:

      The ivy whines upon the wall

      And whines and twines upon the wall

      The ivy whines upon the wall

      The yellow ivy upon the wall

      Ivy, ivy up the wall.

      Did anyone ever hear such drivel? Lord Almighty! Who ever heard of ivy whining on a wall? Yellow ivy: that was all right. Yellow ivory also. And what about ivory ivy?

      The word now shone in his brain, clearer and brighter than any ivory sawn from the mottled tusks of elephants. Ivory, ivoire, avorio, ebur. One of the first examples that he had learnt in Latin had run: India mittit ebur; and he recalled the shrewd northern face of the rector who had taught him to construe the Metamorphoses of Ovid in a courtly English, made whimsical by the mention of porkers and potsherds and chines of bacon. He had learnt what little he knew of the laws of Latin verse from a ragged book written by a Portuguese priest.

      Contrahit orator, variant in carmine vates.

      The crises and victories and secessions in Roman history were handed on to him in the trite words in tanto discrimine and he had tried to peer into the social life of the city of cities through the words implere ollam denariorum


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