The Collected Works of Susan Coolidge: 7 Novels, 35+ Short Stories, Essays & Poems (Illustrated). Susan CoolidgeЧитать онлайн книгу.
teachers available were employed, and to each in turn she became a favorite and interesting pupil; but though her quick intelligence enabled her to pass excellent examinations and gave her a foremost place in her classes, she really assimilated and retained only what she enjoyed. Mathematics she ignored entirely. All scientific problems fascinated her by their results; but she would not open her mind to the processes by which the results were reached. For languages she had no predilections, though she used her own with singular grace and precision, drawing her words from an apparently limitless vocabulary. Through life this charming use of language, combined with her keen humor and sympathetic appreciation of all that makes life stirring and vital, made her a most fascinating companion. Her delight in literature was her real education. From her early youth she revelled in books, reading so rapidly that it seemed impossible that she could remember what she read; but, in fact, remembering it all! To have looked over a poem two or three times was enough to make it a permanent possession. She devoured history, biography, romances, and poetry, and with intuitive judgment and taste revelled in what was really beautiful and interesting, and discarded the second-rate and commonplace. She began writing at a very early age,—fairy stories, verses, and romances,—but she never published anything until she had reached full maturity. Meantime she grew to vigorous, active womanhood, full of interests and friendships and delightful experiences of one sort and another. She was much loved, and gave such a wealth of self-forgetting, idolizing, ardent affection in return that her friends were all lovers. She drew a circle of loving admirers about her wherever she went, and was always totally unconscious of the charm she worked by her very sweet voice and manner, brilliant fun, and warm sympathy.
The Civil War broke out just as she passed from girlhood to young womanhood. It aroused in her a passion of enthusiasm and devotion, and she threw herself with all her heart and soul into work for the soldiers at home and afield. In the Soldiers’ Hospital at New Haven she was an enthusiastic helper, in the wards, or storeroom, or linen closet, wherever her energy was most needed. And her leisure was filled with knitting or sewing or preparing special diet for the sick and wounded. She was a tireless worker then and ever, and nature had endowed her with great practical gifts. She was an excellent cook and an expert needlewoman, both in plain sewing and the most dainty embroidery, and all work was done with such rapidity and perfection that it was a despair for the race of plodders even to watch her swift achievements.
From New Haven she went to the Convalescent Hospital established at Portsmouth Grove, and was one of a band of excellent workers there during the second year of the war. It was a very developing and vivid experience, and one which she counted among the greatest points of interest in her life.
When the war was over, her old career of busy, never-slackening industry and purpose began again. It was full, as ever, of friendships which could not possibly claim more than she was willing to give. She naturally drew around her the cleverest men and women of her acquaintance, and her society was sought far and near.
But she did not really begin her life as an author until a few years later, when in a grove at Bethlehem, N. H., sitting on a fallen tree, she sketched the outline of “The New Year’s Bargain.” She had sent a few fugitive articles to certain magazines before this, but only now did she take up writing as a real work. That dainty little book, with its fantastic and graceful imaginings, was so well received by the public that she went on in a different vein, through the series of the “Katy Did” books, where fact and fiction, experience and fancy, were so blended that it was hardly possible to say in answer to the eager questionings of some of her little readers where the one ended and the other began. Katy found a large audience, and her biographer went on from children’s books to verses or historical studies, such as “Old Convent Days,” or mere editor’s work, like the condensations of those famous old diaries of Mrs. Delany and Miss Burney. She was consulting reader for Roberts Company in the days when the hall-mark of that firm was a proof of excellence. She was very industrious, but her literary work never seemed the most absorbing part of her life. This was partly because of her intense and vivid interest in the rest of life,—the journeys, the visits, and above all the friends,—and largely because she was absolutely devoid of literary vanity or self-consciousness. She seldom talked of her work or referred in any way to her success. Her verses found a warm welcome in many hearts whose owners were all unknown to her, and sometimes she acknowledged, with a sort of tender surprise, that it was a great reward to have been able to help and encourage others. But anything like flattery or mere compliment was very distasteful to her, and she sometimes owned impatiently that “Susan Coolidge” bored her to death, and she wished she had never heard of her!
While literature became the chief occupation of her life, her artistic temperament and love of the beautiful found expression in many other ways. She instinctively surrounded herself with beautiful objects and colors. Her taste was almost unerring, and harmony of design and softly shaded tints seemed to be her natural setting. She transformed every room she lived in, were it for a week only.
She thought little of her drawings in water color. They were all flower pieces studied from life, and she was conscious of the little instruction she had received and her ignorance of technique. But all the same these lovely panels were a joy to those who were fortunate enough to possess them. As was once said by one who was no mean artist himself, “She can do what many artists—adepts in technique—fail in. She gives us the flower in all its life and spirit.” Her china painting—necessarily more conventional—was still charming, holding something of her individuality.
This vivid life of purpose and energy and never-failing zest appeared to bubble up from such an inexhaustible fountain of vitality that it seemed as if it might go on for ever. But gradually a shadow stole over it—not a very dark one at first, but inexorable. She fought with it, played with it, defied it, but it was always there! She could not acknowledge defeat and was always planning for the future with gay self-confidence; but the shadow grew! By and by the narrowing limits shut her in her chamber, but even then she looked out upon the days to come with undaunted courage. The chamber was not like a sick room. It was bright with sunshine and the sparkle of fire, and scented and gay with the flowers she so dearly loved. Here she read and wrote and saw her many friends. From hence came words of rejoicing for all her dear ones who were happy, and words of truest sympathy for those who were sad. She was one of the few people to whom the joys and sorrows of others are of equal importance to their own. She pondered over the lives of her friends with never-ending interest, and gave at every turn and crisis the truest and most comprehending sympathy. No wonder that so many warmed hands and hearts by that generous flame!
Slowly the shadow deepened. She was disturbed by it, but still wrote happily of the future and filled it with plans and purposes. But one day, April 9, 1905, very gently, Death’s finger touched her. She was not conscious of pain or trouble, “only a new sensation,” but she closed her eyes, and without a word of farewell, was gone away from us.
It is hard to sum up such a life. It was a very full and happy one. She gave much, but received much. She loved beauty, and she was always surrounded by it. She loved friendship, and nobody had more or better friends. She gave them of her best, but she drew their best from them. Hers was an ideal companionship, so full of appreciative interest and sympathy, so illuminated by wit and humor. She was ardent and eager in her plans of life. Nothing could exceed the absorption and energy with which she carried them out. But she accepted disappointment, after a little struggle, with a gay insouciance. So when the final defeat came she seemed to resign herself without struggle to the inevitable, and to those of us who loved her best it seemed as if that sweet and brilliant and unwearied spirit had only folded its wings for a moment before taking a longer and surer flight.
E. D. W. G.
April, 1906.
Katy Carr Chronicles
What Katy Did