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Blood and Sand. Vicente Blasco IbanezЧитать онлайн книгу.

Blood and Sand - Vicente Blasco Ibanez


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he, with no thought but that of the adoration of the public, swaggered along, serene as a god and gay and self-satisfied, just as if he were attending a fete given in his honour.

      Suddenly two arms were thrown round his neck and at the same time a strong smell of wine assailed his nostrils.

      "A real man! My beauty! Three cheers for the heroes!"

      It was a man of good appearance, a tradesman who had breakfasted with some friends, whose smiling vigilance he thought he had escaped but who were watching him from a short distance. He leant his head on the espada's shoulder and let it remain there, as though he intended to drop off into a sleep of ecstasy in that position. Gallardo pushed and the man's friends pulled and the espada was soon free of this intolerable embrace, but the tippler, finding himself parted from his idol, broke out into loud shouts of admiration.

      "Olé for such men! All nations of the earth should come and admire toreros like this, and die of envy! They may have ships, they may have money, but that's all rot! They have no bulls and no men like this! Hurrah, my lads! Long live my country!"

      Gallardo crossed a large white-washed hall, quite bare of furniture, where his professional companions were standing surrounded by admiring groups. Making his way through the crowd around a door he entered a small dark and narrow room, at one end of which lights were burning. It was the chapel. An old picture called "The Virgin of the Dove," filled the back of the Altar. On the table four tapers were burning, and several bunches of dusty moth-eaten muslin flowers stood in common pottery vases.

      The chapel was full of people. The aficionados of humble class assembled in it so as to see the great men close at hand. In the darkness some stood bareheaded in the front row, whilst others sat on benches and chairs, the greater part of them turning their backs on the Virgin, looking eagerly towards the door to call out a name as soon as the glitter of a gala dress appeared.

      The banderilleros and picadors, poor devils who were going to risk their lives the same as the "Maestros," scarcely caused a whisper by their presence. Only the most fervent aficionados knew their nicknames.

      Presently there was a prolonged murmur, a name repeated from mouth to mouth.

      "Fuentes! It is el Fuentes!"

      The elegant torero, tall and graceful, his cape loose over his shoulder, walked up to the Altar, bending his knee with theatrical affectation. The lights were reflected in his gipsy eyes and fell across the fine agile kneeling figure. After he had finished his prayer and crossed himself he rose, walking backwards towards the door, never taking his eyes off the image, like a tenor who retires bowing to his audience.

      Gallardo was more simple in his piety. He entered montero in hand, his cape gathered round him, walking no less arrogantly, but when he came opposite the image, he knelt with both knees on the ground, giving himself over entirely to his prayers and taking no notice of the hundreds of eyes fixed on him. His simple Christian soul trembled with fear and remorse. He prayed for protection with the fervour of ignorant men who live in continual danger and who believe in every sort of adverse influence and supernatural protection. For the first time in the whole of that day he thought of his wife and his mother. Poor Carmen down in Seville waiting for his telegram! The Señora Angustias, tranquil with her fowls at the farm of La Rinconada not knowing for certain where her son was fighting! … And he, here, with that terrible presentiment that something would happen that afternoon! Virgin of the Dove! Give a little protection! He would be good, he would forget "the rest," he would live as God commands.

      His superstitious spirit being comforted by this empty repentance, he left the chapel still under its influence, with clouded eyes, that did not see the people who obstructed his way.

      Outside in the room where the toreros were waiting he was saluted by a clean-shaven gentleman, in black clothes in which he appeared ill at ease.

      "Bad luck!" murmured the torero moving on. "As I said before, something will happen to-day!" …

      It was the chaplain of the Plaza, an enthusiast in Tauromachia, who had arrived with the Holy Oils concealed beneath his coat. He was priest of the suburb of la Prosperidad and for years past had maintained a heated controversy with another parish priest in the centre of Madrid who claimed a better right to monopolise the religious service of the Plaza. He came to the Plaza accompanied by a neighbour, who served him as sacristan in return for a seat for the corrida.

      On these days he chose by turns from amongst his friends and protégés the one whom he wished to favour with the seat reserved for the sacristan. He hired a smart carriage, at the expense of the management, and, carrying under his coat the sacred vessel, started for the Plaza, where two front seats were kept for him close to the entrance for the bulls.

      The priest entered the chapel with the air of a proprietor scandalised by the behaviour of the public. All had their heads uncovered, but they were talking loudly, and some even smoking.

      "Caballeros, this is not a café. You will do me the favour of going outside. The corrida is about to begin."

      This news caused a general exodus, during which the priest took out the hidden Oils and placed them in a painted wooden box. He, too, having concealed his sacred deposit, hurried out in order to reach his seat in the Plaza before the appearance of the cuadrillas.

      The crowd had vanished. Nobody was to be seen in the courtyard but men dressed in silk and gold embroidery, horsemen in yellow with large beavers, Alguaciles on horseback, and the servants on duty in their liveries of blue and gold.

      In the doorway called "De Caballos," under the arch forming the entrance to the Plaza, the toreros formed up for the procession with the promptitude which comes of constant practice. In front the "Maestros," some distance behind them the banderilleros, and beyond these again, in the courtyard outside, the clattering rearguard, the stern, steel-clad squadron of picadors, redolent of hot leather and manure, and mounted on skeleton horses with a bandage over one eye. In the far distance, like the baggage of this army, fidgeted the teams of mules destined to drag out the carcases, strong, lively animals with shining skins, their harness covered with tassels and bells, and their collars ornamented with a small national flag.

      At the other end of the archway, above the wooden barricade which closed the lower half, could be seen a shining patch of blue sky, the roof of the Plaza, and a section of the seats with its compact, swarming mass of occupants, amongst which fluttered fans and papers like gaily coloured butterflies.

      Through this arcade there swept a strong breeze, like the breath of an immense lung, and faint harmonious sounds floated on the waves of air, betokening distant music, guessed at rather than heard.

      Along the sides of the archway could be seen a row of heads—those of the spectators on the nearest benches, who peered over in their anxiety to get the first possible glimpse of the heroes of the day.

      Gallardo took his place in line with the other espadas. They neither spoke nor smiled, a grave inclination of the head being all the greeting that they exchanged. Each seemed wrapped in his own preoccupation, letting his thoughts wander far afield, or, perhaps, with the vacuity of deep emotion, thinking of nothing at all. Outwardly this preoccupation was manifested in an apparently unending arrangement and re-arrangement of their capes—spreading them over the shoulder, folding the ends round the waist, or arranging them so that under this mantle of bright colours their legs, cased in silk and gold, should be free and without encumbrance. All their faces were pale, not with a dull pallor, but with the bright, hectic, moist shine of excitement. Their minds were in the arena, as yet invisible to them, and they felt the irresistible fear of things that might be happening on the other side of a wall, the terror of the unknown, the indefinite danger that is felt but not seen. How would this afternoon end?

      From beyond the cuadrillas was heard the sound of the trotting of two horses, coming along underneath the outer arcades of the Plaza. This was the arrival of the alguaciles in their small black capeless mantles and broad hats surmounted with red and yellow feathers. They had just finished clearing the ring of all the intruding crowd and now came to place themselves as advance-guard at the head of the cuadrillas.

      The doorways of the arch were thrown


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