The Complete Short Stories of Stephen Crane. Stephen CraneЧитать онлайн книгу.
Each wave knocked him into a heap, and the under-tow pulled at him.
Then he saw the man who had been running and undressing, and undressing and running, come bounding into the water. He dragged ashore the cook, and then waded towards the captain, but the captain waved him away, and sent him to the correspondent. He was naked, naked as a tree in winter, but a halo was about his head, and he shone like a saint. He gave a strong pull, and a long drag, and a bully heave at the correspondent's hand. The correspondent, schooled in the minor formulæ, said: "Thanks, old man." But suddenly the man cried: "What's that?" He pointed a swift finger. The correspondent said: "Go."
In the shallows, face downward, lay the oiler. His forehead touched sand that was periodically, between each wave, clear of the sea.
The correspondent did not know all that transpired afterward. When he achieved safe ground he fell, striking the sand with each particular part of his body. It was as if he had dropped from a roof, but the thud was grateful to him.
It seems that instantly the beach was populated with men with blankets, clothes, and flasks, and women with coffee-pots and all the remedies sacred to their minds. The welcome of the land to the men from the sea was warm and generous, but a still and dripping shape was carried slowly up the beach, and the land's welcome for it could only be the different and sinister hospitality of the grave.
When it came night, the white waves paced to and fro in the moonlight, and the wind brought the sound of the great sea's voice to the men on shore, and they felt that they could then be interpreters.
A Man and Some Others
I
Dark mesquit spread from horizon to horizon. There was no house or horseman from which a mind could evolve a city or a crowd. The world was declared to be a desert and unpeopled. Sometimes, however, on days when no heat-mist arose, a blue shape, dim, of the substance of a spectre's veil, appeared in the south-west, and a pondering sheep-herder might remember that there were mountains.
In the silence of these plains the sudden and childish banging of a tin pan could have made an iron-nerved man leap into the air. The sky was ever flawless; the manoeuvring of clouds was an unknown pageant; but at times a sheep-herder could see, miles away, the long, white streamers of dust rising from the feet of another's flock, and the interest became intense.
Bill was arduously cooking his dinner, bending over the fire, and toiling like a blacksmith. A movement, a flash of strange colour, perhaps, off in the bushes, caused him suddenly to turn his head. Presently he arose, and, shading his eyes with his hand, stood motionless and gazing. He perceived at last a Mexican sheep-herder winding through the brush toward his camp.
"Hello!" shouted Bill.
The Mexican made no answer, but came steadily forward until he was within some twenty yards. There he paused, and, folding his arms, drew himself up in the manner affected by the villain in the play. His serape muffled the lower part of his face, and his great sombrero shaded his brow. Being unexpected and also silent, he had something of the quality of an apparition; moreover, it was clearly his intention to be mysterious and devilish.
The American's pipe, sticking carelessly in the corner of his mouth, was twisted until the wrong side was uppermost, and he held his frying-pan poised in the air. He surveyed with evident surprise this apparition in the mesquit. "Hello, José!" he said; "what's the matter?"
The Mexican spoke with the solemnity of funeral tollings: "Beel, you mus' geet off range. We want you geet off range. We no like. Un'erstan'? We no like."
"What you talking about?" said Bill. "No like what?"
"We no like you here. Un'erstan'? Too mooch. You mus' geet out. We no like. Un'erstan'?"
"Understand? No; I don't know what the blazes you're gittin' at." Bill's eyes wavered in bewilderment, and his jaw fell. "I must git out? I must git off the range? What you givin' us?"
The Mexican unfolded his serape with his small yellow hand. Upon his face was then to be seen a smile that was gently, almost caressingly murderous. "Beel," he said, "geet out!"
Bill's arm dropped until the frying-pan was at his knee. Finally he turned again toward the fire. "Go on, you dog-gone little yaller rat!" he said over his shoulder. "You fellers can't chase me off this range. I got as much right here as anybody."
"Beel," answered the other in a vibrant tone, thrusting his head forward and moving one foot, "you geet out or we keel you."
"Who will?" said Bill.
"I—and the others." The Mexican tapped his breast gracefully.
Bill reflected for a time, and then he said: "You ain't got no manner of license to warn me off'n this range, and I won't move a rod. Understand? I've got rights, and I suppose if I don't see 'em through, no one is likely to give me a good hand and help me lick you fellers, since I'm the only white man in half a day's ride. Now, look; if you fellers try to rush this camp, I'm goin' to plug about fifty per cent. of the gentlemen present, sure. I'm goin' in for trouble, an' I'll git a lot of you. 'Nuther thing: if I was a fine valuable caballero like you, I'd stay in the rear till the shootin' was done, because I'm goin' to make a particular p'int of shootin' you through the chest." He grinned affably, and made a gesture of dismissal.
As for the Mexican, he waved his hands in a consummate expression of indifference. "Oh, all right," he said. Then, in a tone of deep menace and glee, he added: "We will keel you eef you no geet. They have decide'."
"They have, have they?" said Bill. "Well, you tell them to go to the devil!"
II
Bill had been a mine-owner in Wyoming, a great man, an aristocrat, one who possessed unlimited credit in the saloons down the gulch. He had the social weight that could interrupt a lynching or advise a bad man of the particular merits of a remote geographical point. However, the fates exploded the toy balloon with which they had amused Bill, and on the evening of the same day he was a professional gambler with ill-fortune dealing him unspeakable irritation in the shape of three big cards whenever another fellow stood pat. It is well here to inform the world that Bill considered his calamities of life all dwarfs in comparison with the excitement of one particular evening, when three kings came to him with criminal regularity against a man who always filled a straight. Later he became a cow-boy, more weirdly abandoned than if he had never been an aristocrat. By this time all that remained of his former splendour was his pride, or his vanity, which was one thing which need not have remained. He killed the foreman of the ranch over an inconsequent matter as to which of them was a liar, and the midnight train carried him eastward. He became a brakeman on the Union Pacific, and really gained high honours in the hobo war that for many years has devastated the beautiful railroads of our country. A creature of ill-fortune himself, he practised all the ordinary cruelties upon these other creatures of ill-fortune. He was of so fierce a mien that tramps usually surrendered at once whatever coin or tobacco they had in their possession; and if afterward he kicked them from the train, it was only because this was a recognized treachery of the war upon the hoboes. In a famous battle fought in Nebraska in 1879, he would have achieved a lasting distinction if it had not been for a deserter from the United States army. He was at the head of a heroic and sweeping charge, which really broke the power of the hoboes in that country for three months; he had already worsted four tramps with his own coupling-stick, when a stone thrown by the ex-third baseman of F Troop's nine laid him flat on the prairie, and later enforced a stay in the hospital in Omaha. After his recovery he engaged with other railroads, and shuffled cars in countless yards. An order to strike came upon him in Michigan, and afterward the vengeance of the railroad pursued him until he assumed a name. This mask is like the darkness in which the burglar chooses to move. It destroys many of the healthy fears. It is a small thing, but it eats that which we call our conscience. The conductor of No. 419 stood in the caboose within