The Mythology of the Devil. Moncure D. ConwayЧитать онлайн книгу.

      Chapter I.

       Hunger.

       Table of Contents

      Hunger-demons—Kephn—Miru—Kagura—Ráhu the Hindu sun-devourer—The earth monster at Pelsall—A Franconian custom—Sheitan as moon-devourer—Hindu offerings to the dead—Ghoul—Goblin—Vampyres—Leanness of demons—Old Scotch custom.—The origin of sacrifices.

      In every part of the earth man’s first struggle was for his daily food. With only a rude implement of stone or bone he had to get fish from the sea, bird from the air, beast from the forest. For ages, with such poor equipment, he had to wring a precarious livelihood from nature. He saw, too, every living form around him similarly trying to satisfy its hunger. There seemed to be a Spirit of Hunger abroad. And, at the same time, there was such a resistance to man’s satisfaction of his need—the bird and fish so hard to get, the stingy earth so ready to give him a stone when he asked for bread—that he came to the conclusion that there must be invisible voracious beings who wanted all good things for themselves. So the ancient world was haunted by a vast brood of Hunger-demons. There is an African tribe, the Karens, whose representation of the Devil (Kephn) is a huge stomach floating through the air; and this repulsive image may be regarded as the type of nearly half the demons which have haunted the human imagination. This, too, is the terrible Miru, with her daughters and slave, haunting the South Sea Islander. ‘The esoteric doctrine of the priests was, that souls leave the body ere breath has quite gone, and travel to the edge of a cliff facing the setting sun (Rā). A large wave now approaches the base of the cliff, and a gigantic bua tree, covered with fragrant blossoms, springs up from Avaiki (nether world) to receive on its far-reaching branches human spirits, who are mysteriously impelled to cluster on its limbs. When at length the mystic tree is covered with human spirits, it goes down with its living freight to the nether world. Akaanga, the slave of fearful Miru, mistress of the invisible world, infallibly catches all these unhappy spirits in his net and laves them to and fro in a lake. In these waters the captive ghosts exhaust themselves by wriggling about like fishes, in the vain hope of escape. The net is pulled up, and the half-drowned spirits enter into the presence of dread Miru, who is ugliness personified. The secret of Miru’s power over her intended victims is the ‘kava’ root (Piper mythisticum). A bowl of this drink is prepared for each visitor to the shades by her four lovely daughters. Stupefied with the draught, the unresisting victims are borne off to a mighty oven and cooked. Miru, her peerless daughters, her dance-loving son, and the attendants, subsist exclusively on human spirits decoyed to the nether world and then cooked. The drinking-cups of Miru are the skulls of her victims. She is called in song ‘Miru-the-ruddy,’ because her cheeks ever glow with the heat of the oven where her captives are cooked. As the surest way to Miru’s oven is to die a natural death, one need not marvel that the Rev. Mr. Gill, who made these statements before the Anthropological Institute in London (February 8, 1876), had heard ‘many anecdotes of aged warriors, scarcely able to hold a spear, insisting on being led to the field of battle in the hope of gaining the house of the brave.’ As the South Sea paradise seems to consist in an eternal war-dance, or, in one island, in an eternal chewing of sugar-cane, it is not unlikely that the aged seek violent death chiefly to avoid the oven. We have here a remarkable illustration of the distinguishing characteristic of the demon. Fearful as Miru is, it may be noted that there is not one gratuitous element of cruelty in her procedure. On the contrary, she even provides her victims with an anæsthetic draught. Her prey is simply netted, washed, and cooked, as for man are his animal inferiors. In one of the islands (Aitutaki), Miru is believed to resort to a device which is certainly terrible—namely, the contrivance that each soul entering the nether world shall drink a bowl of living centipedes; but this is simply with the one end in view of appeasing her own pangs of hunger, for the object and effect of the draught is to cause the souls to drown themselves, it being apparently only after entire death that they can be cooked and devoured by Miru and her household.

      Fortunately for the islanders, Miru is limited in her tortures to a transmundane sphere, and room is left for many a slip between her dreadful cup and the human lip. The floating stomach Kephn is, however, not other-worldly. We see, however, a softened form of him in some other tribes. The Greenlanders, Finns, Laps, conceived the idea that there is a large paunch-demon which people could invoke to go and suck the cows or consume the herds of their enemies; and the Icelanders have a superstition that some people can construct such a demon out of bones and skins, and send him forth to transmute the milk or flesh of cattle into a supply of flesh and blood. A form of this kind is represented in the Japanese Kagura (figure 3), the favourite mask of January dancers and drum-beaters seeking money. The Kagura is in precise contrast with the Pretas (Siam), which, though twelve miles in height, are too thin to be seen, their mouths being so small as to render it impossible to satisfy their fearful hunger.

The pot-bellies given to demons in Travancore and other districts of India, and the blood-sacrifices by which the natives propitiate them—concerning which a missionary naively remarks, that even these heathen recognise, though in corrupted form, ‘the great truth that without shedding of blood there is no remission of sins’1—refer to the Hunger-demon. They are the brood of Kali, girt round with human skulls.