Hume's Political Discourses. David HumeЧитать онлайн книгу.
after the field of battle, where honour and interest steel men against compassion as well as fear, the combatants divest themselves of the brute, and resume the man.
Nor need we fear that men, by losing their ferocity, will lose their martial spirit, or become less undaunted and vigorous in defence of their country or their liberty. The arts have no such effect in enervating either the mind or body. On the contrary, industry, their inseparable attendant, adds new force to both. And if anger, which is said to be the whetstone of courage, loses somewhat of its asperity by politeness and refinement, a sense of honour, which is a stronger, more constant, and more governable principle, acquires fresh vigour by that elevation of genius which arises from knowledge and a good education. Add to this that courage can neither have any duration nor be of any use when not accompanied with discipline and martial skill, which are seldom found among a barbarous people. The ancients remarked that Datames was the only barbarian that ever knew the art of war. And Pyrrhus, seeing the Romans marshal their army with some art and skill, said with surprise, “These barbarians have nothing barbarous in their discipline!” It is observable that as the old Romans, by applying themselves solely to war, were the {p21} only uncivilized people that ever possessed military discipline, so the Italians are the only civilized people among Europeans that ever wanted courage and a martial spirit. Those who would ascribe this effeminacy of the Italians to their luxury or politeness, or application to the arts, need but consider the French and English, whose bravery is as incontestable as their love for luxury and their assiduity in commerce. The Italian historians give us a more satisfactory reason for this degeneracy of their countrymen. They show us how the sword was dropped at once by all the Italian sovereigns; while the Venetian aristocracy was jealous of its subjects, the Florentine democracy applied itself entirely to commerce; Rome was governed by priests, and Naples by women. War then became the business of soldiers of fortune, who spared one another, and, to the astonishment of the world, could engage a whole day in what they called a battle, and return at night to their camp without the least bloodshed.
What has chiefly induced severe moralists to declaim against refinement in the arts is the example of ancient Rome, which, joining to its poverty and rusticity, virtue and public spirit, rose to such a surprising height of grandeur and liberty; but having learned from its conquered provinces the Asiatic luxury, fell into every kind of corruption, whence arose sedition and civil wars, attended at last with the total loss of liberty. All the Latin classics, whom we peruse in our infancy, are full of these sentiments, and universally ascribe the ruin of their state to the arts and riches imported from the East: insomuch that Sallust represents a taste for painting as a vice no less than lewdness and drinking. And so popular were these sentiments during the latter ages of the republic, that this author abounds in praises of the old rigid Roman virtue, though himself the most egregious instance of modern luxury and corruption; speaks contemptuously of the Grecian eloquence, though the most eloquent writer in the world; nay, employs preposterous digressions and declamations to this purpose, though a model of taste and correctness. {p22}
But it would be easy to prove that these writers mistook the cause of the disorders in the Roman state, and ascribed to luxury and the arts what really proceeded from an ill-modelled government and the unlimited extent of conquests. Refinement on the pleasures and conveniences of life has no natural tendency to beget venality and corruption. The value which all men put upon any particular pleasure depends on comparison and experience; nor is a porter less greedy of money, which he spends on bacon and brandy, than a courtier, who purchases champagne and ortolans. Riches are valuable at all times, and to all men, because they always purchase pleasures such as men are accustomed to and desire; nor can anything restrain or regulate the love of money but a sense of honour and virtue, which, if it be not nearly equal at all times, will naturally abound most in ages of knowledge and refinement.
Of all European kingdoms, Poland seems the most defective in the arts of war, as well as peace, mechanical as well as liberal; and yet it is there that venality and corruption do most prevail. The nobles seem to have preserved their crown elective for no other purpose but regularly to sell it to the highest bidder; this is almost the only species of commerce with which that people are acquainted.
The liberties of England, so far from decaying since the improvements in the arts, have never flourished so much as during that period. And though corruption may seem to increase of late years, this is chiefly to be ascribed to our established liberty, when our princes have found the impossibility of governing without parliaments, or of terrifying parliaments by the phantom of prerogative. Not to mention that this corruption or venality prevails infinitely more among the electors than the elected, and therefore cannot justly be ascribed to any refinements in luxury.
If we consider the matter in a proper light, we shall find that improvements in the arts are rather favourable to liberty, and have a natural tendency to preserve, if not {p23} produce a free government. In rude, unpolished nations, where the arts are neglected, all the labour is bestowed on the cultivation of the ground; and the whole society is divided into two classes—proprietors of land and their vassals or tenants. The latter are necessarily dependent, and fitted for slavery and subjection; especially where they possess no riches, and are not valued for their knowledge in agriculture, as must always be the case where the arts are neglected. The former naturally erect themselves into petty tyrants, and must either submit to an absolute master for the sake of peace and order, or if they will preserve their independency, like the ancient barons, they must fall into feuds and contests among themselves, and throw the whole society into such confusion as is perhaps worse than the most despotic government. But where luxury nourishes commerce and industry, the peasants, by a proper cultivation of the land, become rich and independent; while the tradesmen and merchants acquire a share of the property, and draw authority and consideration to that middling rank of men, who are the best and firmest basis of public liberty. These submit not to slavery, like the poor peasants, from poverty and meanness of spirit; and having no hopes of tyrannizing over others, like the barons, they are not tempted, for the sake of that gratification, to submit to the tyranny of their sovereign. They covet equal laws, which may secure their property, and preserve them from monarchical as well as aristocratical tyranny.
The House of Commons is the support of our popular government, and all the world acknowledges that it owed its chief influence and consideration to the increase of commerce, which threw such a balance of property into the hands of the commons. How inconsistent then is it to blame so violently a refinement in the arts, and to represent it as the bane of liberty and public spirit!
To declaim against present times, and magnify the virtue of remote ancestors, is a propensity almost inherent in human nature: and as the sentiments and opinions of civilized ages alone are transmitted to posterity, hence it is {p24} that we meet with so many severe judgments pronounced against luxury, and even science; and hence it is that at present we give so ready an assent to them. But the fallacy is easily perceived from comparing different nations that are contemporaries, where we both judge more impartially and can better set in opposition those manners with which we are sufficiently acquainted. Treachery and cruelty, the most pernicious and most odious of all vices, seem peculiar to uncivilized ages; and by the refined Greeks and Romans were ascribed to all the barbarous nations which surrounded them. They might justly, therefore, have presumed that their own ancestors, so highly celebrated, possessed no greater virtue, and were as much inferior to their posterity in honour and humanity as in taste and science. An ancient Frank or Saxon may be highly extolled; but I believe every man would think his life or fortune much less secure in the hands of a Moor or Tartar than in those of a French or English gentleman, the rank of men the most civilized in the most civilized nations.
We come now to the second position which we proposed to illustrate—viz., that as innocent luxury, or a refinement in the arts and conveniences of life, is advantageous to the public, so, wherever luxury ceases to be innocent, it also ceases to be beneficial; and when carried a degree farther, begins to be a quality pernicious, though perhaps not the most pernicious, to political society.
Let us consider what we call vicious luxury. No gratification, however sensual, can of itself be esteemed vicious. A gratification is only vicious when it engrosses all a man’s expense, and leaves no ability for such acts of duty and generosity as are required by his situation and fortune. Suppose that he correct the vice, and employ part of his expense in the education