The Philosophy of Fine Art. Georg Wilhelm Friedrich HegelЧитать онлайн книгу.
but is rather that in which the notion itself is self-determined. In whichever aspect we contemplate the notion, whether as subjective to our apprehension, or as objectively real, the Idea it manifests is a totality. But it is more than this. It is the unity which for ever is mediating between and bringing into more perfected harmony the two totalities. Only as thus apprehended is the Idea truth and indeed all truth.
2. All that exists, then, has only truth in so far as it is a definite existence of the Idea. For the Idea is alone the truly real. The truth of the phenomenal is not derived from the fact that its particular existence is of an inward or external character, and as such is in a general sense reality; it is so wholly in virtue of the fact that such reality is adequate to the notion. Then alone is determinate existence real and true. And the truth, to which we here refer, is not a subjective interpretation of it, namely, that a particular existence is accordant with my own conception of it. It is truth in the objective sense that the reality of the Ego, or of any external object, action, or circumstance actually contributes to the realization of the notion. If this identity is not established the existence remains purely phenomenal. Instead of the objectification of the notion in its completeness what obtains is purely a detached aspect of it; and with regard to this, whatever self-subsistence it may appear to have in opposition to the unity and universality of the notion, such can only work to its final confusion by setting it in hostility to the true notion itself. Our conclusion, therefore, is that only the reality which adequately expresses the notion is truly reality, and the reason it is so is that therein the Idea manifests itself as existence.
3. We have maintained that beauty is Idea. It follows that beauty and truth are, in one aspect of them, identical. In other words, beauty must itself in its intrinsic being be true. A closer investigation will further show to us that truth must be distinguished from beauty.
The idea is true in the sense that it is so by virtue of its essential being and according to its fundamental principle193, and as such truth it is thought194. It is not its sensuous and external existence, but the universal Idea of thought as present in this. At the same time the Idea is driven to seek its realization in external and objectively determined existence, both in the sphere of Nature and that of Mind. The true, in the absolute sense, also exists. And in so far as, in this its external existence, it is immediately apprehended by consciousness, and the notion rests in immediate unity with its external appearance, the Idea is not only true, but is also beautiful. The beautiful may therefore be defined as the sensuous semblance195 of the Idea. For the sensuous condition and the objective world generally maintain no real self-subsistence in beauty, but have merely to surrender the immediacy of their being. In beauty such are posited simply as the determinate existence and externality of the notion, and as a form of reality, which itself manifests the notion in unity with its external appearance in this its particular objective existence. For this reason it can only pass as the semblance of the notion.
(a) Accordantly with this it is impossible for the understanding196 alone to grasp the significance of beauty. For inasmuch as objective reality is apprehended by this faculty as something at least quite other than ideality, sensuous perception, as something very different from the notion, the external object as something that is anywhere rather than within world of the conscious self, to that extent it cannot fail to emphasize the contradictions implied in such separation, rather than penetrate to the ideal unity we have above described. The understanding remains rooted in the finite, the incomplete and untrue abstraction. The beautiful is on the contrary itself essentially infinite and free.
For although the content of beauty is stamped with particularity and to that extent limited, such content is essentially in its mode of environment a totality that is infinite197 and a free existence; and it is both for the reason that it is the notion, which does not pass beyond this its objective semblance, and so fall into finite and one sided abstraction with it, but rather is immersed as a blossom with this its objectification and through the imminent unity and perfection of such inclusion is revealed as essentially infinite. With equal truth we may affirm that the notion in sealing, as it were, with a soul the real existence, in which it is part of the objective world, is itself by itself freely manifest in that world. For the notion will not suffer that external existence in the sphere of beauty to follow, as it would otherwise, the laws that therein are paramount: rather it determines out of its own riches the articulation and form of its appearance therein; and it is precisely this harmony of the notion with the mode of its external existence which constitutes the essential life of beauty. And the bond which braces all together, no less than the power behind it, is self-conscious life, unity, soul, and artistic personality.
(b) We conclude, then, that if we consider beauty in its relation to conscious life, on the subjective side that is, it is neither to be adequately apprehended by an intelligence that persists in the unfree medium of purely finite existence, nor is it the object of the finite Will. We will enlarge a little on both points.
As finite intelligence we are aware in feeling of the inner no less than the outer objects of consciousness; we observe them, perceive them to be true to our senses, allow them to form part of the content of our perceptions, concepts, and finally, no doubt, to become the abstractions which our understanding presents to us, reflecting on their appearance, and endowing them with the abstract form of universality.
Now the finiteness and absence of freedom inseparable from this mental attitude consists in the assumption that the things perceived are self-subsistent. We direct our attention to these objects, suffer them to impress us, form our ideas of them, possessed with the faith in their material existence as objects, and convinced that all we have to do is to perceive them as they appear to our passive reception, to preserve, in short, the formal side of our attention intact, holding such unfettered by our fancies, opinions, and prejudices. In thus accepting this one-sided freedom of objects we posit at the same time the want of freedom in their mental apprehension. To such the content is one wholly given from outside; and instead of a true self-determination through difference we have nothing but the reception and acceptance of what is presented as a part of the objective thing. We would arrive at truth by the suppression of all that belongs to ourselves198.
A criticism of like nature, though the defect is here just at the other extreme, may be applied to the finite Will. In this theory interests, objects, intentions, and conclusions are all relegated to the subject, whose will it is to enforce them as against the existence and properties of the material thing. This it can only do by the annihilation of the object itself, or at least, in so far as it can modify or change its form and energies, by transmuting its qualities, or permitting them to exercise such a change on each other, as water may exercise on fire, fire on iron, iron on wood, and so forth. We now find that it is the particular things, which the subject has enrolled in its service, as things to be regarded and treated as useful, which in their turn have been deprived of their self-subsistence. In other words, they have come to be regarded as objects, whose notion and meaning is not their own, but derived from the reflecting consciousness, so that what is most essential to them is precisely this relation of service in which they stand to the subjective purpose, that is, our own intelligence. The values of either side of the relation are thus completely reversed. The objective thing has lost freedom and the conscious subject secured it. As a matter of fact, the freedom on both aspects of the relation is, owing to the finitude and abstraction it implies under such a view, a purely supposititious one.
In the sphere of theory here it is the assumed independence of the objective world which creates the finitude and bondage of the conscious Ego. In that of the practical world this dependence is due to its one-sidedness, the conflict and contradiction of its aims within and the impulses and passions which press from without, no less than to the unreconciled opposition of a world of objects. For the separation