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and made a trip to the woods to paint and light several trees for moths. When they came back Mrs. Comstock sat in the arbour, and they joined her. The moonlight was so intense, print could have been read by it. The damp night air held odours near to earth, making flower and tree perfume strong. A thousand insects were serenading, and in the maple the grosbeak occasionally said a reassuring word to his wife, while she answered that all was well. A whip-poor-will wailed in the swamp and beside the blue-bordered pool a chat complained disconsolately. Mrs. Comstock went into the cabin, but she returned immediately, laying the violin and bow across Elnora's lap. “I wish you would give us a little music,” she said.
CHAPTER XVII
WHEREIN MRS. COMSTOCK DANCES IN THE MOONLIGHT, AND ELNORA MAKES A CONFESSION
Billy was swinging in the hammock, at peace with himself and all the world, when he thought he heard something. He sat bolt upright, his eyes staring. Once he opened his lips, then thought again and closed them. The sound persisted. Billy vaulted the fence, and ran down the road with his queer sidewise hop. When he neared the Comstock cabin, he left the warm dust of the highway and stepped softly at slower pace over the rank grasses of the roadside. He had heard aright. The violin was in the grape arbour, singing a perfect jumble of everything, poured out in an exultant tumult. The strings were voicing the joy of a happy girl heart.
Billy climbed the fence enclosing the west woods and crept toward the arbour. He was not a spy and not a sneak. He merely wanted to satisfy his child-heart as to whether Mrs. Comstock was at home, and Elnora at last playing her loved violin with her mother's consent. One peep sufficed. Mrs. Comstock sat in the moonlight, her head leaning against the arbour; on her face was a look of perfect peace and contentment. As he stared at her the bow hesitated a second and Mrs. Comstock spoke:
“That's all very melodious and sweet,” she said, “but I do wish you could play Money Musk and some of the tunes I danced as a girl.”
Elnora had been carefully avoiding every note that might be reminiscent of her father. At the words she laughed softly and began “Turkey in the Straw.” An instant later Mrs. Comstock was dancing in the moon light. Ammon sprang to her side, caught her in his arms, while to Elnora's laughter and the violin's impetus they danced until they dropped panting on the arbour bench.
Billy scarcely knew when he reached the road. His light feet barely touched the soft way, so swiftly he flew. He vaulted the fence and burst into the house.
“Aunt Margaret! Uncle Wesley!” he screamed. “Listen! Listen! She's playing it! Elnora's playing her violin at home! And Aunt Kate is dancing like anything before the arbour! I saw her in the moonlight! I ran down! Oh, Aunt Margaret!”
Billy fled sobbing to Margaret's breast.
“Why Billy!” she chided. “Don't cry, you little dunce! That's what we've all prayed for these many years; but you must be mistaken about Kate. I can't believe it.”
Billy lifted his head. “Well, you just have to!” he said. “When I say I saw anything, Uncle Wesley knows I did. The city man was dancing with her. They danced together and Elnora laughed. But it didn't look funny to me; I was scared.”
“Who was it said 'wonders never cease,'” asked Wesley. “You mark my word, once you get Kate Comstock started, you can't stop her. There's a wagon load of penned-up force in her. Dancing in the moonlight! Well, I'll be hanged!”
Billy was at his side instantly. “Whoever does it will have to hang me, too,” he cried.
Sinton threw his arm around Billy and drew him closely. “Tell us all about it, son,” he said. Billy told. “And when Elnora just stopped a breath, 'Can't you play some of the old things I knew when I was a girl?' said her ma. Then Elnora began to do a thing that made you want to whirl round and round, and quicker 'an scat there was her ma a-whirling. The city man, he ups and grabs her and whirls, too, and back in the woods I was going just like they did. Elnora begins to laugh, and I ran to tell you, cos I knew you'd like to know. Now, all the world is right, ain't it?” ended Billy in supreme satisfaction.
“You just bet it is!” said Wesley.
Billy looked steadily at Margaret. “Is it, Aunt Margaret?”
Margaret Sinton smiled at him bravely.
An hour later when Billy was ready to climb the stairs to his room, he went to Margaret to say good night. He leaned against her an instant, then brought his lips to her ear. “Wish I could get your little girls back for you!” he whispered and dashed toward the stairs.
Down at the Comstock cabin the violin played on until Elnora was so tired she scarcely could lift the bow. Then Philip went home. The women walked to the gate with him, and stood watching him from sight.
“That's what I call one decent young man!” said Mrs. Comstock. “To see him fit in with us, you'd think he'd been brought up in a cabin; but it's likely he's always had the very cream o' the pot.”
“Yes, I think so,” laughed Elnora, “but it hasn't hurt him. I've never seen anything I could criticise. He's teaching me so much, unconsciously. You know he graduated from Harvard, and has several degrees in law. He's coming in the morning, and we are going to put in a big day on Catocalae.”
“Which is——?”
“Those gray moths with wings that fold back like big flies, and they appear as if they had been carved from old wood. Then, when they fly, the lower wings flash out and they are red and black, or gold and black, or pink and black, or dozens of bright, beautiful colours combined with black. No one ever has classified all of them and written their complete history, unless the Bird Woman is doing it now. She wants everything she can get about them.”
“I remember,” said Mrs. Comstock. “They are mighty pretty things. I've started up slews of them from the vines covering the logs, all my life. I must be cautious and catch them after this, but they seem powerful spry. I might get hold of something rare.” She thought intently and added, “And wouldn't know it if I did. It would just be my luck. I've had the rarest thing on earth in reach this many a day and only had the wit to cinch it just as it was going. I'll bet I don't let anything else escape me.”
Next morning Philip came early, and he and Elnora went at once to the fields and woods. Mrs. Comstock had come to believe so implicitly in him that she now stayed at home to complete the work before she joined them, and when she did she often sat sewing, leaving them wandering hours at a time. It was noon before she finished, and then she packed a basket of lunch. She found Elnora and Philip near the violet patch, which was still in its prime. They all lunched together in the shade of a wild crab thicket, with flowers spread at their feet, and the gold orioles streaking the air with flashes of light and trailing ecstasy behind them, while the red-wings, as always, asked the most impertinent questions. Then Mrs. Comstock carried the basket back to the cabin, and Philip and Elnora sat on a log, resting a few minutes. They had unexpected luck, and both were eager to continue the search.
“Do you remember your promise about these violets?” asked he. “To-morrow is Edith's birthday, and if I'd put them special delivery on the morning train, she'd get them in the late afternoon. They ought to keep that long. She leaves for the North next day.”
“Of course, you may have them,” said Elnora. “We will quit long enough before supper to gather a large bunch. They can be packed so they will carry all right. They should be perfectly fresh, especially if we gather them this evening and let them drink all night.”
Then they went back to hunt Catocalae. It was a long and a happy search. It led them into new, unexplored nooks of the woods, past a red-poll nest, and where goldfinches prospected for thistledown for the cradles they would line a little later. It led them into real forest, where deep, dark pools lay, where the hermit thrush and the wood robin extracted the essence from all other bird melody, and poured it out in their pure bell-tone notes. It seemed as if every old gray tree-trunk,