Studies in Classic American Literature. D. H. LawrenceЧитать онлайн книгу.
that one cannot help but feel, beating here above the wild centre of America. You look round in vain for the 'One being Who made all things, and governs the world by His Providence'.
'One species pursue and live upon another.'
Reconcile the two statements if you like. But, in America, act on Crevecoeur's observation.
The horse, however, says Hector, is the friend of man, and man is the friend of the horse. But then we leave the horse no choice. And I don't see much friend, exactly, in my sly old Indian pony, though he is quite a decent old bird.
Man, too, says Hector, is the friend of man. Whereupon the Indians burnt his farm; so he refrains from mentioning it in the Letters, for fear of invalidating his premises.
Some great hornets have fixed their nest on the ceiling of the living-room of the American Farmer, and these tiger-striped animals fly round the heads of the Healthy Offspring and the Amiable Spouse, to the gratification of the American Farmer. He liked their buzz and their tiger waspishness. Also, on the utilitarian plane, they kept the house free of flies. So Hector says. Therefore Benjamin would have approved. But of the feelings of the Amiable S., on this matter, we are not told, and after all, it was she who had to make the jam.
Another anecdote. Swallows built their nest on the veranda of the American Farm. Wrens took a fancy to the nest of the swallows. They pugnaciously (I like the word pugnaciously, it is so American) attacked the harbingers of spring, and drove them away from their nice adobe nest. The swallows returned upon opportunity. But the wrens, coming home, violently drove them forth again. Which continued until the gentle swallows patiently set about to build another nest, while the wrens sat in triumph in the usurped home. The American Farmer watched this contest with delight, and no doubt loudly applauded those little rascals of wrens. For in the Land of the Free, the greatest delight of every man is in getting the better of the other man.
Crevecoeur says he shot a king-bird that had been devouring his bees. He opened the craw and took out a vast number of bees, which little democrats, after they had lain a minute or two stunned, in the sun roused, revived, preened their wings and walked off debonair, like Jonah up the seashore; or like true Yanks escaped from the craw of the king-bird of Europe.
I don't care whether it's true or not. I like the picture, and see in it a parable of the American resurrection.
The humming-bird.
Its bill is as long and as sharp as a coarse sewing-needle; like the bee, nature has taught it to kind out in the calyx of flowers and blossoms those mellifluous particles that can serve it for sufficient food; and yet it seems to leave them untouched, undeprived of anything that our eyes can possibly distinguish. Where it feeds it appears as if immovable, though continually on the wing: and sometimes, from what motives I know not, it will tear and lacerate flowers into a hundred pieces; for, strange to tell, they are the most irascible of the feathered tribe. Where do passions find room in so diminutive a body ? They often fight with the fury of lions, until one of the combatants falls a sacrifice and dies. When fatigued, it has often perched within a few feet of me, and on such favourable opportunities I have surveyed it with the most minute attention. Its little eyes appear like diamonds, reflecting light on every side; most elegantly finished in all parts, it is a miniature work of our great parent, who seems to have formed it smallest, and at the same time the most beautiful, of the winged species.
A regular little Tartar, too. Lions no bigger than inkspots ! I have read about humming-birds elsewhere, in Bates and W. H. Hudson, for example. But it is left to the American Farmer to show me the real little raging lion. Birds are evidently no angels in America, or to the true American. He sees how they start and flash their wings like little devils, and stab each other with egoistic sharp bills. But he sees also the reserved, tender shyness of the wild creature, upon occasion. Quails in winter, for instance.
Often, in the angles of the fences, where the motion of the wind prevents the snow from settling, I carry them both chaff and grain the one to feed them the other to prevent their tender feet from freezing fast to the earth, as I have frequently observed them to do.
This is beautiful, and blood-knowledge. Crevecoeur knows the touch of birds' feet, as if they had stood with their vibrating, sharp, cold-cleaving balance, naked footed on his naked hand. It is a beautiful, barbaric tenderness of the blood. He doesn't after all turn them into 'little sisters of the air', like St. Francis, or start preaching to them. He knows them as strange, shy, hot-blooded concentrations of bird-presence.
The Letter about snakes and humming-birds is a fine essay, in its primal, dark veracity. The description of the fight between two snakes, a great water-snake and a large black serpent, follows the description of the humming-bird:
Strange was this to behold; two great snakes strongly adhering to the ground, mutually fastened together by means of the writhings which lashed them to each other, and stretched at their full length they pulled, but pulled in vain, and in the moments of greatest exertions that part of their bodies which was entwined seemed extremely small, while the rest appeared inflated, and now and then convulsed with strong undulations, rapidly following each other. Their eyes seemed on fire, and ready to start out of their heads; at one time the conflict seemed decided; the water-snake bent itself into two great folds, and by that operation rendered the other more than commonly outstretched. The next minute the new struggles of the black one gained an unexpected superiority, it acquired two great folds likewise, which necessarily extended the body of its adversary in proportion as it had contracted its own.
This fight, which Crevecoeur describes to a finish, he calls a sight 'uncommon and beautiful'. He forgets the sweet-and- pureness of Nature, and is for the time a sheer ophiolater, and his chapter is as handsome a piece of ophiolatry, perhaps, as that coiled Aztec rattlesnake carved in stone.
And yet the real Crevecoeur is, in the issue, neither farmer, nor child of Nature, nor ophiolater. He goes back to France, and figures in the literary salons, and is a friend of Rousseau's Madame d'Houdetot. Also he is a good business man, and arranges a line of shipping between France and America. It all ends in materialism, really. But the Letters tell us nothing about this.
We are left to imagine him retiring in grief to dwell with his Red Brothers under the wigwams. For the War of Independence has broken out, and the Indians are armed by the adversaries; they do dreadful work on the frontiers. While Crevecoeur is away in France his farm is destroyed, his family rendered homeless. So that the last letter laments bitterly over the war, and man's folly and inhumanity to man.
But Crevecoeur ends his lament on a note of resolution. With his amiable spouse, and his healthy offspring, now rising in stature, he will leave the civilized coasts, where man is sophisticated, and therefore inclined to be vile, and he will go to live with the Children of Nature, the Red Men, under the wigwam. No doubt, in actual life, Crevecoeur made some distinction between the Indians who drank rum … la Franklin, and who burnt homesteads and massacred families, and those Indians, the noble Children of Nature, who peopled his own predetermined fancy. Whatever he did in actual life, in his innermost self he would not give up this self-made world, where the natural man was an object of undefiled brotherliness. Touchingly and vividly he describes his tented home near the Indian village, how he breaks the aboriginal earth to produce a little maize, while his wife weaves within the wigwam. And his imaginary efforts to save his tender offspring from the brutishness of unchristian darkness are touching and puzzling, for how can Nature, so sweet and pure under the greenwood tree, how can it have any contaminating effect ?
But it is all a swindle. Crevecoeur was off to France in high- heeled shoes and embroidered waistcoat, to pose as a literary man, and to prosper in the world. We, however, must perforce follow him into the backwoods, where the simple natural life shall be perfected, near the tented village of the Red Man.
He wanted, of course, to imagine the dark, savage way of life, to get it all off pat in his head. He wanted to know as the Indians and savages know, darkly, and in terms of otherness. He was simply crazy, as the Americans say, for this. Crazy enough! For at the same time he was absolutely determined that Nature is sweet and pure, that all men are brothers, and equal, and that they love one another like so many cooing doves. He was determined to have life according to his own prescription.