Bel Ami, or the History of a Scoundrel. Guy de MaupassantЧитать онлайн книгу.
"Very well, will you accompany me to the 'Vie Francaise' where I have some proofs to correct; and afterward take a drink with me?"
"Yes, gladly."
They walked along arm-in-arm with that familiarity which exists between schoolmates and brother-officers.
"What are you doing in Paris?" asked Forestier, Duroy shrugged his shoulders.
"Dying of hunger, simply. When my time was up, I came hither to make my fortune, or rather to live in Paris--and for six months I have been employed in a railroad office at fifteen hundred francs a year."
Forestier murmured: "That is not very much."
"But what can I do?" answered Duroy. "I am alone, I know no one, I have no recommendations. The spirit is not lacking, but the means are."
His companion looked at him from head to foot like a practical man who is examining a subject; then he said, in a tone of conviction: "You see, my dear fellow, all depends on assurance, here. A shrewd, observing man can sometimes become a minister. You must obtrude yourself and yet not ask anything. But how is it you have not found anything better than a clerkship at the station?"
Duroy replied: "I hunted everywhere and found nothing else. But I know where I can get three thousand francs at least--as riding-master at the Pellerin school."
Forestier stopped him: "Don't do it, for you can earn ten thousand francs. You will ruin your prospects at once. In your office at least no one knows you; you can leave it if you wish to at any time. But when you are once a riding-master all will be over. You might as well be a butler in a house to which all Paris comes to dine. When you have given riding lessons to men of the world or to their sons, they will no longer consider you their equal."
He paused, reflected several seconds and then asked:
"Are you a bachelor?"
"Yes, though I have been smitten several times."
"That makes no difference. If Cicero and Tiberius were mentioned would you know who they were?"
"Yes."
"Good, no one knows any more except about a score of fools. It is not difficult to pass for being learned. The secret is not to betray your ignorance. Just maneuver, avoid the quicksands and obstacles, and the rest can be found in a dictionary."
He spoke like one who understood human nature, and he smiled as the crowd passed them by. Suddenly he began to cough and stopped to allow the paroxysm to spend itself; then he said in a discouraged tone:
"Isn't it tiresome not to be able to get rid of this bronchitis? And here is midsummer! This winter I shall go to Mentone. Health before everything."
They reached the Boulevarde Poissoniere; behind a large glass door an open paper was affixed; three people were reading it. Above the door was printed the legend, "La Vie Francaise."
Forestier pushed open the door and said: "Come in." Duroy entered; they ascended the stairs, passed through an antechamber in which two clerks greeted their comrade, and then entered a kind of waiting-room.
"Sit down," said Forestier, "I shall be back in five minutes," and he disappeared.
Duroy remained where he was; from time to time men passed him by, entering by one door and going out by another before he had time to glance at them.
Now they were young men, very young, with a busy air, holding sheets of paper in their hands; now compositors, their shirts spotted with ink--carefully carrying what were evidently fresh proofs. Occasionally a gentleman entered, fashionably dressed, some reporter bringing news.
Forestier reappeared arm-in-arm with a tall, thin man of thirty or forty, dressed in a black coat, with a white cravat, a dark complexion, and an insolent, self-satisfied air. Forestier said to him: "Adieu, my dear sir," and the other pressed his hand with: "Au revoir, my friend." Then he descended the stairs whistling, his cane under his arm.
Duroy asked his name.
"That is Jacques Rival, the celebrated writer and duelist. He came to correct his proofs. Garin, Montel and he are the best witty and realistic writers we have in Paris. He earns thirty thousand francs a year for two articles a week."
As they went downstairs, they met a stout, little man with long hair, who was ascending the stairs whistling. Forestier bowed low.
"Norbert de Varenne," said he, "the poet, the author of 'Les Soleils Morts,'--a very expensive man. Every poem he gives us costs three hundred francs and the longest has not two hundred lines. But let us go into the Napolitain, I am getting thirsty."
When they were seated at a table, Forestier ordered two glasses of beer. He emptied his at a single draught, while Duroy sipped his beer slowly as if it were something rare and precious. Suddenly his companion asked, "Why don't you try journalism?"
Duroy looked at him in surprise and said: "Because I have never written anything."
"Bah, we all have to make a beginning. I could employ you myself by sending you to obtain information. At first you would only get two hundred and fifty francs a month but your cab fare would be paid. Shall I speak to the manager?"
"If you will."
"Well, then come and dine with me to-morrow; I will only ask five or six to meet you; the manager, M. Walter, his wife, with Jacques Rival, and Norbert de Varenne whom you have just seen, and also a friend of Mme. Forestier, Will you come?"
Duroy hesitated, blushing and perplexed. Finally he, murmured: "I have no suitable clothes."
Forestier was amazed. "You have no dress suit? Egad, that is indispensable. In Paris, it is better to have no bed than no clothes." Then, fumbling in his vest-pocket, he drew from it two louis, placed them before his companion, and said kindly: "You can repay me when it is convenient. Buy yourself what you need and pay an installment on it. And come and dine with us at half past seven, at 17 Rue Fontaine."
In confusion Duroy picked up the money and stammered: "You are very kind--I am much obliged--be sure I shall not forget."
Forestier interrupted him: "That's all right, take another glass of beer. Waiter, two more glasses!" When he had paid the score, the journalist asked: "Would you like a stroll for an hour?"
"Certainly."
They turned toward the Madeleine. "What shall we do?" asked Forestier. "They say that in Paris an idler can always find amusement, but it is not true. A turn in the Bois is only enjoyable if you have a lady with you, and that is a rare occurrence. The cafe concerts may divert my tailor and his wife, but they do not interest me. So what can we do? Nothing! There ought to be a summer garden here, open at night, where a man could listen to good music while drinking beneath the trees. It would be a pleasant lounging place. You could walk in alleys bright with electric light and seat yourself where you pleased to hear the music. It would be charming. Where would you like to go?"
Duroy did not know what to reply; finally he said: "I have never been to the Folies Bergeres. I should like to go there."
His companion exclaimed: "The Folies Bergeres! Very well!"
They turned and walked toward the Faubourg Montmartre. The brilliantly illuminated building loomed up before them. Forestier entered, Duroy stopped him. "We forgot to pass through the gate."
The other replied in a consequential tone: "I never pay," and approached the box-office.
"Have you a good box?"
"Certainly, M. Forestier."
He took the ticket handed him, pushed open the door, and they were within the hall. A cloud of tobacco smoke almost hid the stage and the opposite side of the theater. In the spacious foyer which led to the circular promenade, brilliantly dressed women mingled with black-coated men.
Forestier forced his way rapidly through the throng and accosted an usher.
"Box 17?"
"This way, sir."
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