The Complete Works. George OrwellЧитать онлайн книгу.
the sun, fighting his losing battle against winter, struggled a little later through the mist to dye the house-fronts with pale aquarelle colours. Dorothy was in the streets all day, or in the public library, only going back to “Mary’s” to sleep, and then taking the precaution of dragging her bed across the door. She had grasped by this time that “Mary’s” was—not actually a brothel, for there is hardly such a thing in London, but a well-known refuge of prostitutes. It was for that reason that you paid ten shillings a week for a kennel not worth five. Old “Mary” (she was not the proprietress of the house, merely the manageress) had been a prostitute herself in her day, and looked it. Living in such a place damned you even in the eyes of Lambeth Cut. Women sniffed when you passed them, men took an offensive interest in you. The Jew on the corner, the owner of Knockout Trousers Ltd., was the worst of all. He was a solid young man of about thirty, with bulging red cheeks and curly black hair like astrakhan. For twelve hours a day he stood on the pavement roaring with brazen lungs that you couldn’t get a cheaper pair of trousers in London, and obstructing the passers-by. You had only to halt for a fraction of a second, and he seized you by the arm and bundled you inside the shop by main force. Once he got you there his manner became positively threatening. If you said anything disparaging about his trousers he offered to fight, and weak-minded people bought pairs of trousers in sheer physical terror. But busy though he was, he kept a sharp eye open for the “birds,” as he called them; and Dorothy appeared to fascinate him beyond all other “birds.” He had grasped that she was not a prostitute, but, living at “Mary’s,” she must—so he reasoned—be on the very verge of becoming one. The thought made his mouth water. When he saw her coming down the alley he would pose himself at the corner, with his massive chest well displayed and one black lecherous eye turned enquiringly upon her (“Are you ready to begin yet?” his eye seemed to be saying), and, as she passed, give her a discreet pinch on the backside.
On the last morning of her week at “Mary’s,” Dorothy went downstairs and looked, with only a faint flicker of hope, at the slate in the hallway where the names of people for whom there were letters were chalked up. There was no letter for “Ellen Millborough.” That settled it; there was nothing left to do except to walk out into the street. It did not occur to her to do as every other woman in the house would have done—that is, pitch a hard-up tale and try to cadge another night’s lodging rent free. She simply walked out of the house, and had not even the nerve to tell “Mary” that she was going.
She had no plan, absolutely no plan whatever. Except for half an hour at noon when she went out to spend threepence out of her last fourpence on bread and margarine and tea, she passed the entire day in the public library, reading weekly papers. In the morning she read The Barber’s Record, and in the afternoon Cage Birds. They were the only papers she could get hold of, for there were always so many idlers in the library that you had to scramble to get hold of a paper at all. She read them from cover to cover, even the advertisements. She pored for hours together over such technicalities as How to strop French Razors, Why the Electric Hairbrush is Unhygienic, Do Bullies thrive on Rapeseed? It was the only occupation that she felt equal to. She was in a strange lethargic state in which it was easier to interest herself in How to strop French Razors than in her own desperate plight. All fear had left her. Of the future she was utterly unable to think; even so far ahead as to-night she could barely see. There was a night in the streets ahead of her, that was all she knew, and even about that she only vaguely cared. Meanwhile there were Cage Birds and The Barber’s Record; and they were, strangely, absorbingly interesting.
At nine o’clock the attendant came round with a long hooked pole and turned out the gaslights, and the library was closed. Dorothy turned to the left, up the Waterloo Road, towards the river. On the iron footbridge she halted for a moment. The night wind was blowing. Deep banks of mist, like dunes, were rising from the river, and, as the wind caught them, swirling north-eastward across the town. A swirl of mist enveloped Dorothy, penetrating her thin clothes and making her shudder with a sudden foretaste of the night’s cold. She walked on and arrived, by the process of gravitation that draws all roofless people to the same spot, at Trafalgar Square.
CHAPTER III
I
(Scene: Trafalgar Square. Dimly visible through the mist, a dozen people, Dorothy among them, are grouped about one of the benches near the north parapet.)
Charlie (singing): “ ’Ail Mary, ’ail Mary, ’a-il Ma-ary——” (Big Ben strikes ten.)
Snouter (mimicking the noise): “Ding dong, ding dong! Shut your —— noise, can’t you? Seven more hours of it on this —— square before we got the chance of a set-down and a bit of sleep! Cripes!”
Mr. Tallboys (to himself): “Non sum qualis eram boni sub regno Edwardi! In the days of my innocence, before the Devil carried me up into a high place and dropped me into the Sunday newspapers—that is to say when I was Rector of Little Fawley-cum-Dewsbury . . .”
Deafie (singing): “With my willy willy, with my willy willy——”
Mrs. Wayne: “Ah, dearie, as soon as I set eyes on you I knew as you was a lady born and bred. You and me’ve known what it is to come down in the world, haven’t we, dearie? It ain’t the same for us as what it is for some of these others here.”
Charlie (singing): “ ’Ail Mary, ’ail Mary, ’a-il Ma-ary, full of grace!”
Mrs. Bendigo: “Calls himself a bloody husband, does he? Four pound a week in Covent Garden and ’is wife doing a starry in the bloody Square! Husband!”
Mr. Tallboys (to himself): “Happy days, happy days! My ivied church under the sheltering hillside—my red-tiled Rectory slumbering among Elizabethan yews! My library, my vinery, my cook, house-parlourmaid and groom-gardener! My cash in the bank, my name in Crockford! My black suit of irreproachable cut, my collar back to front, my watered silk cassock in the church precincts . . .”
Mrs. Wayne: “Of course the one thing I do thank God for, dearie, is that my poor dear mother never lived to see this day. Because if she ever had of lived to see the day when her eldest daughter—as was brought up, mind you, with no expense spared and milk straight from the cow . . .”
Mrs. Bendigo: “Husband!”
Ginger: “Come on, less ’ave a drum of tea while we got the chance. Last we’ll get to-night—coffee shop shuts at ’ar-parse ten.”
The Kike: “Oh Jesus! This bloody cold’s gonna kill me! I ain’t got nothing on under my trousers. Oh Je-e-e-eeze!”
Charlie (singing): “ ’Ail Mary, ’ail Mary——”
Snouter: “Fourpence! Fourpence for six —— hours on the bum! And that there nosing sod with the wooden leg queering our pitch at every boozer between Aldgate and the Mile End Road. With ’is —— wooden leg and ’is war medals as ’e bought in Lambeth Cut! Bastard!”
Deafie (singing): “With my willy willy, with my willy willy——”
Mrs. Bendigo: “Well, I told the bastard what I thought of ’im, anyway. ‘Call yourself a man?’ I says. ‘I’ve seen things like you kep’ in a bottle at the ’orspital,’ I says. . . .”
Mr. Tallboys (to himself): “Happy days, happy days! Roast beef and bobbing villagers, and the peace of God that passeth all understanding! Sunday mornings in my oaken stall, cool flower scent and frou-frou of surplices mingling in the sweet corpse-laden air! Summer evenings when the late sun slanted through my study window—I pensive, boozed with tea, in fragrant wreaths of Cavendish, thumbing drowsily some half-calf volume—Poetical Works of William Shenstone, Esq., Percy’s Reliques of Ancient English Poetry, J. Lempriere, D.D., professor of immoral theology . . .”