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Olive Fairytales. Andrew LangЧитать онлайн книгу.

Olive Fairytales - Andrew Lang


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       Andrew Lang

      Olive Fairytales

      29 Fairy Stories, Epic Tales & Legends

      Published by

      Books

      - Advanced Digital Solutions & High-Quality eBook Formatting -

       [email protected]

      2020 OK Publishing

      EAN 4064066394998

       Preface

       Madschun

       The Blue Parrot

       Geirlaug the King’s Daughter

       The Story of Little King Loc

       ‘A Long-Bow Story’

       Jackal or Tiger?

       The Comb and the Collar

       The Thanksgiving of the Wazir

       Samba the Coward

       Kupti and Imani

       The Strange Adventures of Little Maia

       Diamond Cut Diamond

       The Green Knight

       The Five Wise Words of the Guru

       The Golden-Headed Fish

       Dorani

       The Satin Surgeon

       The Billy Goat and the King

       The Story of Zoulvisia

       Grasp All, Lose All

       The Fate of the Turtle

       The Snake Prince

       The Prince and Princess in the Forest

       The Clever Weaver

       The Boy Who Found Fear at Last

       He Wins Who Waits

       The Steel Cane

       The Punishment of the Fairy Gangana

       The Silent Princess

      PREFACE

       Table of Contents

      Many years ago my friend and publisher, Mr. Charles Longman, presented me with Le Cabinet des Fées (‘The Fairy Cabinet’). This work almost requires a swinging bookcase for its accommodation, like the Encyclopædia Britannica, and in a revolving bookcase I bestowed the volumes. Circumstances of an intimately domestic character, ‘not wholly unconnected,’ as Mr. Micawber might have said, with the narrowness of my study (in which it is impossible to ‘swing a cat’), prevent the revolving bookcase from revolving at this moment. I can see, however, that the Fairy Cabinet contains at least forty volumes, and I think there are about sixty in all. This great plenitude of fairy tales from all quarters presents legends of fairies, witches, genii or Djinn, monsters, dragons, wicked step-mothers, princesses, pretty or plain, princes lucky or unlucky, giants, dwarfs, and enchantments. The stories begin with those which children like best—the old Blue Beard, Puss in Boots, Hop o’ my Thumb, Little Red Riding Hood, The Sleeping Beauty, and Toads and Pearls. These were first collected, written, and printed at Paris in 1697. The author was Monsieur Charles Perrault, a famous personage in a great perruque, who in his day wrote large volumes now unread. He never dreamed that he was to be remembered mainly by the shabby little volume with the tiny headpiece pictures—how unlike the fairy way of drawing by Mr. Ford, said to be known as ‘Over-the-wall Ford’ among authors who play cricket, because of the force with which he swipes! Perrault picked up the rustic tales which the nurse of his little boy used to tell, and he told them again in his own courtly, witty way. They do not seem to have been translated into English until nearly thirty years later, when they were published in English, with the French on the opposite page, by a Mr. Pote, a bookseller at Eton. Probably the younger Eton boys learned as much French as they condescended to acquire from these fairy tales, which are certainly more amusing than the Télémaque of Messire François de Salignac de la Motte-Fénelon, tutor of the children of France, Archbishop Duke of Cambrai, and Prince of the Holy Roman Empire.

      The success of Perrault was based on the pleasure which the court of Louis XIV. took in fairy tales; we know that they were told among Court ladies, from a letter of Madame de Sévigné. Naturally, Perrault had imitators, such as Madame d’Aulnoy, a wandering lady of more wit than reputation. To her we owe Beauty and the Beast and The Yellow Dwarf. Anthony Hamilton tried his hand with The Ram, a story too prolix and confused, best remembered for the remark, ‘Ram, my friend, begin at the beginning!’ Indeed, the narrative style of the Ram is lacking in lucidity! Then came The Arabian Nights, translated by Monsieur Galland. Nobody has translated The Arabian Nights so well as Galland. His is the reverse of a scientific rendering, but it is as pleasantly readable as the Iliad and Odyssey would be if Alexandre Dumas had kept his promise to translate Homer. Galland omitted the verses and a great number of passages which nobody would miss, though the anthropologist is supposed


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