In the attempt to place together some particulars of the early life of William James and present him in his setting, his immediate native and domestic air, so that any future gathered memorials of him might become the more intelligible and interesting, I found one of the consequences of my interrogation of the past assert itself a good deal at the expense of some of the others. For it was to memory in the first place that my main appeal for particulars had to be made; I had been too near a witness of my brother's beginnings of life, and too close a participant, by affection, admiration and sympathy, in whatever touched and moved him, not to feel myself in possession even of a greater quantity of significant truth, a larger handful of the fine substance of history, than I could hope to express or apply. To recover anything like the full treasure of scattered, wasted circumstance was at the same time to live over the spent experience itself, so deep and rich and rare, with whatever sadder and sorer intensities, even with whatever poorer and thinner passages, after the manner of every one's experience; and the effect of this in turn was to find discrimination among the parts of my subject again and again difficult—so inseparably and beautifully they seemed to hang together and the comprehensive case to decline mutilation or refuse to be treated otherwise than handsomely. This meant that aspects began to multiply and images to swarm, so far at least as they showed, to appreciation, as true terms and happy values; and that I might positively and exceedingly rejoice in my relation to most of them, using it for all that, as the phrase is, it should be worth. To knock at the door of the past was in a word to see it open to me quite wide—to see the world within begin to "compose" with a grace of its own round the primary figure, see it people itself vividly and insistently. Such then is the circle of my commemoration and so much these free and copious notes a labour of love and loyalty. We were, to my sense, the blest group of us, such a company of characters and such a picture of differences, and withal so fused and united and interlocked, that each of us, to that fond fancy, pleads for preservation, and that in respect to what I speak of myself as possessing I think I shall be ashamed, as of a cold impiety, to find any element altogether negligible. To which I may add perhaps that I struggle under the drawback, innate and inbred, of seeing the whole content of memory and affection in each enacted and recovered moment, as who should say, in the vivid image and the very scene; the light of the only terms in which life has treated me to experience. And I cherish the moment and evoke the image and repaint the scene; though meanwhile indeed scarce able to convey how prevailingly and almost exclusively, during years and years, the field was animated and the adventure conditioned for me by my brother's nearness and that play of genius in him of which I had never had a doubt from the first.

The "first" then—since I retrace our steps to the start, for the pleasure, strangely mixed though it be, of feeling our small feet plant themselves afresh and artlessly stumble forward again—the first began long ago, far off, and yet glimmers at me there as out of a thin golden haze, with all the charm, for imagination and memory, of pressing pursuit rewarded, of distinctness in the dimness, of the flush of life in the grey, of the wonder of consciousness in everything; everything having naturally been all the while but the abject little matter of course. Partly doubtless as the effect of a life, now getting to be a tolerably long one, spent in the older world, I see the world of our childhood as very young indeed, young with its own juvenility as well as with ours; as if it wore the few and light garments and had gathered in but the scant properties and breakable toys of the tenderest age, or were at the most a very unformed young person, even a boisterous hobbledehoy. It exhaled at any rate a simple freshness, and I catch its pure breath, at our infantile Albany, as the very air of long summer afternoons—occasions tasting of ample leisure, still bookless, yet beginning to be bedless, or cribless; tasting of accessible garden peaches in a liberal backward territory that was still almost part of a country town; tasting of many-sized uncles, aunts, cousins, of strange legendary domestics, inveterately but archaically Irish, and whose familiar remarks and "criticism of life" were handed down, as well as of dim family ramifications and local allusions—mystifications always—that flowered into anecdote as into small hard plums; tasting above all of a big much-shaded savoury house in which a softly-sighing widowed grandmother, Catherine Barber

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A Small Boy and Others

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