Famous Reviews, Selected and Edited with Introductory Notes by R. Brimley Johnson. VariousЧитать онлайн книгу.
it "a misery to him," and determined to embrace the more romantic occupation of a Pedlar—or, as Mr. Wordsworth more musically expresses it,
A vagrant merchant bent beneath his load;
—and in the course of his peregrinations had acquired a very large acquaintance, which, after he had given up dealing, he frequently took a summer ramble to visit. The author, on coming up to this interesting personage, finds him sitting with his eyes half shut;—and, not being quite sure whether he's asleep or awake, stands "some minutes space" in silence beside him. "At length," says he, with his own delightful simplicity—
At length I hailed him—seeing that his hat Was moist with water-drops, as if the brim Had newly scooped a running stream!— —"'Tis," said I, "a burning day; My lips are parched with thirst;—but you, I guess, Have somewhere found relief."
Upon this, the benevolent old man points him out a well in a corner, to which the author repairs; and, after minutely describing its situation, beyond a broken wall, and between two alders that "grew in a cold damp nook," he thus faithfully chronicles the process of his return—
My thirst I slaked—and from the cheerless spot
Withdrawing, straightway to the shade returned,
Where sate the old man on the cottage bench.
The Pedlar then gives an account of the last inhabitants of the deserted cottage beside them. These were, a good industrious weaver and his wife and children. They were very happy for a while; till sickness and want of work came upon them; and then the father enlisted as a soldier, and the wife pined in the lonely cottage—growing every year more careless and desponding, as her anxiety and fears for her absent husband, of whom no tidings ever reached her, accumulated. Her children died, and left her cheerless and alone; and at last she died also; and the cottage fell to decay. We must say, that there is very considerable pathos in the telling of this simple story; and that they who can get over the repugnance excited by the triteness of its incidents, and the lowness of its objects, will not fail to be struck with the author's knowledge of the human heart, and the power he possesses of stirring up its deepest and gentlest sympathies. His prolixity, indeed, it is not so easy to get over. This little story fills about twenty-five quarto pages; and abounds, of course, with mawkish sentiment, and details of preposterous minuteness. When the tale is told, the travellers take their staffs, and end their first day's journey, without further adventure, at a little inn.
The Third makes no progress in the excursion. It is entirely filled with moral and religious conversation and debate, and with a more ample detail of the Solitary's past life, than had been given in the sketch of his friend. The conversation is exceedingly dull and mystical; and the Solitary's confessions insufferably diffuse. Yet there is very considerable force of writing and tenderness of sentiment in this part of the work.
The Fourth book is also filled with dialogues ethical and theological; and, with the exception of some brilliant and forcible expressions here and there, consists of an exposition of truisms, more cloudy, wordy, and inconceivably prolix, than any thing we ever met with.
In the beginning of the Fifth book, they leave the solitary valley, taking its pensive inhabitant along with them, and stray on to where the landscape sinks down into milder features, till they arrive at a church, which stands on a moderate elevation in the centre of a wide and fertile vale. Here they meditate for a while among the monuments, till the vicar comes out and joins them;—and recognizing the pedlar for an old acquaintance, mixes graciously in the conversation, which proceeds in a very edifying manner till the close of the book.
The Sixth contains a choice obituary, or characteristic account of several of the persons who lie buried before this groupe of moralizers;—an unsuccessful lover, who finds consolation in natural history—a miner, who worked on for twenty years, in despite of universal ridicule, and at last found the vein he had expected—two political enemies reconciled in old age to each other—an old female miser—a seduced damsel—and two widowers, one who devoted himself to the education of his daughters, and one who married a prudent middle-aged woman to take care of them.
In the beginning of the Eighth Book, the worthy vicar expresses, in the words of Mr. Wordsworth's own epitome, "his apprehensions that he had detained his auditors too long—invites them to his house—Solitary, disinclined to comply, rallies the Wanderer, and somewhat playfully draws a comparison between his itinerant profession and that of a knight-errant—which leads to the Wanderer giving an account of changes in the country, from the manufacturing spirit—Its favourable effects—The other side of the picture," etc., etc. After these very poetical themes are exhausted, they all go into the house, where they are introduced to the Vicar's wife and daughter; and while they sit chatting in the parlour over a family dinner, his son and one of his companions come in with a fine dish of trouts piled on a blue slate; and, after being caressed by the company, are sent to dinner in the nursery.—This ends the eighth book.
The Ninth and last is chiefly occupied with the mystical discourses of the Pedlar; who maintains, that the whole universe is animated by an active principle, the noblest seat of which is in the human soul; and moreover, that the final end of old age is to train and enable us
To hear the mighty stream of Tendency Uttering, for elevation of our thought, A clear sonorous voice, inaudible To the vast multitude whose doom it is To run the giddy round of vain delight—
with other matters as luminous and emphatic. The hostess at length breaks off the harangue, by proposing that they should all make a little excursion on the lake—and they embark accordingly; and, after navigating for some time along its shores, and drinking tea on a little island, land at last on a remote promontory, from which they see the sun go down—and listen to a solemn and pious, but rather long prayer from the Vicar. They then walk back to the parsonage door, where the author and his friend propose to spend the evening;—but the Solitary prefers walking back in the moonshine to his own valley, after promising to take another ramble with them—
If time, with free consent, be yours to give,
And season favours.
—And here the publication somewhat abruptly closes.
Our abstract of the story has been so extremely concise, that it is more than usually necessary for us to lay some specimens of the work itself before our readers. Its grand staple, as we have already said, consists of a kind of mystical morality: and the chief characteristics of the style are, that it is prolix and very frequently unintelligible: and though we are very sensible that no great gratification is to be expected from the exhibition of those qualities, yet it is necessary to give our readers a taste of them, both to justify the sentence we have passed, and to satisfy them that it was really beyond our power to present them with any abstract or intelligible account of those long conversations which we have had so much occasion to notice in our brief sketch of its contents.
* * * * *
There is no beauty, we think, it must be admitted, in such passages; and so little either of interest or curiosity in the incidents they disclose, that we can scarcely conceive that any man to whom they had actually occurred, should take the trouble to recount them to his wife and children by his idle fireside—but, that man or child should think them worth writing down in blank verse, and printing in magnificent quarto, we should certainly have supposed altogether impossible, had it not been for the ample proofs which Mr. Wordsworth has afforded to the contrary.
Sometimes their silliness is enhanced by a paltry attempt at effect and emphasis:—as in the following account of that very touching and extraordinary occurrence of a lamb bleating among the mountains. The poet would actually persuade us that he thought the mountains themselves were bleating;—and that nothing could be so grand or impressive. "List!" cries the old Pedlar, suddenly breaking off in the middle of one of his daintiest ravings—
—"List!—I heard,
From yon huge breast of rock, a solemn bleat;
Sent forth as if it were the Mountain's voice!
As if the visible Mountain made the cry!
Again!"—The