O. Henry Memorial Award Prize Stories of 1919. VariousЧитать онлайн книгу.
was brief, and none of them caught sight of the boyish figure that slipped down from the rearmost coach to take shelter for himself and his dark, tempest-ridden face behind the shed at the end of the platform—
Christopher walked out across a broad, high, cloudy plain, following a red road, led by the dust-feather hanging over the distant carriage.
He walked for miles, creeping ant-like between the immensities of the brown plain and the tumbled sky. Had he been less implacable, less intent, he might have noticed many things, the changing conformation of the clouds, the far flight of a gull, the new perfume and texture of the wind that flowed over his hot temples. But as it was, the sea took him by surprise. Coming over a little rise, his eyes focused for another long, dun fold of the plain, it seemed for an instant as if he had lost his balance over a void; for a wink he felt the passing of a strange sickness. He went off a little way to the side of the road and sat down on a flat stone.
The world had become of a sudden infinitely simple, as simple as the inside of a cup. The land broke down under him, a long, naked slope fringed at the foot of a ribbon of woods. Through the upper branches he saw the shingles and chimneys of a pale grey village clinging to a white beach, a beach which ran up to the left in a bolder flight of cliffs, showing on their crest a cluster of roofs and dull-green gable-ends against the sea that lifted vast, unbroken, to the rim of the cup.
Christopher was fifteen, and queer even for that queer age. He had a streak of the girl in him at his adolescence, and, as he sat there in a huddle, the wind coming out of this huge new gulf of life seemed to pass through him, bone and tissue, and tears rolled down his face.
The carriage bearing his strange mother was gone, from sight and from mind. His eyes came down from the lilac-crowned hill to the beach, where it showed in white patches through the wood, and he saw that the wood was of willows. And he remembered the plain behind him, the wide, brown moor under the could. He got up on his wobbly legs. There were stones all about him on the whispering wire-grass, and like them the one he had been sitting on bore a blurred inscription. He read it aloud, for some reason, his voice borne away faintly on the river of air:
Here Lie The Earthly Remains Of
MAYNARD KAIN, SECOND
Born 1835—Died 1862 For the Preservation of the Union
His gaze went on to another of those worn stones.
MAYNARD KAIN, ESQUIRE
1819–1849
This Monument Erected in His Memory By His Sorrowing
Widow, Harriet Burnam Kain
The windy Gales of the West Indias
Laid claim to His Noble Soul
And Took him on High to his Creator
Who made him Whole.
There was no moss or lichen on this wind-scoured slope. In the falling dusk the old white stones stood up like the bones of the dead themselves, and the only sound was the rustle of the wire-grass creeping over them in a dry tide. The boy had taken off his cap; the sea-wind moving under the mat of his damp hair gave it the look of some somber, outlandish cowl. With the night coming on, his solemnity had an elfin quality. He found what he was looking for at last, and his fingers had to help his eyes.
DANIEL KAIN
Beloved Husband of Agnes Willoughby Kain
Born 1860—Died 1886
Forgive them, for they know not what they do.
Christopher Kain told me that he left the naked graveyard repeating it to himself, "Forgive them, for they know not what they do," conscious less of the words than of the august rhythm falling in with the pulse of his exaltation.
The velvet darkness that hangs under cloud had come down over the hill and the great marsh stretching away to the south of it. Agnes Kain stood in the open doorway, one hand on the brown wood, the other pressed to her cheek.
"You heard it that time, Nelson?"
"No, ma'am." The old man in the entrance-hall behind her shook his head. In the thin, blown light of the candelabra which he held high, the worry and doubt of her deepened on his singularly-unlined face.
"And you might well catch your death in that draft, ma'am."
But she only continued to stare out between the pillars where the lilac-hedge made a wall of deeper blackness across the night.
"What am I thinking of?" she whispered, and then: "There!"
And this time the old man heard it, a nearer, wind-blown hail.
"Mother! Oh, Mother!"
The boy came striding through the gap of the gate in the hedge.
"It's I, Mother! Chris! Aren't you surprised?"
She had no answer. As he came she turned and moved away from the door, and the old man, peering from under the flat candle flames, saw her face like wax. And he saw the boy, Christopher, in the doorway, his hands flung out, his face transfigured.
"Mother! I'm here! Don't you understand?"
He touched her shoulder. She turned to him, as it were, lazily.
"Yes," she breathed. "I see."
He threw his arms about her, and felt her shaking from head to foot. But he was shaking, too.
"I knew the way!" he cried. "I knew it, Mother, I knew it! I came down from the Moor and there was the Willow Wood, and I knew the way home. And when I came, Mother, it was like the trees bowing down their branches in the dark. And when I came by the Beach, Mother, it was like a roll of drums beating for me, and when I came to the Hill I saw the Hedge standing against the sky, and I came, and here I am!"
She expressed no wonder, asked no question.
"Yes," was all she said, and it was as if she spoke of a tree coming to its leaf, the wind to its height, the tide to its flood.
Had he been less rapt and triumphant he must have wondered more at that icy lassitude, and at the cloak of ceremony she wrapped about her to hide a terror. It was queer to hear the chill urbanity of her: "This is Christopher, Nelson; Christopher, this is your father's servant, Nelson." It was queerer still to see the fastidious decorum with which she led him over this, the familiar house of his fathers.
He might have been a stranger, come with a guide-book in his hand. When he stood on his heels in the big drawing-room, staring up with all his eyes at the likenesses of those men he had known so well, it was strange to hear her going on with all the patter of the gallery attendant, names of painters, prices, dates. He stood before the portrait of Daniel Kain, his father, a dark-skinned, longish face with a slightly-protruding nether lip, hollow temples, and a round chin, deeply cleft. As in all the others, the eyes, even in the dead pigment, seemed to shine with an odd, fixed luminosity of their own, and like the others from first to last of the line, it bore upon it the stamp of an imperishable youth. And all the while he stood there, drinking it in, detail by detail, his mother spoke, not of the face, but of the frame, some obscure and unsuspected excellence in the gold-leaf on the frame.
More than once in that stately tour of halls and chambers he found himself protesting gaily, "I know, Mother! I know, I know!"
But the contagion of his glory did not seem to touch her. Nothing seemed to touch her. Only once was the fragile, bright shell of her punctilio penetrated for a moment, and that was when Christopher, lagging, turned back to a door they were about to pass and threw it open with the happy laugh of a discoverer. And then, even before she could have hushed him, the laughter on his lips died of itself.
A man lay on a bed in the room, his face as colourless and still as the pillow behind it. His eyes were open, but they did not move from the three candles burning on the high bureau, and he seemed unconscious of any intrusion.
"I didn't know!" Christopher whispered, shocked, and shamed.