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Atlantis. Gerhart HauptmannЧитать онлайн книгу.

Atlantis - Gerhart Hauptmann


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an actor for twenty years, I can't stand the sight of such weedy weaklings, who don't do anything themselves and exploit their daughters. They have the effect of an emetic on me. For all that, he plays the great man. He has no talent, so he is going to boil soup from his daughter's bones. Yet he goes about nose up in the air. If he sees a dollar in the dirt and somebody of distinction is looking, he will let it lie. He won't pick it up. There is no denying he has an attractive appearance. He has the stuff in him for a very clever, fashionable swindler. But he would rather take it easy and live off his daughter and his daughter's admirers. It's astonishing how many people are willing to make asses of themselves. There's that Achleitner—look at the condescension with which Hahlström treats him and the lofty way Hahlström plays the rôle of benefactor! He used to be a riding-master. Then he got mixed up in some quack cure, a combination of Swedish gymnastics and hydrotherapeutics, and his wife left him, a fine, hard-working woman, now doing splendidly as head of a department at Worth's in Paris."

      Frederick felt drawn up-stairs to Hahlström. The man's past as Stoss described it was at that moment a matter of indifference to him. But Stoss's remark about the asses some people are willing to make of themselves sent a fleeting red to his face.

      Arthur Stoss grew more and more communicative. He sat like an ape, a resemblance impossible to avoid when a man uses his feet instead of his hands. When he had finished his meal, he stuck a cigar in his mouth, like any other gentleman. In him the likeness to an ape was accentuated by the breadth and flatness of his nose and the formation of his heavy jaws. He looked like a fair-skinned orang-outang. However, his high, broad forehead gave him the mark of the human intellect. He had no beard, that is, he had never in his life, probably, had to remove a hair from his parchmenty, freckled, yellow skin. His cheek bones were prominent, and his head unusually large. Though his general appearance made a most energetic, by no means effeminate impression, there still was something eunuch-like about it, the high pitch of his voice adding to this impression. While casting about for an opportunity to escape the monster's spell, Frederick was nevertheless deeply interested in him from a medical and anthropological standpoint. The man, without doubt, was an extremely instructive specimen of abnormality. His facies was that of an intermediate sexual stage.

      "People like Hahlström," he continued, "are actually not worthy of the healthy limbs with which God endowed them. Of course, even if one has a figure like a statue by Myron, it is awkward if there is too little up here"—he tapped his forehead. "That is what is the trouble with Hahlström. There is too little up here. Look at me. I don't say everybody, but at least nine out of ten, in my position would have succumbed as a child. Instead of that, I have a wife, I own a villa in the Kahlenberg Mountains, I support three children of my step-brother and an older sister of my wife, who was a singer and lost her voice. I am absolutely independent. I remain on the stage because I want to bring my wealth up to a certain point. If the Roland were to sink to-day, I could go down with perfect equanimity. I have done my work. I have invested my money at a high rate of interest. My wife, my wife's sister, and my step-brother's children are all provided for."

      The actor's attendant appeared, to help his master to his cabin for his afternoon nap.

      "My days are mapped out like a time-table," Stoss explained. "My attendant here, Bulke, served his four years in the German navy. With all the ocean crossings I have to make, I couldn't get along with a man who wasn't used to the water. I need a perfect water rat."

       Table of Contents

      A little spell of dizziness came over Frederick when he went to his cabin to fetch his heavy overcoat. On deck it was very quiet as compared with the morning. Hahlström was nowhere to be seen, and Frederick seated himself on a bench near the entrance to the main companionway. With his collar turned up and his hat drawn over his forehead, he succumbed to the state of drowsiness characteristic of sea trips, in which, despite the heaviness of one's eyelids, one feels and perceives with a restless lucidity of the inner vision. Images chase through one's mind, a kaleidoscopic stream, shifting incessantly, going and coming, and finally reducing the soul to a state of torture. The sybaritic meal with its clatter of plates, its talking and music, was still whirling through Frederick's brain. He heard the vaudeville actor declaiming. The half-ape was holding Mara in his arms. Hahlström in all his height was looking on, smiling. The waves were rolling heavily against the tiny dining-room and pressing hard on the creaking hull. Bismarck, a huge figure in armour, and Roland, the valiant warrior in armour, were laughing grimly and conversing. Frederick saw both wading through the sea. Roland was holding Mara, the tiny dancer, on his right palm. Every now and then Frederick shivered. The ship careened, a stiff southeaster heeling her to starboard. The waves hissed and foamed. The rhythm produced by the rise and fall of the pistons finally seemed to turn into the rhythm of Frederick's own body. The working of the screw was distinctly audible. At regular intervals the stern would rise out of the water, carrying with it the screw, which would then buzz in the air, and Frederick would hear Wilke from the Heuscheuer saying:

      "Doctor, if only the screw doesn't snap."

      Finally, all the machinery of the vessel seemed to be turning in his brain. Sometimes one engineer in the engine-room would call out to another, and the clang of the metal shovels when the stokers fed the furnace penetrated to the deck.

      All of a sudden Frederick jumped to his feet; he thought he saw a ghost, or a dead-alive corpse, reeling up the companionway and making for him. It was the clothing manufacturer whom he had met at Southampton, looking more like a man in his death throes than one already dead. He gave Frederick a ghastly glance of unconsciousness and let a steward support him to the nearest steamer chair.

      "If that man," Frederick thought, "is not to be reckoned among the heroes, then there never have been any heroes in the world."

      "Each time I cross," the clothing manufacturer had said, "I suffer from seasickness, from the moment I set foot on the ship until I leave it."

      And what horrible extremes of suffering he had to go through!

      Opposite Frederick, at the entrance to the companionway, stood a cabin-boy. From time to time at the signal of a whistle from the bridge, he would disappear to receive orders from the first or second mate, or whatever officer happened to be on duty. Often an hour and more would pass without the summons, and the handsome lad had plenty of time to meditate upon himself and his lot in life. Frederick felt sorry for him as he stood there on guard, bored and chilly; so he spoke to him.

      He learned that his name was Max Pander and that he came from near the Black Forest. The next logical question to put to him was whether he liked his work. The boy answered with a resigned smile, which heightened the charm of his handsome head, but showed he had none too much passion for the seaman's calling.

      "There is not much in travelling on steamers," he observed. "A real sailor belongs on board a sailing vessel. There is a mate of mine here on the Roland," he added in a tone of great admiration, "who is only eighteen years old and has already been on two long, dangerous trips on a schooner."

      To Frederick, it seemed as if lasting passion for the sea—the sea, which was already making him miserable—must be a conventional myth. It was three o'clock. He had been on board only nineteen or twenty hours, and already found it a petty hardship. "If the Roland doesn't make better time," he calculated, "I shall have to go through the same difficulties of existence eight or nine times twenty-four hours. But I will get back to land and remain there, while Pander, the cabin-boy, will have to return across the ocean a few days after landing."

      "If someone were to find you a good position on land," Frederick asked, "would you give up your position here?"

      "Yes, indeed," said Pander, emphasising his reply with a decided nod of his head.

      "A nasty southeaster," said Doctor Wilhelm, passing by beside the tall figure of the first mate. "How would you like to come to my room? We can smoke and have some coffee there without being disturbed."


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