Free Air. Sinclair LewisЧитать онлайн книгу.
used to gracious leisure, attractive uselessness, nut-center chocolates, and a certain wonder as to why she was alive.
She wanted to travel, but her father could not get away. He consistently spent his days in overworking, and his evenings in wishing he hadn't overworked. He was attractive, fresh, pink-cheeked, white-mustached, and nerve-twitching with years of detail.
Claire's ambition had once been babies and a solid husband, but as various young males of the species appeared before her, sang their mating songs and preened their newly dry-cleaned plumage, she found that the trouble with solid young men was that they were solid. Though she liked to dance, the "dancing men" bored her. And she did not understand the district's quota of intellectuals very well; she was good at listening to symphony concerts, but she never had much luck in discussing the cleverness of the wood winds in taking up the main motif. It is history that she refused a master of arts with an old violin, a good taste in ties, and an income of eight thousand.
The only man who disturbed her was Geoffrey Saxton, known throughout the interwoven sets of Brooklyn Heights as "Jeff." Jeff Saxton was thirty-nine to Claire's twenty-three. He was clean and busy; he had no signs of vice or humor. Especially for Jeff must have been invented the symbolic morning coat, the unwrinkable gray trousers, and the moral rimless spectacles. He was a graduate of a nice college, and he had a nice tenor and a nice family and nice hands and he was nicely successful in New York copper dealing. When he was asked questions by people who were impertinent, clever, or poor, Jeff looked them over coldly before he answered, and often they felt so uncomfortable that he didn't have to answer.
The boys of Claire's own age, not long out of Yale and Princeton, doing well in business and jumping for their evening clothes daily at six-thirty, light o' loves and admirers of athletic heroes, these lads Claire found pleasant, but hard to tell apart. She didn't have to tell Jeff Saxton apart. He did his own telling. Jeff called—not too often. He sang—not too sentimentally. He took her father and herself to the theater—not too lavishly. He told Claire—in a voice not too serious—that she was his helmed Athena, his rose of all the world. He informed her of his substantial position—not too obviously. And he was so everlastingly, firmly, quietly, politely, immovably always there.
She watched the hulk of marriage drifting down on her frail speed-boat of aspiration, and steered in desperate circles.
Then her father got the nervous prostration he had richly earned. The doctor ordered rest. Claire took him in charge. He didn't want to travel. Certainly he didn't want the shore or the Adirondacks. As there was a branch of his company in Minneapolis, she lured him that far away.
Being rootedly of Brooklyn Heights, Claire didn't know much about the West. She thought that Milwaukee was the capital of Minnesota. She was not so uninformed as some of her friends, however. She had heard that in Dakota wheat was to be viewed in vast tracts—maybe a hundred acres.
Mr. Boltwood could not be coaxed to play with the people to whom his Minneapolis representative introduced him. He was overworking again, and perfectly happy. He was hoping to find something wrong with the branch house. Claire tried to tempt him out to the lakes. She failed. His nerve-fuse burnt out the second time, with much fireworks.
Claire had often managed her circle of girls, but it had never occurred to her to manage her executive father save by indirect and pretty teasing. Now, in conspiracy with the doctor, she bullied her father. He saw gray death waiting as alternative, and he was meek. He agreed to everything. He consented to drive with her across two thousand miles of plains and mountains to Seattle, to drop in for a call on their cousins, the Eugene Gilsons.
Back East they had a chauffeur and two cars—the limousine, and the Gomez-Deperdussin roadster, Claire's beloved. It would, she believed, be more of a change from everything that might whisper to Mr. Boltwood of the control of men, not to take a chauffeur. Her father never drove, but she could, she insisted. His easy agreeing was pathetic. He watched her with spaniel eyes. They had the Gomez roadster shipped to them from New York.
On a July morning, they started out of Minneapolis in a mist, and as it has been hinted, they stopped sixty miles northward, in a rain, also in much gumbo. Apparently their nearest approach to the Pacific Ocean would be this oceanically moist edge of a cornfield, between Schoenstrom and Gopher Prairie, Minnesota.
Claire roused from her damp doze and sighed, "Well, I must get busy and get the car out of this."
"Don't you think you'd better get somebody to help us?"
"But get who?"
"Whom!"
"No! It's just 'who,' when you're in the mud. No. One of the good things about an adventure like this is that I must do things for myself. I've always had people to do things for me. Maids and nice teachers and you, old darling! I suppose it's made me soft. Soft—I would like a soft davenport and a novel and a pound of almond-brittle, and get all sick, and not feel so beastly virile as I do just now. But——"
She turned up the collar of her gray tweed coat, painfully climbed out—the muscles of her back racking—and examined the state of the rear wheels. They were buried to the axle; in front of them the mud bulked in solid, shiny blackness. She took out her jack and chains. It was too late. There was no room to get the jack under the axle. She remembered from the narratives of motoring friends that brush in mud gave a firmer surface for the wheels to climb upon.
She also remembered how jolly and agreeably heroic the accounts of their mishaps had sounded—a week after they were over.
She waded down the road toward an old wood-lot. At first she tried to keep dry, but she gave it up, and there was pleasure in being defiantly dirty. She tramped straight through puddles; she wallowed in mud. In the wood-lot was long grass which soaked her stockings till her ankles felt itchy. Claire had never expected to be so very intimate with a brush-pile. She became so. As though she were a pioneer woman who had been toiling here for years, she came to know the brush stick by stick—the long valuable branch that she could never quite get out from under the others; the thorny bough that pricked her hands every time she tried to reach the curious bundle of switches.
Seven trips she made, carrying armfuls of twigs and solemnly dragging large boughs behind her. She patted them down in front of all four wheels. Her crisp hands looked like the paws of a three-year-old boy making a mud fort. Her nails hurt from the mud wedged beneath them. Her mud-caked shoes were heavy to lift. It was with exquisite self-approval that she sat on the running-board, scraped a car-load of lignite off her soles, climbed back into the car, punched the starter.
The car stirred, crept forward one inch, and settled back—one inch. The second time it heaved encouragingly but did not make quite so much headway. Then Claire did sob.
She rubbed her cheek against the comfortable, rough, heather-smelling shoulder of her father's coat, while he patted her and smiled, "Good girl! I better get out and help."
She sat straight, shook her head. "Nope. I'll do it. And I'm not going to insist on being heroic any longer. I'll get a farmer to pull us out."
As she let herself down into the ooze, she reflected that all farmers have hearts of gold, anatomical phenomena never found among the snobs and hirelings of New York. The nearest heart of gold was presumably beating warmly in the house a quarter of a mile ahead.
She came up a muddy lane to a muddy farmyard, with a muddy cur yapping at her wet legs, and geese hissing in a pool of purest mud serene. The house was small and rather old. It may have been painted once. The barn was large and new. It had been painted very much, and in a blinding red with white trimmings. There was no brass plate on the house, but on the barn, in huge white letters, was the legend, "Adolph Zolzac, 1913."
She climbed by log steps to a narrow frame back porch littered with parts of a broken cream-separator. She told herself that she was simple and friendly in going to the back door instead of the front, and it was with gaiety that she knocked on the ill-jointed screen door, which flapped dismally in response.
"Ja?" from within.
She rapped again.
"Hinein!"