The Short Cut. Jackson GregoryЧитать онлайн книгу.
away, the words on his tongue checked.
"Dear God," Wanda prayed within her soul. "Let him be a man. Let him come back soon. Before every one believes he did that thing, before … they send for him!"
CHAPTER IV
THE WHITE HUNTRESS
Two months, filled with the clean breath of outdoors, had softened the memory of that stark tragedy upon which Wanda had come at the edge of Echo Creek. Not forgotten, never to be wiped clean from the memory, still the keen horror was dulled, the harsh details blurred, the whole dreadful picture softened under the web which the spider of time weaves over an old canvas.
Again life was glad and good and golden. Again youth was eager and hopeful and merry. The death which had come and changed the world had gone, leaving the world as it has always been.
Wanda and Gypsy and Shep saw much of one another. They were all very happy, perhaps because they were very busy. Full of enthusiasm that was at once gay and serious Wanda had thrown herself into her "Work" immediately upon returning home in the early springtime. Before the tragic event which for the time had driven her life out of its groove she had already won for herself the title, bestowed merrily by Wayne Shandon, of the "White Huntress." Her "work," to which she gave up so many hours of each day, was purposeful, steadily pursued, and brought her a vast pleasure. The game she hunted was the squirrel tossing his grey body through the branches of pine and cedar, the quail calling from the hillsides, the cottontail scampering through the underbrush, the yellowhammer, the woodpecker, the wide winged butterflies sailing through the orchard and across the meadow lands. The weapon with which she hunted was a camera which she carried in its black case slung over her shoulder or hanging from the horn of Gypsy's saddle.
It was but natural therefore that after her childhood had gone and she had outgrown her passion for numberless pets overrunning the house just as her sisters in the cities had outgrown their pleasure in dressing and undressing dolls, she should become the "White Huntress." She loved more than ever the wildness of the forest lands, and the ways of the woodland things were wonderful and mysterious to her. And now, from a new angle, they were her study.
There were days when she rode far out from the ranch house, her lunch at her saddle strings, to be gone until dusk or after the stars came out. She would leave Gypsy tethered where the grass was deep and rich, command Shep to lie down and see that nobody ran away with her outfit, and then tramp off alone, carrying her camera. She knew how to climb up into the tree and to screen herself behind the foliage, so that she might watch the mother bird and her ways, and find out when she should expect the joyous miracle of new life.
When the eggs were hatched Wanda was ready. Days before she had chosen the exact spot on the particular limb where she would place her camera. She had clothed herself as the springtime clothed the forests. A soft blouse of green, short skirt and stockings of green, little cap of green and green moccasins. She crouched upon the broad limb of a cedar or clung more hazardously to the branch of a pine, the tone colour of her costume making no discord with the dusky sheen of the waving branches, and watched and waited. So, when "hunting" was good she had a picture of the mother bird perched upon the edge of the nest in which the eggs lay, a picture of the nest with the little, new birds obeying the first command of nature, a picture of the parents feeding them the first worm or berry or rebellious bug, a picture of the trial flight when soft young bodies essayed independence on unskilful wings.
At first the girl had been merely an amateur in the early, sweet sense of the word. Then one day she saw a couple of pages in an illustrated magazine devoted to such photographs as these she was playing with. They were better than hers, since the man who had taken them was a trained artist as well as a lover of the wild; and they had been at once a disappointment and an inspiration to her. Then, upon another day, her father who made little comment upon her pastime, handed her a box from the express office in which she found a camera with a lens that would do its part if she learned to do hers. And that was when she threw herself so enthusiastically into her "work."
"I am going to have a page of pictures in that same magazine," was her way of thanking him. "And mine are going to be better!"
She flushed a little at his smile, but when she had gone away and was alone with her new possession and a world of possibilities, her chin was very firm.
She had her own studio in the attice above the dining room, developed plates and films there, and descended the ladder into the hallway flushed with triumph or vexed with disappointment as her efforts proved to be good or bad. The mistakes had been many at first; they were few now.
She became a student of the "Home Life of the Wild Things." They all interested her, they all posed for her, squirrel and bird and butterfly. Inevitably she began to specialise, but her specialisation was not in one species but rather in one process, in the dawning and budding life of the young in the real "home life" before the new fledgling or tiny furred body left the nest for an independent life and a future nest of its own. The wild mates at work upon the house which instinct prompted was to be of use soon, the construction of a swinging pocket hung high up by an oriole, this was a part of the home life, just as essential a part of it as the covering of the eggs, the feeding of the young.
Before the year had swelled and blossomed into full mid-summer she had a pupil. It was her mother. Mother and daughter had always been more to each other than the terms commonly imply, very nearly all that they should connote. They had been friends. Here where the solitudes were mighty and vast, where long miles and hard trails lay between homes and where women were few, they had had but themselves to turn to when need or desire came for the company of their own sex. Mrs. Leland had remained young, in part because hers was a happy, sunny nature, in part because she had had the fires of youth replenished from the superabundant glow of girlhood in her daughter.
But now that the summer came with monotony and silence, now that Arthur Shandon came no more, that Wayne seemed to have forgotten the range country, that Garth Conway was busy every day with the entire management of a heavily stocked cattle outfit, there were long, quiet days at the Echo Creek.
"Wanda," Mrs. Leland said one day, a little wistfully. "Can't I come with you and take a peep first hand into the homes of your wild friends? I'll be very still, I'll stay with Shep and Gypsy if you want me to."
Wanda, at once contrite and happy, was filled with apologies and explanations. She had had no thought that her mother would find an interest in her "play." But if she would come, if she would like to come, oh, she would show her the most wonderful discovery. …
So mother and daughter rode out together that day with lunch and camera, and that night worked together in Wanda's attic studio over a highly satisfactory film. The older woman's interest became as steady, as enthusiastic in a deeply thoughtful way, as Wanda's. She learned to love each day's adventure as warmly as did her daughter, she came to have the same tender joy in the unexpected discovery of some new phase of the home life of the wild.
"In all of your hunting you are missing something, my White Huntress," she said one day. "Something which I have discovered!"
Wanda smiled brightly at her over the top of a new picture, pleased with her mother's interest no less than with the print in her hands.
"What is it, mamma?"
"I am not going to tell you yet. But to-morrow when we go out for the oriole's nest, I am going to take your old kodak!"
As they rode the five or six miles to the spot where they were to do the morning's "hunting" Wanda wondered what it was she had missed that her mother had noticed. But she promptly forgot about it when she climbed the great pine which, for her mother's purpose, was so happily situated close to a cliff. She noted with a bright nod of approval as she edged far