Fifty Contemporary One-Act Plays. VariousЧитать онлайн книгу.
brought—
I slowly dripped the fountain, drop on drop
All through my tresses, dried them languidly;
With quiet, measured step, out in the sun
I walked me to and fro—oh! to and fro!
But 'twas still damp—the path is narrow there.
I looked among the bushes, for the birds,—
Less than a zephyr's breath I bent them back,
Those swaying branches, sat 'neath rustling trees,
And felt on cheeks and hands in waiting woe
The little flickerings of warm sunshine.
I closed my eyes, and almost thought soft lips
Gently caressing, strayed my clammy brow.
Sometimes hours come when this duplicity,
All this concealment, seems so fruitless, and
I cannot bear it. I can only gaze
With eyes of steel far up into the sky
Where flocks of wild geese float, or bend me low
O'er some mad, rushing plunging waterfall
That tears my weakling shadow with its flow,—
I will be patient—why, I must, I am!—
Madonna—I will climb the steepest mount
And on my knees will count me every stone
With this, my rosary, if only now,
Oh, soon,—this day will sink into the night.
It is so long! I have its measured tread
With these same beads been scanning o'er and o'er.
And now I talk so fev'rishly, instead
Of counting all the leaves upon that tree.
Oh! I have finished much too soon again.
See! See the yeoman, calling to his dog.
The shadows do upon his garden fall,
For him the night has come, but brings no joy;
He fears it, locks his door and is alone.—
See where the maidens wander to the well.
I know the manner in which each of them
Will fill her bucket—that one's prettiest.
Why does the stranger at the cross roads stay?
Distant's his goal, I warrant. He unwinds
And folds again the cloth about his feet.
What an existence! Draw the thorns, yes, draw
Them quickly out. You must speed. We all
Must hurry on, the restless day must down
And with it take this bright and scarlet glow
That's lingering in radiance on my cheeks.
All that is troubling us cast far away,
Fling wide the thorn into the field
Where waters flow and sheaves of brilliant flow'rs
Are bending, glowing, yearning towards the night.—
I draw my rings from off my fingers, and
They're happy as the naked children are
Who scamper quickly to the brook to bathe.—
Now all the girls have gone—
Only one maiden's left. Oh, what lovely hair!
I wonder if she knows its beauty's power?
Perhaps she's vain—but vanity, thou art
A plaything only for the empty years.
When once she has arrived where I am now,
She'll love her hair, she'll let it clasp her close,
Enwrap her round and whisper to her low,
Like echoing harpstrings throbbing with the touch
Of fev'rish fingers straying in the dark.
[She loosens her hair and lets it fall to the left and to the right in front of her.]
What, would you close to me? Down, down with you.—
I bid you greet him. When the dusk has come,
And when his hands hold fast the ladder there
A-sudden he will feel, instead the leaves,
The cool, firm leaves, a gently spraying rain,
A rain that falls at eve from golden clouds.
[She lets her hair fall over the balustrade.]
You are so long, and yet you barely reach
A third the distance; hardly are your ends
Touching the cold, white marble lion's nose.
[She laughs and rises.]
Ah! there's a spider! No, I will not fling
You off; I lay my hand once more
Upon this spot, so you may find again
The road you wish to speed so quickly on.
How I have changed! I am bewitched indeed!
In former days, I could not touch the fruit
Within a basket, if upon its edge
A spider had been seen. Now in my hand
It runs.—Intoxication makes me glad!
Why, I could walk along the very edge
Of narrow walls, and would not totter—no!—
Could I but fall into the waters deep!
In their cool velvet arms I would be well,
Sliding in grottoes of bright sapphire hues
Playing with wondrous beings of the deep
All golden finned, with eyes benignly sad.
Yes, if I were immured in the chestnut woods
Within some ruined walls, my soul were free.
For there the forest's animals would come
And tiny birds. The little weasels would
Brush up against and touch my naked toes
With their soft snouts and lashes of bright eyes
While in the moss I lay and ate wild fruit.—
What's rustling? 'Tis the little porcupine
Of that first night. What, are you there again,
Stepped from the dark? Art going on the hunt?
Oh! If my hunter would but come to me!
[Looking up.]
Now have the shadows vanished! Gone are all
Those of the pines and those of the dolls,
The ones that played about the little huts,
The large ones from the vineyards and the one
Upon the figtree at the crossroads—gone
As though the quiet earth had sucked them in!
The night has really come! The lamp
Is placed upon the table, closely press
The sheep together—close within the fold.
Within the darkest corners of the eaves
Where the dustvine-leaves meet, goblins do crouch,
And on the heights from out the clearing step
The blessed saints to gaze where churches stand