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Heathen mythology, Illustrated by extracts from the most celebrated writers, both ancient and modern. VariousЧитать онлайн книгу.

Heathen mythology, Illustrated by extracts from the most celebrated writers, both ancient and modern - Various


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her call,

      The violets from her lap and lilies fall:

      She misses them, poor heart! and makes new moan:

      Her lilies, oh! are lost, her violets gone.

      O'er hills the ravisher, and valleys speeds,

      By name encouraging his foamy steeds;

      He rattles o'er their necks the rusty reins,

      And ruffles with the stroke their shaggy manes

      Throws to his dreadful steeds the slackened rein,

      And strikes his iron sceptre through the main;

      The depths profound thro' yielding waves he cleaves,

      And to hell's centre a free passage leaves;

      Down sinks his chariot, and his realms of night

      The God soon reaches with a rapid flight."

      Ovid.

      The attempts of Ceres to encourage the art of agriculture were not always favourably received: the King of the Scythians, who loved the sword more than the ploughshare, and the spear more than the reaping hook, having attempted to smother the art taught by Ceres in its infancy, was metamorphosed into a lynx. Nor was this the only instance of the vengeance of the Goddess, who was irritable, and prompt to punish. A young child, whose chief crime was having laughed to see her eat with avidity, was changed into a lizard: while a Thessalian, who had desecrated and attempted to destroy a sacred forest, was doomed to an hunger so cruel, that he devoured his own limbs, and died in the midst of fearful torments.

The Thessalian

       Table of Contents

       Table of Contents

      We have already seen that the decrees of Destiny, or Fate, were superior even to the will of Jupiter, as the King of the Gods could not restore Proserpine to her mother, Destiny having decreed otherwise. But of this being, as possessing a place among the heroes of mythology, we are left in considerable ignorance. Scarcely knowing even if he were a God, or only the name or symbol whereby to represent an immutable and unchangeable law. In the antique bas-reliefs he is often to be seen, with a bandage over his eyes, and near him an open book which the gods alone might consult: and in which are written those events which must inevitably come to pass, and which all are so anxious to discover.

      "Thou power which all men strive to look into!

      Thou power which dost elude all human search!

      To thee alone is given the right to gaze

      Into the fate prepared for all who live.

      Oh! wilt thou ne'er unlock thine iron bars,

      Oh! wilt thou ne'er enable us to look

      Into the volume clasped at thy right hand?

      The past is known to us, and doth contain

      So much of evil and so little good,

      So much of wrong, and oh! so little right,

      So much of suffering, and so little peace,

      That we would fain turn o'er the leaves which speak

      Of future things to our sore troubled souls.

      Yet no! perchance the burden is too much,

      And is in mercy hidden from our eyes.

      Earth is made up of so much care and woe,

      The past, the present, and the future known,

      Would sink us into deep and desperate sorrow."

Decoration - altar?

       Table of Contents

       Table of Contents

      This Deity, whose name still lives with us, as the presiding divinity of the art of song, was the son of Jupiter, by the beautiful Latona, daughter of the Titan, Cœus. Asteria, her sister, disdaining the embraces of the God, threw herself into the sea, and was changed into the isle which bears the name of Delos; where Latona afterwards sought refuge from the fury of Juno, when about to overwhelm her, for her frailty with her husband. The irritated Goddess, to punish Latona for her crime, excited against her the serpent Python, who pursued her wheresoever she went; until at last, in the Isle of Delos, alone and unfriended, bearing in her bosom the fruit of her weakness, she gave birth to Apollo and Diana. Weary of her confinement, and wishing to return to her father Cœus, she arrived near his dominions, where, fatigued with her journey, she begged a drop of water from the peasants, whose cruel refusal to aid her she punished by changing them into frogs.

Latona and the frog peasants

      

      "The Goddess came, and kneeling on the brink,

      Stooped at the fresh repast, prepared to drink:

      Then thus, being hindered by the rabble race,

      In accents mild expostulates the case:

      'Water I only ask, and sure 'tis hard

      From Nature's common rights to be debarred.

      This, as the genial sun, and vital air,

      Should flow alike to every creature's share;

      One draught, as dear as life I should esteem,

      And water, now I thirst, would nectar seem:

      Oh! let my little babes your pity move,

      And melt your hearts to charitable love:

      They (as by chance they did) extend to you

      Their little hands, and my request pursue!'

      Yet they the goddess's request refuse,

      And, with rude words, reproachfully abuse.

      Her thirst by indignation was suppressed;

      Bent on revenge, the Goddess stood confessed!

      'And may you live,' she passionately cried,

      'Doomed in that pool for ever to abide!'

      The Goddess has her wish——"

      Ovid.

Niobe

      During her residence at her father's court, Niobe, daughter of Tantalus, had the insolence to prefer herself to Latona, who had but two children, while Niobe possessed seven sons and seven daughters. She even ridiculed the worship which was paid to Latona, observing, that she had a better claim to altars and sacrifices than the mother of Apollo. This insolence provoked Latona, and she entreated her children to punish the arrogant Niobe. Her prayers were granted, and immediately all the sons of Niobe expired by the darts of Apollo, and


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