The Biggest Curiosities of Literature. Disraeli IsaacЧитать онлайн книгу.
and the antagonist of Bayle was Le Clerc. His firm industry has produced three Bibliothèques—Universelle et Historique, Choisie, and Ancienne et Moderne; forming in all eighty-two volumes, which, complete, bear a high price. Inferior to Bayle in the more pleasing talents, he is perhaps superior in erudition, and shows great skill in analysis: but his hand drops no flowers! Gibbon resorted to Le Clerc's volumes at his leisure, "as an inexhaustible source of amusement and instruction." Apostolo Zeno's Giornale del Litterati d'Italia, from 1710 to 1733, is valuable.
Beausobre and L'Enfant, two learned Protestants, wrote a Bibliothèque Germanique, from 1720 to 1740, in 50 volumes. Our own literature is interested by the "Bibliothèque Britannique," written by some literary Frenchmen, noticed by La Croze, in his "Voyage Littéraire," who designates the writers in this most tantalising manner: "Les auteurs sont gens de mérite, et qui entendent tous parfaitement l'Anglois; Messrs. S.B., le M.D., et le savant Mr. D." Posterity has been partially let into the secret: De Missy was one of the contributors, and Warburton communicated his project of an edition of Velleius Patereulus. This useful account of English books begins in 1733, and closes in 1747, Hague, 23 vols.: to this we must add the Journal Britannique, in 18 vols., by Dr. Maty, a foreign physician residing in London; this Journal exhibits a view of the state of English literature from 1750 to 1755. Gibbon bestows a high character on the journalist, who sometimes "aspires to the character of a poet and a philosopher; one of the last disciples of the school of Fontenelle."
Maty's son produced here a review known to the curious, his style and decisions often discover haste and heat, with some striking observations: alluding to his father, in his motto, Maty applies Virgil's description of the young Ascanius, "Sequitur patrem non passibus æquis." He says he only holds a monthly conversation with the public. His obstinate resolution of carrying on this review without an associate, has shown its folly and its danger; for a fatal illness produced a cessation, at once, of his periodical labours and his life.
Other reviews, are the Mémoires de Trevoux, written by the Jesuits. Their caustic censure and vivacity of style made them redoubtable in their day; they did not even spare their brothers. The Journal Littéraire, printed at the Hague, was chiefly composed by Prosper Marchand, Sallengre, and Van Effen, who were then young writers. This list may be augmented by other journals, which sometimes merit preservation in the history of modern literature.
Our early English journals notice only a few publications, with little acumen. Of these, the "Memoirs of Literature," and the "Present State of the Republic of Letters," are the best. The Monthly Review, the venerable (now the deceased) mother of our journals, commenced in 1749.
It is impossible to form a literary journal in a manner such as might be wished; it must be the work of many, of different tempers and talents. An individual, however versatile and extensive his genius, would soon be exhausted. Such a regular labour occasioned Bayle a dangerous illness, and Maty fell a victim to his Review. A prospect always extending as we proceed, the frequent novelty of the matter, the pride of considering one's self as the arbiter of literature, animate a journalist at the commencement of his career; but the literary Hercules becomes fatigued; and to supply his craving pages he gives copious extracts, till the journal becomes tedious, or fails in variety. The Abbé Gallois was frequently diverted from continuing his journal, and Fontenelle remarks, that this occupation was too restrictive for a mind so extensive as his; the Abbé could not resist the charms of revelling in a new work, and gratifying any sudden curiosity which seized him; this interrupted perpetually the regularity which the public expects from a journalist.
The character of a perfect journalist would be only an ideal portrait; there are, however, some acquirements which are indispensable. He must be tolerably acquainted with the subjects he treats on; no common acquirement! He must possess the literary history of his own times; a science which, Fontenelle observes, is almost distinct from any other. It is the result of an active curiosity, which takes a lively interest in the tastes and pursuits of the age, while it saves the journalist from some ridiculous blunders. We often see the mind of a reviewer half a century remote from the work reviewed. A fine feeling of the various manners of writers, with a style adapted to fix the attention of the indolent, and to win the untractable, should be his study; but candour is the brightest gem of criticism! He ought not to throw everything into the crucible, nor should he suffer the whole to pass as if he trembled to touch it. Lampoons and satires in time will lose their effect, as well as panegyrics. He must learn to resist the seductions of his own pen: the pretension of composing a treatise on the subject, rather than on the book he criticises—proud of insinuating that he gives, in a dozen pages, what the author himself has not been able to perform in his volumes. Should he gain confidence by a popular delusion, and by unworthy conduct, he may chance to be mortified by the pardon or by the chastisement of insulted genius. The most noble criticism is that in which the critic is not the antagonist so much as the rival of the author.
RECOVERY OF MANUSCRIPTS.
Our ancient classics had a very narrow escape from total annihilation. Many have perished: many are but fragments; and chance, blind arbiter of the works of genius, has left us some, not of the highest value; which, however, have proved very useful, as a test to show the pedantry of those who adore antiquity not from true feeling, but from traditional prejudice.
We lost a great number of ancient authors by the conquest of Egypt by the Saracens, which deprived Europe of the use of the papyrus. They could find no substitute, and knew no other expedient but writing on parchment, which became every day more scarce and costly. Ignorance and barbarism unfortunately seized on Roman manuscripts, and industriously defaced pages once imagined to have been immortal! The most elegant compositions of classic Rome were converted into the psalms of a breviary, or the prayers of a missal. Livy and Tacitus "hide their diminished heads" to preserve the legend of a saint, and immortal truths were converted into clumsy fictions. It happened that the most voluminous authors were the greatest sufferers; these were preferred, because their volume being the greatest, most profitably repaid their destroying industry, and furnished ampler scope for future transcription. A Livy or a Diodorus was preferred to the smaller works of Cicero or Horace; and it is to this circumstance that Juvenal, Persius, and Martial have come down to us entire, rather probably than to these pious personages preferring their obscenities, as some have accused them. At Rome, a part of a book of Livy was found, between the lines of a parchment but half effaced, on which they had substituted a book of the Bible; and a recent discovery of Cicero De Republicâ, which lay concealed under some monkish writing, shows the fate of ancient manuscripts.13
That the Monks had not in high veneration the profane authors, appears by a facetious anecdote. To read the classics was considered as a very idle recreation, and some held them in great horror. To distinguish them from other books, they invented a disgraceful sign: when a monk asked for a pagan author, after making the general sign they used in their manual and silent language when they wanted a book, he added a particular one, which consisted in scratching under his ear, as a dog, which feels an itching, scratches himself in that place with his paw—because, said they, an unbeliever is compared to a dog! In this manner they expressed an itching for those dogs Virgil or Horace!14
There have been ages when, for the possession of a manuscript, some would transfer an estate, or leave in pawn for its loan hundreds of golden crowns; and when even the sale or loan of a manuscript was considered of such importance as to have been solemnly registered by public acts. Absolute as was Louis XI. he could not obtain the MS. of Rasis, an Arabian writer, from the library of the Faculty of Paris, to have a copy made, without pledging a hundred golden crowns; and the president of his treasury, charged with this commission, sold part of his plate to make the deposit. For the loan of a volume of Avicenna, a Baron offered a pledge of ten marks of silver, which was refused: because it was not considered equal to the risk incurred of losing a volume of Avicenna! These events occurred in 1471. One cannot but smile, at an anterior period, when a Countess of Anjou bought a favourite book of homilies for two hundred sheep, some skins of martins, and bushels