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The Biggest Curiosities of Literature. Disraeli IsaacЧитать онлайн книгу.

The Biggest Curiosities of Literature - Disraeli Isaac


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with your box, or picking your teeth?" &c. Wigs and snuff-boxes were then the rage. Steele's own wig, it is recorded, made at one time a considerable part of his annual expenditure. His large black periwig cost him, even at that day, no less than forty guineas!—We wear nothing at present in this degree of extravagance. But such a wig was the idol of fashion, and they were performing perpetually their worship with infinite self-complacency; combing their wigs in public was then the very spirit of gallantry and rank. The hero of Richardson, youthful and elegant as he wished him to be, is represented waiting at an assignation, and describing his sufferings in bad weather by lamenting that "his wig and his linen were dripping with the hoar frost dissolving on them." Even Betty, Clarissa's lady's-maid, is described as "tapping on her snuff-box," and frequently taking snuff. At this time nothing was so monstrous as the head-dresses of the ladies in Queen Anne's reign: they formed a kind of edifice of three stories high; and a fashionable lady of that day much resembles the mythological figure of Cybele, the mother of the gods, with three towers on her head.66

      It is not worth noticing the changes in fashion, unless to ridicule them. However, there are some who find amusement in these records of luxurious idleness; these thousand and one follies! Modern fashions, till, very lately, a purer taste has obtained among our females, were generally mere copies of obsolete ones, and rarely originally fantastical. The dress of some of our beaux will only be known in a few years hence by their caricatures. In 1751 the dress of a dandy is described in the Inspector. A black velvet coat, a green and silver waistcoat, yellow velvet breeches, and blue stockings. This too was the æra of black silk breeches; an extraordinary novelty against which "some frowsy people attempted to raise up worsted in emulation." A satirical writer has described a buck about forty years ago;67 one could hardly have suspected such a gentleman to have been one of our contemporaries. "A coat of light green, with sleeves too small for the arms, and buttons too big for the sleeves; a pair of Manchester fine stuff breeches, without money in the pockets; clouded silk stockings, but no legs; a club of hair behind larger than the head that carries it; a hat of the size of sixpence on a block not worth a farthing."

      As this article may probably arrest the volatile eyes of my fair readers, let me be permitted to felicitate them on their improvement in elegance in the forms of their dress; and the taste and knowledge of art which they frequently exhibit. But let me remind them that there are universal principles of beauty in dress independent of all fashions. Tacitus remarks of Poppea, the consort of Nero, that she concealed a part of her face; to the end that, the imagination having fuller play by irritating curiosity, they might think higher of her beauty than if the whole of her face had been exposed. The sentiment is beautifully expressed by Tasso, and it will not be difficult to remember it:—

      "Non copre sue bellezze, e non l'espose."

      I conclude by a poem, written in my youth, not only because the late Sir Walter Scott once repeated some of the lines, from memory, to remind me of it, and has preserved it in "The English Minstrelsy," but also as a memorial of some fashions which have become extinct in my own days.

      STANZAS

      ADDRESSED TO LAURA, ENTREATING HER NOT TO PAINT, TO POWDER, OR TO GAME, BUT TO RETREAT INTO THE COUNTRY.

      Ah, Laura! quit the noisy town,

       And Fashion's persecuting reign:

       Health wanders on the breezy down,

       And Science on the silent plain.

      How long from Art's reflected hues

       Shalt thou a mimic charm receive?

       Believe, my fair! the faithful muse,

       They spoil the blush they cannot give.

      Must ruthless art, with tortuous steel,

       Thy artless locks of gold deface,

       In serpent folds their charms conceal,

       And spoil, at every touch, a grace.

      Too sweet thy youth's enchanting bloom

       To waste on midnight's sordid crews:

       Let wrinkled age the night consume,

       For age has but its hoards to lose.

      Sacred to love and sweet repose,

       Behold that trellis'd bower is nigh!

       That bower the verdant walls enclose,

       Safe from pursuing Scandal's eye.

      There, as in every lock of gold

       Some flower of pleasing hue I weave,

       A goddess shall the muse behold,

       And many a votive sigh shall heave.

      So the rude Tartar's holy rite

       A feeble MORTAL once array'd;

       Then trembled in that mortal's sight,

       And own'd DIVINE the power he MADE.68

      A SENATE OF JESUITS.

       Table of Contents

      In a book entitled "Intérêts et Maximes des Princes et des Etats Souverains, par M. le duc de Rohan; Cologne, 1666," an anecdote is recorded concerning the Jesuits, which neither Puffendorf nor Vertot has noticed in his history.

      When Sigismond, king of Sweden, was elected king of Poland, he made a treaty with the states of Sweden, by which he obliged himself to pass every fifth year in that kingdom. By his wars with the Ottoman court, with Muscovy, and Tartary, compelled to remain in Poland to encounter these powerful enemies, during fifteen years he failed in accomplishing his promise. To remedy this in some shape, by the advice of the Jesuits, who had gained an ascendancy over him, he created a senate to reside at Stockholm, composed of forty chosen Jesuits. He presented them with letters-patent, and invested them with the royal authority.

      While this senate of Jesuits was at Dantzic, waiting for a fair wind to set sail for Stockholm, he published an edict, that the Swedes should receive them as his own royal person. A public council was immediately held. Charles, the uncle of Sigismond, the prelates, and the lords, resolved to prepare for them a splendid and magnificent entry.

      But in a private council, they came to very contrary resolutions: for the prince said, he could not bear that a senate of priests should command, in preference to all the princes and lords, natives of the country. All the others agreed with him in rejecting this holy senate. The archbishop rose, and said, "Since Sigismond has disdained to be our king, we also must not acknowledge him as such; and from this moment we should no longer consider ourselves as his subjects. His authority is in suspenso, because he has bestowed it on the Jesuits who form this senate. The people have not yet acknowledged them. In this interval of resignation on the one side, and assumption on the other, I absolve you all of the fidelity the king may claim from you as his Swedish subjects." The prince of Bithynia addressing himself to Prince Charles, uncle of the king, said, "I own no other king than you; and I believe you are now obliged to receive us as your affectionate subjects, and to assist us to hunt these vermin from the state." All the others joined him, and acknowledged Charles as their lawful monarch.

      Having resolved to keep their declaration for some time secret, they deliberated in what manner they were to receive and to precede this senate in their entry into the harbour, who were now on board a great galleon, which had anchored two leagues from Stockholm, that they might enter more magnificently in the night, when the fireworks they had prepared would appear to the greatest advantage. About the time of their reception, Prince Charles, accompanied by twenty-five or thirty vessels, appeared before this senate. Wheeling about, and forming a caracol of ships, they discharged a volley, and emptied all their cannon on the galleon bearing this senate, which had its sides pierced through with the balls. The galleon immediately filled with water and sunk, without one of the unfortunate Jesuits being assisted: on the contrary, their assailants


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