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barrel of an automatic pushed hard against his stomach. “You’ll go quietly through the club-room, get your coat and hat and leave as though nothing had happened. Say polite good-by to anyone who happens to speak to you. And never come back. Get that, you Swede.”
“Yes,” said Yogi. “Put up your gun. I’m not afraid of your gun.”
“Do as I say,” Red Dog ordered. “As for those two pool-players that brought you here, I’ll soon have them out of this.”
Yogi went into the bright room, looked at the bar, where Bruce, the bartender, was regarding him, got his hat and coat, said good-night to Skunk-Backwards, who asked him why he was leaving so early, and the outside trap-door was swung up by Bruce. As Yogi started down the ladder the Negro burst out laughing. “I knowed it,” he laughed. “I knowed it all de time. No Swede gwine to fool ole Bruce.”
Yogi looked back and saw the laughing black face of the Negro framed in the oblong square of light that came through the raised trap-door. Once on the stable floor, Yogi looked around him. He was alone. The straw of the old stable was stiff and frozen under his feet. Where had he been? Had he been in an Indian club? What was it all about? Was this the end?
Above him a slit of light came in the roof. Then it was blocked by two black figures, there was the sound of a kick, a blow, a series of thuds, some dull, some sharp, and two human forms came crashing down the ladder. From above floated the dark, haunting sound of black Negro laughter.
The two woods Indians picked themselves up from the straw and limped toward the door. One of them, the little one, was crying. Yogi followed them out into the cold night. It was cold. The night was clear. The stars were out.
“Club no damn good,” the big Indian said. “Club heap no damn good.”
The little Indian was crying. Yogi, in the starlight, saw that he had lost one of his artificial arms.
“Me no play pool no more,” the little Indian sobbed. He shook his one arm at the window of the club, from which a thin slit of light came. “Club heap goddam hell no good.”
“Never mind,” Yogi said. “I’ll get you a job in the pump-factory.”
“Pump-factory, hell,” the big Indian said. “We all go join Salvation Army.”
“Don’t cry,” Yogi said to the little Indian. “I’ll buy you a new arm.”
The little Indian went on crying. He sat down in the snowy road. “No can play pool me no care about nothing,” he said.
From above them, out of the window of the club came the haunting sound of a Negro laughing.
Author’s Note to the Reader
In case it may have any historical value, I am glad to state that I wrote the foregoing chapter in two hours directly on the typewriter, and then went out to lunch with John Dos Passos, whom I consider a very forceful writer, and an exceedingly pleasant fellow besides. This is what is known in the provinces as log-rolling. We lunched on rollmops, Sole Meunière, Civet de Lièvre à la Chez Cocotte, marmelade de pommes, and washed it all down, as we used to say (eh, reader?) with a bottle of Montrachet 1919, with the sole, and a bottle of Hospice de Beaune 1919 apiece with the jugged hare. Mr. Dos Passos, I believe, shared a bottle of Chambertin with me over the marmelade de pommes (Eng., apple sauce). We drank two vieux marcs, and after deciding not to go to the Café du Dôme and talk about Art we both went to our respective homes and I wrote the following chapter. I would like the reader to particularly remark the way the complicated threads of the lives of the various characters in the book are gathered together, and then held there in that memorable scene in the beanery. It was when I read this chapter aloud to him that Mr. Dos Passos exclaimed, “Hemingway, you have wrought a masterpiece.”
P. S.—From the Author to the Reader
It is at this point, reader, that I am going to try and get that sweep and movement into the book that shows that the book is really a great book. I know you hope just as much as I do, reader, that I will get this sweep and movement because think what it will mean to both of us. Mr. H. G. Wells, who has been visiting at our home (we’re getting along in the literary game, eh, reader?) asked us the other day if perhaps our reader, that’s you, reader—just think of it, H. G. Wells talking about you right in our home. Anyway, H. G. Wells asked us if perhaps our reader would not think too much of this story was autobiographical. Please, reader, just get that idea out of your head. We have lived in Petoskey, Mich., it is true, and naturally many of the characters are drawn from life as we lived it then. But they are other people, not the author. The author only comes into the story in these little notes. It is true that before starting this story we spent twelve years studying the various Indian dialects of the North, and there is still preserved in the museum at Cross Village our translation of the New Testament into Ojibway. But you would have done the same thing in our place, reader, and I think if you think it over you will agree with us on this. Now to get back to the story. It is meant in the best spirit of friendship when I say that you have no idea, reader, what a hard chapter this is going to be to write. As a matter of fact, and I try to be frank about these things, we will not even try and write it until tomorrow.
PART FOUR
The Passing of a Great Race and the Making and Marring of Americans
But perhaps it may be objected to me, that I have against my own rules introduced vices, and of a very black kind, into this work. To which I shall answer: first, that it is very difficult to pursue a series of human actions, and keep clear from them. Secondly, that the vices to be found here are rather the accidental consequences of some human frailty or foible, than causes habitually existing in the mind. Thirdly, that they are never set forth as the objects of ridicule, but detestation. Fourthly, that they are never the principal figure at that time on the scene: and lastly, they never produce the intended evil.
HENRY FIELDING
CHAPTER THIRTEEN
Yogi Johnson walking down the silent street with his arm around the little Indian’s shoulder. The big Indian walking along beside them. The cold night. The shuttered houses of the town. The little Indian, who has lost his artificial arm. The big Indian, who was also in the war. Yogi Johnson, who was in the war too. The three of them walking, walking, walking. Where were they going? Where could they go? What was there left?
Suddenly under a street light that swung on its drooping wire above a street corner, casting its light down on the snow, the big Indian stopped. “Walking no get us nowhere,” he grunted. “Walking no good. Let white chief speak. Where we go, white chief?”
Yogi Johnson did not know. Obviously, walking was not the solution of their problem. Walking was all right in its way. Coxey’s Army. A horde of men, seeking work, pressing on toward Washington. Marching men, Yogi thought. Marching on and on and where were they getting? Nowhere. Yogi knew it only too well. Nowhere. No damn where at all.
“White chief speak up,” the big Indian said.
“I don’t know,” Yogi said. “I don’t know at all.” Was this what they had fought the war for? Was this what it was all about? It looked like it. Yogi standing under the street light. Yogi thinking and wondering. The two Indians in their mackinaw coats. One of the Indians with an empty sleeve. All of them wondering.
“White chief no speak?” the big Indian asked.
“No.” What could Yogi say? What was there to say?
“Red brother speak?” asked the Indian.
“Speak out,” Yogi said. He looked down at the snow. “One man’s as good as another now.”
“White