The Complete Novels of Fyodor Dostoyevsky. Fyodor DostoevskyЧитать онлайн книгу.
me be," she cried in despair. "I swear I'll shoot again. I … I'll kill you."
"Well … at three paces you can hardly help it. But if you don't … then." His eyes flashed and he took two steps forward. Dounia shot again: it missed fire.
"You haven't loaded it properly. Never mind, you have another charge there. Get it ready, I'll wait."
He stood facing her, two paces away, waiting and gazing at her with wild determination, with feverishly passionate, stubborn, set eyes. Dounia saw that he would sooner die than let her go. "And … now, of course she would kill him, at two paces!" Suddenly she flung away the revolver.
"She's dropped it!" said Svidrigaïlov with surprise, and he drew a deep breath. A weight seemed to have rolled from his heart—perhaps not only the fear of death; indeed he may scarcely have felt it at that moment. It was the deliverance from another feeling, darker and more bitter, which he could not himself have defined.
He went to Dounia and gently put his arm round her waist. She did not resist, but, trembling like a leaf, looked at him with suppliant eyes. He tried to say something, but his lips moved without being able to utter a sound.
"Let me go," Dounia implored. Svidrigaïlov shuddered. Her voice now was quite different.
"Then you don't love me?" he asked softly. Dounia shook her head.
"And … and you can't? Never?" he whispered in despair.
"Never!"
There followed a moment of terrible, dumb struggle in the heart of Svidrigaïlov. He looked at her with an indescribable gaze. Suddenly he withdrew his arm, turned quickly to the window and stood facing it. Another moment passed.
"Here's the key."
He took it out of the left pocket of his coat and laid it on the table behind him, without turning or looking at Dounia.
"Take it! Make haste!"
He looked stubbornly out of the window. Dounia went up to the table to take the key.
"Make haste! Make haste!" repeated Svidrigaïlov, still without turning or moving. But there seemed a terrible significance in the tone of that "make haste."
Dounia understood it, snatched up the key, flew to the door, unlocked it quickly and rushed out of the room. A minute later, beside herself, she ran out on to the canal bank in the direction of X. Bridge.
Svidrigaïlov remained three minutes standing at the window. At last he slowly turned, looked about him and passed his hand over his forehead. A strange smile contorted his face, a pitiful, sad, weak smile, a smile of despair. The blood, which was already getting dry, smeared his hand. He looked angrily at it, then wetted a towel and washed his temple. The revolver which Dounia had flung away lay near the door and suddenly caught his eye. He picked it up and examined it. It was a little pocket three-barrel revolver of old-fashioned construction. There were still two charges and one capsule left in it. It could be fired again. He thought a little, put the revolver in his pocket, took his hat and went out.
Chapter 6
He spent that evening till ten o'clock going from one low haunt to another. Katia too turned up and sang another gutter song, how a certain "villain and tyrant"
"began kissing Katia."
Svidrigaïlov treated Katia and the organ-grinder and some singers and the waiters and two little clerks. He was particularly drawn to these clerks by the fact that they both had crooked noses, one bent to the left and the other to the right. They took him finally to a pleasure garden, where he paid for their entrance. There was one lanky three- year-old pine-tree and three bushes in the garden, besides a "Vauxhall," which was in reality a drinking-bar where tea too was served, and there were a few green tables and chairs standing round it. A chorus of wretched singers and a drunken but exceedingly depressed German clown from Munich with a red nose entertained the public. The clerks quarrelled with some other clerks and a fight seemed imminent. Svidrigaïlov was chosen to decide the dispute. He listened to them for a quarter of an hour, but they shouted so loud that there was no possibility of understanding them. The only fact that seemed certain was that one of them had stolen something and had even succeeded in selling it on the spot to a Jew, but would not share the spoil with his companion. Finally it appeared that the stolen object was a teaspoon belonging to the Vauxhall. It was missed and the affair began to seem troublesome. Svidrigaïlov paid for the spoon, got up, and walked out of the garden. It was about six o'clock. He had not drunk a drop of wine all this time and had ordered tea more for the sake of appearances than anything.
It was a dark and stifling evening. Threatening storm-clouds came over the sky about ten o'clock. There was a clap of thunder, and the rain came down like a waterfall. The water fell not in drops, but beat on the earth in streams. There were flashes of lightning every minute and each flash lasted while one could count five.
Drenched to the skin, he went home, locked himself in, opened the bureau, took out all his money and tore up two or three papers. Then, putting the money in his pocket, he was about to change his clothes, but, looking out of the window and listening to the thunder and the rain, he gave up the idea, took up his hat and went out of the room without locking the door. He went straight to Sonia. She was at home.
She was not alone: the four Kapernaumov children were with her. She was giving them tea. She received Svidrigaïlov in respectful silence, looking wonderingly at his soaking clothes. The children all ran away at once in indescribable terror.
Svidrigaïlov sat down at the table and asked Sonia to sit beside him. She timidly prepared to listen.
"I may be going to America, Sofya Semyonovna," said Svidrigaïlov, "and as I am probably seeing you for the last time, I have come to make some arrangements. Well, did you see the lady to-day? I know what she said to you, you need not tell me." (Sonia made a movement and blushed.) "Those people have their own way of doing things. As to your sisters and your brother, they are really provided for and the money assigned to them I've put into safe keeping and have received acknowledgments. You had better take charge of the receipts, in case anything happens. Here, take them! Well now, that's settled. Here are three 5-per-cent bonds to the value of three thousand roubles. Take those for yourself, entirely for yourself, and let that be strictly between ourselves, so that no one knows of it, whatever you hear. You will need the money, for to go on living in the old way, Sofya Semyonovna, is bad, and besides there is no need for it now."
"I am so much indebted to you, and so are the children and my stepmother," said Sonia hurriedly, "and if I've said so little … please don't consider … "
"That's enough! that's enough!"
"But as for the money, Arkady Ivanovitch, I am very grateful to you, but I don't need it now. I can always earn my own living. Don't think me ungrateful. If you are so charitable, that money… ."
"It's for you, for you, Sofya Semyonovna, and please don't waste words over it. I haven't time for it. You will want it. Rodion Romanovitch has two alternatives: a bullet in the brain or Siberia." (Sonia looked wildly at him, and started.) "Don't be uneasy, I know all about it from himself and I am not a gossip; I won't tell anyone. It was good advice when you told him to give himself up and confess. It would be much better for him. Well, if it turns out to be Siberia, he will go and you will follow him. That's so, isn't it? And if so, you'll need money. You'll need it for him, do you understand? Giving it to you is the same as my giving it to him. Besides, you promised Amalia Ivanovna to pay what's owing. I heard you. How can you undertake such obligations so heedlessly, Sofya Semyonovna? It was Katerina Ivanovna's debt and not yours, so you ought not to have taken any notice of the German woman. You can't get through the world like that. If you are ever questioned about me—to-morrow or the day after you will be asked—don't say anything about my coming to see you now and don't show the money to anyone or say a word about it. Well, now good- bye." (He got up.) "My greetings to Rodion Romanovitch. By the way, you'd better put the money for the present in Mr. Razumihin's keeping. You know Mr. Razumihin? Of course you do. He's not a bad fellow. Take it to him to-morrow or … when the time