The Greatest Works of Aleister Crowley. Aleister CrowleyЧитать онлайн книгу.
as intense as their previous motion.
We found ourselves looking into each other's eyes with no less ardour than before ; but somehow it was a different kind of ardour. It was as if we had been released from the necessity of existence in the ordinary sense of the word. We were both wondering who we were and what we were and what was going to happen ; and, at the same time, we had a positive certainty that nothing could possibly happen.
It was a most extraordinary feeling. It was of a will go a bit further than that. I don't believe the greatest artist in the world could invent what we felt, and if he could he couldn't describe it.
I'm trying to describe it myself, and I feel that I'm not making out very well. Come to think of it, the English language has its limitations. When mathematicians and men of science want to exchange thoughts,
English isn't much good. They've had to invent new words, new symbols. Look at Einstein's equations.
I knew a man once that knew James Hinton, who invented the fourth dimension. Pretty bright chap, he was, but Hinton thought, on the most ordinary subjects, at least six times as fast as he did, and when it came to Hinton's explaining himself, he simply couldn't do it.
That's the great trouble when a new thinker comes along. They all moan that they can't understand him the fact annoys them very much ; and ten to one they persecute him and call him an Atheist or a Degenerate or a Pro-German or a Bolshevik, or whatever the favourite term of abuse happens to be at the time.
Wells told us a bit about this in that book of his about giants, and so does Bernard Shaw in his Back to Methuselah. It's nobody's fault in particular, but there it is, and you can't get over it.
And here was I, a perfectly ordinary man, with just about the average allowance of brains, suddenly finding myself cut off from the world, in a class by myselfI felt that I had something perfectly tremendous to tell, but I couldn't tell even myself what it was.
And there was Lou standing right opposite, and I recognised instinctively, by sympathy, that she was just in the same place.
We had no need of communicating with each other by means of articulate speech. We understood perfectly; we expressed the fact in every subtle harmony of glance and gesture.
The world had stopped suddenly still. We were alone in the night and the silence of things. We belonged to eternity in some indefinable way; and that infinite silence blossoms inscrutably into embrace.
The heroin had begun to take hold. We felt ourselves crowned with colossal calm. We were masters ; we had budded from nothingness into existence I And now, existence slowly compelled us to action. There was a necessity in our own natures which demanded expression and after the first intense inter-penetration of our individualities, we had reached the resultant of all the forces that composed us.
In one sense, it was that our happiness was so huge that we could not bear it ; and we slid imperceptibly into conceding that the ineffable mysteries must be expressed by means of sacramental action.
But all this took place at an immense distance from reality. A concealed chain of interpretation linked the truth with the obvious commonplace fact that this was a good time to go across to Montmartre and make a night of it.
We dressed to go out with, I imagine, the very sort of feeling as a newly made bishop would have the first time he puts on his vestments.
But none of this would have been intelligible to, or suspected by, anybody who had seen us. We laughed and sang and interchanged gay nothings while we dressed.
When we went downstairs, we felt like gods descending upon earth, immeasurably beyond mortality.
With the cocaine, we had noticed that people smiled rather strangely. Our enthusiasm was observed. We even felt a little touch of annoyance at everybody not going at the same pace ; but this was perfectly different. The sense of our superiority to mankind was constantly present. We were dignified beyond all words to express. Our own voices sounded far, far off. We were perfectly convinced that the hotel porter realised that he was receiving the orders of Jupiter and Juno to get a taxi.
We never doubted that the chauffeur knew himself to be the charioteer of the sun.
" This is perfectly wonderful stuff," I said to Lou as we passed the Arc de Triomphe. " I don't know what you meant by saying the stuff didn't have any special effect upon you. Why, you're perfectly gorgeous."
" You bet I am," laughed Lou. " The king's daughter is all-glorious within ; her raiment is of wrought gold, and she thrusts her face out to be kissed, like a comet pushing its way to the sun. Didn't you know I was the king's daughter ? " she smiled, with such seductive sublimity that something in me nearly fainted with delight.
" Hold up, Cockie," she chirped. " It's all right. You're it, and I'm it, and I'm your little wife."
I could have torn the upholstery out of the taxi. I felt myself a giant. Gargantua was a pigmy. I felt the need of smashing something into matchwood, and I was all messed up about it because it was Lou that I wanted to smash, and at the same time she was the most precious and delicate piece of porcelain that ever came out of the Ming dynasty or whatever the beastly period is.
The most fragile, exquisite beauty ! To touch her was to profane her. I had a sudden nauseating sense of the bestiality of marriage.
I had no idea at the time that this sudden revulsion of feeling was due to a mysterious premonition of the physiological effects of heroin in destroying love. Definitely stimulating things like alcohol, hashish and cocaine give free range to Cupid. Their destructive effect on him is simply due to the reaction. One is in debt, so to speak, because one has outrun the constable.
But what I may call the philosophical types of dope, of which morphine and heroin are the principal examples, are directly inimical to active emotion and emotional action. The normal human feelings are transmuted into what seem on the surface their spiritual equivalents. Ordinary good feeling becomes universal benevolence ; a philanthropy which is infinitely tolerant because the moral code has become meaningless for it. A more than Satanic pride swells in one's soul. As Baudelaire says: " Hast thou not sovereign contempt, which makes the soul so kind ? "
As we drove up the Butte Montmartre towards the Sacre' Coeur, we remained completely silent, lost in our calm beatitude. You must understand that we were already excited to the highest point. The effect of the heroin had been to steady us in that state.
Instead of beating passionately up the sky with flaming wings, we were poised aloft in the illimitable ether. We took fresh doses of the dull soft powder now and again. We did so without greed, hurry or even desire. The sensation was of infinite power which could afford infinite deliberation. Will itself seemed to have been abolished. We were going nowhere in particular, simply because it was our nature so to do. Our beatitude became more absolute every moment.
With cocaine, one is indeed master of everything; but everything matters intensely.
With heroin, the feeling of mastery increases to such a point that nothing matters at all. There is not even the disinclination to do what one happens to be doing which keeps the opium smoker inactive. The body is left to itself so perfectly that one is not worried by its natural activities.
Again, despite our consciousness of infinity, we maintained, concurrently, a perfect sense of proportion in respect of ordinary matters.
Chapter V.
A Heroin Heroine
I stopped the taxi in the Place du Tertre. We wanted to walk along the edge of the Butte and let our gaze wander over Paris.
The night was delicious. Nowhere but in Paris does one experience that soft suave hush ; the heat is dry, the air is light, it is quite unlike anything one ever gets in England.
A very gentle breeze, to which our fancy attributed the redolence of the South, streamed up from the Seine. Paris itself was a