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The Mandibles: A Family, 2029–2047. Lionel ShriverЧитать онлайн книгу.

The Mandibles: A Family, 2029–2047 - Lionel Shriver


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Karmic Clumping

      Avery Stackhouse was well aware that her sister was impatient with fleXface, since Florence liked to clean the kitchen while she talked. But in that event, the dishes always seemed to command the better part of her attention, and the distraction would squander a rare solitude: Lowell was teaching an evening class; Savannah was out with one of the boyfriends shuttling through her senior year so quickly that her mother had given up learning their names; Goog was prepping with his team for the big interschool debate on the proposition “Shortages and price spikes are caused by destructive national ‘food security’ policies, not by real agricultural shortfalls”—Goog had opted for the affirmative; Bing was practicing with his quartet.

      Curling into a sumptuous armchair, she gave the living room a satisfied glance. In her young adulthood, fashionable décor had featured hard surfaces, sharp angles, and refraction, while color schemes were dominated by unforgiving whites. Deliciously, now softness, light absorption, and curves were de rigueur; even their walls were covered in dusty synthetic suede. This room was all umbers and toast, the furniture pre-worn leather and low-nap fur, so that lazing here with a glass of wine was like snuggling against a stuffed bear. The tacky blare of chrome had been replaced with the mute of pewter. Mercifully, affluent homes in DC no longer sported those dreadful sectionals, but had restored the dignified couch.

      The Stackhouses had also banished the busy clunk of books that cluttered all three stories of her parents’ jumbled brick house in Carroll Gardens. Nothing betrayed you as a fuddy-duddy like parallels of shabby spines junking up the walls. Once you’d read a book, why retain it in three dimensions, save as a form of boasting? Now that you could balance the Library of Congress on your fingertip, dragging countless cartons of these spent objects from home to home was like moving with your eggshells.

      She unfolded and stiffened the fleXcreen to perch it on the hide-covered coffee table. The device was so thin that, before the distinctive bright colors of its second generation, some folks had thrown theirs away, mistaking the wads in their pockets for tissues. Since the diaphanous material would assume a screen size anywhere from a two-inch square to a fifteen-by-twenty rectangle, and you could fold a lower section onto a surface to become a keyboard, the fleX had replaced the smart watch, smartspeX, smart phone, tablet, laptop, and desktop at a stroke. Best of all, the fleXcreen didn’t break—a plus its manufacturers were beginning to rue.

      “Listen, are you settled?” Avery plunged in. “Because I’m dying to talk to you about this farm Jarred’s bought.”

      “Yeah, Dad said something about it,” said Florence. “But how can Jarred swing buying a farm?”

      High resolution brought out incipient bags under her sister’s eyes that wouldn’t have been noticeable in person. Avery wasn’t inclined to feel superior; flaws in her sister’s visage were harbingers of her own in two years’ time. Besides, a host of blotches, sprouting black hairs, and ghastly discolorations glared on her face as well. The device’s forensic images so exceeded the benevolently blurred apprehension of the human face in ordinary life that video resembled a medical scan, which wouldn’t tell you whether your sister was happy or sad but whether she had skin cancer. At least she and Florence had agreed to never go 3-D again, which was even worse: you looked not only malignant, but fat.

      “Because Jarred never tapped the college fund for nearly as much as you and I did,” Avery explained, “he convinced Grand Man that getting a down payment instead would be fair.” A formidable man of formidable vanities, Grandfather Mandible had always seemed to savor the shorthand Grand Man—even more so once her children embellished it to Great Grand Man.

      “Leave it to Jarred to cash in on dropping out of college,” Florence said. “Twice. Still, I’m baffled. Jarred’s never even expressed interest in gardening.”

      “He’d never expressed interest in seawater before he went on that desalination jag. He’d never fried an egg before he took that Moroccan cooking course. Jarred’s whole life is a ‘What doesn’t belong in this picture?’ puzzle where nothing belongs in the picture. An agrarian idyll doesn’t fit, so it does fit. It’s logical in its illogic.”

      “Is this how you bend over backwards getting your clients to make sense of their lives? I’m impressed. That was athletic.”

      “The truth is, Mom and Dad have been immense encouraging. They think the farm is great. Anything to get him to move out.”

      “Gosh, leaving home at the tender age of thirty-five—isn’t that brave!” They shared a collusive laugh. They were the adults, and whatever their failings at least neither sister was the family’s shiftless, self-indulgent fuck-up. “So where is this place?”

      “Gloversville, New York, if you can believe it,” Avery said. “Where they used to make gloves or whatever.”

      “Don’t mock. Every town in this country used to make something. What does this place grow?”

      “It’s got some apple and cherry trees. Carrots, corn. I think he even inherited a few cows. One of those family farms, where the owners got too old and the kids wanted nothing to do with it.”

      “Those concerns always run at a loss,” Florence said. “And he’s in for a shock. Small-scale farming is backbreaking work. Nuts—I haven’t talked to him in months.”

      “He’s taken a survivalist turn. He’s calling the property Citadel, as if it’s a fortress. The last few times we’ve talked he’s been pretty dark. All this End of Days stuff. It’s so weird: I walk around the District, the bars are packed, property prices are skyrocketing again, and everyone’s easing in the back of those driverless electric cars that cost two hundred grand. The Dow has the investment equivalent of high blood pressure. And meantime our little brother is holed up with these doomsaying downloads: Repent, the end is nigh! The center cannot hold, we’re all about to die! The text he devours is secular, but the emotional appeal is evangelical Iowa. No wonder he’s ended up on a farm.”

      “Well, a lot of people had that reaction to the Stone Age—”

      “You crack me up. Nobody says that anymore.”

      “Call me a pedant, but blurred into ‘the Stonage’ it loses any of its as-in-bombed-back-into meaning—”

      “You are a pedant. Just like Dad. Language is alive, and you can’t put it in the freezer. But never mind. I don’t think Jarred is having a delayed reaction to the-Stone-Age.” Avery spaced the expression elaborately, as she might condescend to a moron who had to have it spelled out that “AC” was air con-di-tion-ing. “This idea of his—and it’s hardly unique to Jarred, right? The conviction that we’re teetering on a precipice, about to pitch into freefall? It’s all projection. It has nothing to do with ‘the world’ or the terrible course this country has taken for which we’re all going to pay. It has everything to do with Jarred’s sense of personal precariousness. It’s a pessimism about his future. But worrying about the collapse of civilization instead of the collapse of his hopes to become a desalination expert because the qualifications were too much trouble, well—the global prophecy makes him feel more important.”

      “Ever share this theory with Jarred?” Florence said. “He might not care to have his political opinions dismissed as being only about his relationship to himself. The stuff he gets fired up about—species extinctions, desertification, deforestation, ocean acidification, the fact that not one major economy has kept to its carbon-reduction commitments—it’s not only in his mirror.”

      “But I see the same thing in my elderly clients all the time. They have different obsessions, of course: we’re about to run out of water, or run out of food, or run out of energy. The economy’s on the brink of disaster and their 401(k)s will turn into pumpkins. But in truth they’re afraid of dying. And because when you die, the world dies, too, at least for you, they assume the world will die for everybody. It’s a failure of imagination, in a way—an inability to conceive of the universe without you in it. That’s


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