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Zonal Marking. Michael CoxЧитать онлайн книгу.

Zonal Marking - Michael  Cox


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the makeshift partnership of Sergio Porrini and Alessio Tacchinardi, a right-back and a central midfielder respectively, excelled against Roberto Baggio and George Weah. It finished goalless.

      There were starring performances from Zidane, who recovered from a slow start to dominate Juve’s attacking play, and Del Piero, who suffered from injuries but also netted some crucial goals, including the winner in the Intercontinental Cup victory over River Plate. Lippi evolved his default system from the previous season, shifting from 4–3–3 to 4–4–2, which became 4–3–1–2 with Zidane shifting forward into the number 10 position. As always, Lippi used his functional players excellently. The wider midfielders, often Di Livio and Vladimir Jugović, played busy roles, tucking inside to support Didier Deschamps, who became Juve’s primary holding midfielder after Paulo Sousa’s move to Dortmund. Genuine width came from the left-back, usually Pessotto, and Juve shifted towards a three-man defence in possession with the right-back – Porrini or Torricelli – tucking inside, a trademark move from Italy’s old catenaccio system.

      Lippi was never afraid to make early defensive changes, sacrificing Pessotto after 30 minutes against a rampant Udinese because he needed extra pace. Di Livio, a right-midfielder in the previous game, came on at left-back. Converting energetic right-sided midfielders into rampaging left-backs became something of a Lippi speciality; in a second stint with Juventus he did something similar with Gianluca Zambrotta, who became the world’s best in that position, and played both right-back and left-back under Lippi during the World Cup triumph in 2006.

      Even when Lippi’s Juventus thrashed the opposition, they often did so efficiently rather than joyfully. In the 6–1 battering of PSG in the European Supercup first leg at a snowy Parc des Princes, Juve’s first four goals came from set-pieces. In fairness, they also defeated a shambolic Milan side by the same scoreline at San Siro in an incredibly dominant display, while the season’s most impressive victory was the 4–1 Champions League semi-final victory over familiar foes Ajax.

      Zidane, meanwhile, ran the show. Supported by the positional discipline of Deschamps, and the energy of Di Livio and Attilio Lombardo – who switched flanks midway through the first half – the Frenchman was superb. In the first half he collected possession 40 yards from goal, advanced with the ball then slowed his dribble, before jinking past three challenges towards the left flank. He then crossed for Vieri, whose shot was deflected wide. Zidane swung in the corner, and Lombardo headed home. The Frenchman was involved in the build-up to the second, scored by Vieri. For the third, Zidane’s speed allowed him to intercept the ball in midfield and he launched a counter-attack, wrongfooted Danny Blind with a stepover and allowed substitute Amoroso to tap into an empty goal. Zidane scored the fourth himself, receiving a pass from Didier Deschamps and faking a shot to leave Edwin van der Sar on the ground, before finishing into an open goal. ‘He is, without a doubt, the greatest player I ever coached,’ said Lippi. ‘And I also think he’s the greatest player of the next 20 years. The previous 20 it was Maradona, and the next twenty, Zidane. I am convinced of that.’

      Juve were surprisingly defeated 3–1 in the final by Dortmund, who were better prepared for Juventus’s physicality and nullified Zidane through Paul Lambert’s excellent marking. Yet the game could have been very different; Juventus created the better chances, twice hit the woodwork and Bokšić had a goal controversially disallowed. After Juve found themselves 2–0 down at half-time, they switched from 4–3–1–2 to 4–3–3, with Del Piero on for Di Livio. This forced Dortmund to retreat, and Del Piero’s backheeled goal from Bokšić’s cross seemed set to launch a comeback. Soon afterwards, however, 20-year-old Dortmund youth product Lars Ricken was summoned in place of Stéphane Chapuisat, and took all of 16 seconds to make it 3–1, scoring with his first touch after streaking away on a counter-attack and producing a remarkable long-range shot that curled around Angelo Peruzzi. It was a shock win. ‘Having watched that final as a spectator, the only sentiment I have is anger,’ said the injured Conte. ‘Because the weaker side won, and because there’s nothing you can do to set it straight – nothing except turn out again in next season’s Champions League, and win it.’

      Juventus regularly played a 4–3–1–2, taking advantage of their attackers’ natural qualities, but versatility in defensive positions meant plenty of switches to 3–4–1–2, particularly when playing against two strikers. On occasion, Lippi would ask Zidane and Del Piero to drift inside from the flanks in a 3–4–3. ‘There’s not a lot between 4–3–3 and 3–4–3,’ Lippi explained. ‘I want a foundation of seven players who make up a block between defence and midfield, and then in attack I need another three players who don’t need to worry about chasing back. They should have freedom to create chances.’ There was a major change from the previous season’s goalscoring figures, when no one had managed more than eight league goals; now Del Piero managed 21 and Inzaghi 18.

      Juventus, and Lippi, excelled during the run-in. In mid-March, Juventus were 2–0 down at half-time to Parma. Lippi made two changes at the break, introducing Di Livio and Tacchinardi for Deschamps and Birindelli, then sacrificed Zidane for a third striker, Marcelo Zalayeta. Juve went from 4–3–1–2 to 3–4–3, and brought the game back to 2–2. The next weekend, with Zidane on the bench, Juve demolished Milan 4–1. Del Piero scored a penalty and a free-kick, Inzaghi finished a couple of one-on-ones.

      But the most famous win came over Inter – their major title rivals – in April, when Juventus triumphed courtesy of a classic Italian combination: tactical thinking from the coach, magic from the number 10 and a hugely controversial decision from the referee.


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