Zonal Marking. Michael CoxЧитать онлайн книгу.
obsessed with promoting the classic Ajax style, Cruyff and Van Gaal were remarkably different in almost every respect. Consider, for example, their approach towards match preparation. Cruyff backed his players to outplay anyone, and didn’t even think about the tactical approach of the opposition. In stark contrast, Van Gaal would study videotapes of upcoming opponents and explain, in extensive detail, their build-up play and how to disrupt it, while his assistant Bruins Slot constantly surprised the players with his level of knowledge about specific opponents.
It was Cruyff’s art versus Van Gaal’s science. The latter sat in the dugout with a tactics notepad on his lap, depended on data to measure his players’ performance and employed a man named Max Reckers, who was generally described as a ‘computer boffin’ in an era before statistical analysts were common. When Van Gaal moved between clubs, his ‘archives’, including endless piles of dossiers and videotapes, needed to be physically moved across the continent at great expense. This was anathema to Cruyff, who once said that his great footballing qualities ‘were not detectable by a computer’, said his football understanding was a ‘sixth sense’, and repeatedly admitted he had a dreadful memory and wasn’t big on detail. He was all about instinct, and embodied a philosophy in the truest sense of the word. Van Gaal believed in a studious approach, and developed robotic footballers discouraged from demonstrating flair.
The Van Gaal versus Cruyff saga continued over the next 15 years. Van Gaal was appointed Holland coach in 2000 and immediately ripped up Cruyff’s plans for developing Dutch youth talent. The Netherlands’ failure to qualify for the 2002 World Cup, however, meant that his tenure proved disastrous and he returned to Ajax as technical director in 2004, where he infuriated a young striker who boasted the requisite arrogance for Amsterdam. ‘Van Gaal wanted to be a dictator,’ Zlatan Ibrahimović wrote in his autobiography. ‘He liked to talk about playing systems. He was one of those in the club who referred to the players as numbers. There was a lot of “5 goes here” and “6 goes there” … the same old stuff about how number 9 defends to the right, while number 10 goes to the left. We knew all that, and we knew he was the one who came up with it.’ By this point, Cruyff had been retired from coaching for eight years but continued to repeat a familiar message in interviews. ‘What I notice particularly is that policy-makers in football are never really concerned about individuals, all they’re concerned about is the team as a whole,’ he said. ‘Yet a team consists of 11 individuals, who each need attention.’
In 2009 Van Gaal took the Bayern Munich job, leading them to the Double and the Champions League Final. ‘My team has a bond and a trust in me that I have never experienced before,’ he raved, and he attracted rare praise from Cruyff. But his old rival pointedly suggested that ‘Bayern Munich and Van Gaal is a particularly good match – the management and players at the club were prepared to accept his way of thinking and operating.’ Which, coming from Cruyff, was barely disguised criticism, an accusation that Van Gaal was more Bayern than Ajax, more German than Dutch.
Van Gaal later even linked himself with the German national team job. ‘I dream of winning the World Cup with a team that can do it, and Germany is one of them,’ he admitted. This fitted with constant complaints in the Dutch media that Van Gaal was simply not very Dutch, and was more typical of the joylessly efficient Germans, traditionally Holland’s biggest rivals. Van Gaal was repeatedly considered ‘a dictator’, and in an intriguing biography of the coach, Dutch journalist Hugo Borst entitled one of the chapters ‘Hitler’ and examined the similarity between the two men. It’s a slightly unsettling part of the book, featuring Geovanni, the former Barcelona playmaker, referring to Van Gaal as ‘sick’, ‘crazy’ and ‘a Hitler’, and containing the story that a Romanian newspaper once ran a headline simply reading ‘Van Hitler’, stating that this was a common nickname for Van Gaal in the Netherlands. It was completely false, yet the fact it seemed plausible speaks volumes about his reputation.
The last squabbling between the two old foes came in 2011, after Van Gaal was announced as Ajax’s general director. Cruyff, by this stage, was on Ajax’s board of directors but Van Gaal’s appointment was made when he was on holiday in Barcelona. He objected so strongly that the issue ended up in court, which ruled against him. Yet in a sense Cruyff won, because Van Gaal never started his job, instead taking charge of the Dutch national side for a second time, an appointment that led to another round of mudslinging between the two old foes.
‘Van Gaal has a good vision on football,’ accepted Cruyff. ‘But it’s not mine. He wants to gel winning teams and has a militaristic way of working with his tactics. I don’t. I want individuals to think for themselves, and take the best decision on the pitch that is best for the situation. He wants to control all these situations as a coach. We need to make the club successful, including the youth academy, and that means individual coaching and not straitjacket tactics. If Louis comes to Ajax, I won’t be around for long. We think differently about everything in life.’
Van Gaal was more pragmatic, although he couldn’t resist one final wind-up. ‘There is no more a “Cruyff line” than there is a “Van Gaal line,”’ he insisted. ‘There is only an Ajax line, and it has been in place for at least 25 years. I have contributed to that, just as Cruyff has – with the difference that I was there longer.’
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The Netherlands, by its very nature, is based around the concept of space. A country whose name literally means ‘lower countries’ is a remarkable construct, gradually reclaimed from the sea through the revolutionary use of dikes. Seventeen per cent of the Netherlands’ landmass should be underwater, and only around 50 per cent of the country is more than one metre above sea level.
The Netherlands is also Europe’s most densely populated major country (excluding small countries such as Malta, San Marino and Monaco) and worldwide of countries with similar-sized or larger populations only South Korea, Bangladesh and Taiwan boast higher population densities. The history of the Netherlands has therefore been about increasing the perimeters of the nation, and then desperately trying to find space within those perimeters.
This is, of course, reflected in Dutch football. It’s through the prism of the country’s geography that David Winner explains Total Football in his seminal book Brilliant Orange. ‘Total Football was built on a new theory of flexible space,’ he begins. ‘Just as Cornelis Lely in the nineteenth century conceived and exercised the idea of creating new polders, so Rinus Michels and Johan Cruyff exploited the capacities of a new breed of players to change the dimensions of the football pitch.’
It was Michels who introduced the ideas, and Cruyff who both epitomised them and explained them most poetically. He outlined the importance of space in two separate situations: with possession and without possession. ‘Michels left an indelible mark on how I understood the game,’ Cruyff said. ‘When you’ve got possession of the ball, you have to ensure that you have as much space as possible, and when you lose the ball you must minimise the space your opponent has. In fact, everything in football is a function of distance.’ This became the default Dutch footballing mentality, ensuring everything was considered in terms of positioning and shape. Some nations considered the characteristics of footballers most important (‘strong and fast’), some focused on specific type of events (‘win fifty–fifty balls’), others only considered what to do with the ball (‘get it forward quickly’). But, from the Total Football era onwards, Dutch football was about space, and gradually other European nations copied the Dutch approach.
Michels considered Total Football to be about two separate things: position-switching and pressing. At Ajax, the latter was inspired by Johan Neeskens’ aggressive man-marking of the opposition playmaker, combined with Velibor Vasović, the defensive leader, ordering the backline higher to catch the opposition offside. It became the defining feature of the Dutch side at the 1974 World Cup.
‘The main aim of pressure football, “the hunt”, was regaining possession as soon as possible after the ball was lost in the opponents’ half,’ Michels explained. ‘The “trapping” of the opponents is only possible when all the lines are pushed up