The Letters of Ambrose Bierce, With a Memoir by George Sterling. Bierce AmbroseЧитать онлайн книгу.
But surely, my child – as surely as anything in mathematics – Art will laurel no brow having a divided allegiance. Love the world as much as you will, but serve it otherwise. The best service you can perform by writing is to write well with no care for anything but that. Plant and water and let God give the increase if he will, and to whom it shall please him.
Suppose your father were to "help working-women" by painting no pictures but such (of their ugly surroundings, say) as would incite them to help themselves, or others to help them. Suppose you should play no music but such as – but I need go no further. Literature (I don't mean journalism) is an art; – it is not a form of benevolence. It has nothing to do with "reform," and when used as a means of reform suffers accordingly and justly. Unless you can feel that way I cannot advise you to meddle with it.
It would be dishonest in me to accept your praise for what I wrote of the Homestead Works quarrel – unless you should praise it for being well written and true. I have no sympathies with that savage fight between the two kinds of rascals, and no desire to assist either – except to better hearts and manners. The love of truth is good enough motive for me when I write of my fellowmen. I like many things in this world and a few persons – I like you, for example; but after they are served I have no love to waste upon the irreclaimable mass of brutality that we know as "mankind." Compassion, yes – I am sincerely sorry that they are brutes.
Yes, I wrote the article "The Human Liver." Your criticism is erroneous. My opportunities of knowing women's feelings toward Mrs. Grundy are better than yours. They hate her with a horrible antipathy; but they cower all the same. The fact that they are a part of her mitigates neither their hatred nor their fear.
After next Monday I shall probably be in St. Helena, but if you will be so good as still to write to me please address me here until I apprise you of my removal; for I shall intercept my letters at St. Helena, wherever addressed. And maybe you will write before Monday. I need not say how pleasant it is for me to hear from you. And I shall want to know what you think of what I say about your "spirit of reform."
How I should have liked to pass that Sunday in camp with you all. And to-day – I wonder if you are there to-day. I feel a peculiar affection for that place.
Please give my love to all your people, and forgive my intolerably long letters – or retaliate in kind.
I know, dear Blanche, of the disagreement among men as to the nature and aims of literature; and the subject is too "long" to discuss. I will only say that it seems to me that men holding Tolstoi's view are not properly literary men (that is to say, artists) at all. They are "missionaries," who, in their zeal to lay about them, do not scruple to seize any weapon that they can lay their hands on; they would grab a crucifix to beat a dog. The dog is well beaten, no doubt (which makes him a worse dog than he was before) but note the condition of the crucifix! The work of these men is better, of course, than the work of men of truer art and inferior brains; but always you see the possibilities – possibilities to them– which they have missed or consciously sacrificed to their fad. And after all they do no good. The world does not wish to be helped. The poor wish only to be rich, which is impossible, not to be better. They would like to be rich in order to be worse, generally speaking. And your working woman (also generally speaking) does not wish to be virtuous; despite her insincere deprecation she would not let the existing system be altered if she could help it. Individual men and women can be assisted; and happily some are worthy of assistance. No class of mankind, no tribe, no nation is worth the sacrifice of one good man or woman; for not only is their average worth low, but they like it that way; and in trying to help them you fail to help the good individuals. Your family, your immediate friends, will give you scope enough for all your benevolence. I must include yourself.
In timely illustration of some of this is an article by Ingersoll in the current North American Review– I shall send it you. It will be nothing new to you; the fate of the philanthropist who gives out of his brain and heart instead of his pocket – having nothing in that – is already known to you. It serves him richly right, too, for his low taste in loving. He who dilutes, spreads, subdivides, the love which naturally all belongs to his family and friends (if they are good) should not complain of non-appreciation. Love those, help those, whom from personal knowledge you know to be worthy. To love and help others is treason to them. But, bless my soul! I did not mean to say all this.
But while you seem clear as to your own art, you seem undecided as to the one you wish to take up. I know the strength and sweetness of the illusions (that is, delusions) that you are required to forego. I know the abysmal ignorance of the world and human character which, as a girl, you necessarily have. I know the charm that inheres in the beckoning of the Britomarts, as they lean out of their dream to persuade you to be as like them as is compatible with the fact that you exist. But I believe, too, that if you are set thinking – not reading – you will find the light.
You ask me of journalism. It is so low a thing that it may be legitimately used as a means of reform or a means of anything deemed worth accomplishing. It is not an art; art, except in the greatest moderation, is damaging to it. The man who can write well must not write as well as he can; the others may, of course. Journalism has many purposes, and the people's welfare may be one of them; though that is not the purpose-in-chief, by much.
I don't mind your irony about my looking upon the unfortunate as merely "literary material." It is true in so far as I consider them with reference to literature. Possibly I might be willing to help them otherwise – as your father might be willing to help a beggar with money, who is not picturesque enough to go into a picture. As you might be willing to give a tramp a dinner, yet unwilling to play "The Sweet Bye-and-Bye," or "Ta-ra-ra-boom-de-ay," to tickle his ear.
You call me "master." Well, it is pleasant to think of you as a pupil, but – you know the young squire had to watch his arms all night before the day of his accolade and investiture with knighthood. I think I'll ask you to contemplate yours a little longer before donning them – not by way of penance but instruction and consecration. When you are quite sure of the nature of your call to write – quite sure that it is not the voice of "duty" – then let me do you such slight, poor service as my limitations and the injunctions of circumstance permit. In a few ways I can help you.
Since coming here I have been ill all the time, but it seems my duty to remain as long as there is a hope that I can remain. If I get free from my disorder and the fear of it I shall go down to San Francisco some day and then try to see your people and mine. Perhaps you would help me to find my brother's new house – if he is living in it.
With sincere regards to all your family, I am most truly your friend, Ambrose Bierce.
Your letters are very pleasing to me. I think it nice of you to write them.
Dear Blanche,
It was not that I forgot to mail you the magazine that I mentioned; I could not find it; but now I send it.
My health is bad again, and I fear that I shall have to abandon my experiment of living here, and go back to the mountain – or some mountain. But not directly.
You asked me what books would be useful to you – I'm assuming that you've repented your sacrilegious attitude toward literature, and will endeavor to thrust your pretty head into the crown of martyrdom otherwise. I may mention a few from time to time as they occur to me. There is a little book entitled (I think) simply "English Composition." It is by Prof. John Nichol – elementary, in a few places erroneous, but on the whole rather better than the ruck of books on the same subject.
Read those of Landor's "Imaginary Conversations" which relate to literature.
Read Longinus, Herbert Spencer on Style, Pope's "Essay on Criticism" (don't groan – the detractors of Pope are not always to have things their own way), Lucian on the writing of history – though you need not write history. Read poor