The Works of Robert Louis Stevenson – Swanston Edition. Volume 7. Robert Louis StevensonЧитать онлайн книгу.
after the present interview, I scarce know anybody that I like better than yourself. You see, I have changed my mind, and have the uncommon virtue to avow the change. I tear up this stuff before you, here in your own garden; I ask your pardon, I ask the pardon of the Princess; and I give you my word of honour as a gentleman and an old man, that when my book of travels shall appear it shall not contain so much as the name of Grünewald. And yet it was a racy chapter! But had your Highness only read about the other courts! I am a carrion crow; but it is not my fault, after all, that the world is such a nauseous kennel.”
“Sir,” said Otto, “is the eye not jaundiced?”
“Nay,” cried the traveller, “very likely. I am one who goes sniffing; I am no poet. I believe in a better future for the world; or, at all accounts, I do most potently disbelieve in the present. Rotten eggs is the burthen of my song. But indeed, your Highness, when I meet with any merit, I do not think that I am slow to recognise it. This is a day that I shall still recall with gratitude, for I have found a sovereign with some manly virtues; and for once – old courtier and old radical as I am – it is from the heart and quite sincerely that I can request the honour of kissing your Highness’s hand?”
“Nay, sir,” said Otto, “to my heart!”
And the Englishman, taken at unawares, was clasped for a moment in the Prince’s arms.
“And now, sir,” added Otto, “there is the Pheasant House; close behind it you will find my carriage, which I pray you to accept. God speed you to Vienna!”
“In the impetuosity of youth,” replied Sir John, “your Highness has overlooked one circumstance: I am still fasting.”
“Well, sir,” said Otto, smiling, “you are your own master; you may go or stay. But I warn you, your friend may prove less powerful than your enemies. The Prince, indeed, is thoroughly on your side; he has all the will to help; but to whom do I speak? – you know better than I do, he is not alone in Grünewald.”
“There is a deal in position,” returned the traveller, gravely nodding. “Gondremark loves to temporise; his policy is below ground, and he fears all open courses; and now that I have seen you act with so much spirit, I will cheerfully risk myself on your protection. Who knows? You may be yet the better man.”
“Do you indeed believe so?” cried the Prince. “You put life into my heart!”
“I will give up sketching portraits,” said the Baronet. “I am a blind owl; I had misread you strangely. And yet remember this: a sprint is one thing, and to run all day another. For I still mistrust your constitution; the short nose, the hair and eyes of several complexions; no, they are diagnostic; and I must end, I see, as I began.”
“I am still a singing chambermaid?” said Otto.
“Nay, your Highness, I pray you to forget what I had written,” said Sir John; “I am not like Pilate; and the chapter is no more. Bury it, if you love me.”
CHAPTER IV
WHILE THE PRINCE IS IN THE ANTE-ROOM…
Greatly comforted by the exploits of the morning, the Prince turned towards the Princess’s ante-room, bent on a more difficult enterprise. The curtains rose before him, the usher called his name, and he entered the room with an exaggeration of his usual mincing and airy dignity. There were about a score of persons waiting, principally ladies; it was one of the few societies in Grünewald where Otto knew himself to be popular; and while a maid of honour made her exit by a side door to announce his arrival to the Princess, he moved round the apartment, collecting homage and bestowing compliments with friendly grace. Had this been the sum of his duties, he had been an admirable monarch. Lady after lady was impartially honoured by his attention.
“Madam,” he said to one, “how does this happen? I find you daily more adorable.”
“And your Highness daily browner,” replied the lady. “We began equal; oh, there I will be bold: we have both beautiful complexions. But while I study mine, your Highness tans himself.”
“A perfect negro, madam; and what so fitly – being beauty’s slave?” said Otto. – “Madame Grafinski, when is our next play? I have just heard that I am a bad actor.”
“O ciel!” cried Madame Grafinski. “Who could venture? What a bear!”
“An excellent man, I can assure you,” returned Otto.
“O, never! O, is it possible!” fluted the lady. “Your Highness plays like an angel.”
“You must be right, madam; who could speak falsely and yet look so charming?” said the Prince. “But this gentleman, it seems, would have preferred me playing like an actor.”
A sort of hum, a falsetto, feminine cooing, greeted the tiny sally; and Otto expanded like a peacock. This warm atmosphere of women and flattery and idle chatter pleased him to the marrow.
“Madame von Eisenthal, your coiffure is delicious,” he remarked.
“Everyone was saying so,” said one.
“If I have pleased Prince Charming?” And Madame von Eisenthal swept him a deep curtsey with a killing glance of adoration.
“It is new?” he asked. “Vienna fashion.”
“Mint new,” replied the lady, “for your Highness’s return. I felt young this morning; it was a premonition. But why, Prince, do you ever leave us?”
“For the pleasure of the return,” said Otto. “I am like a dog; I must bury my bone, and then come back to gloat upon it.”
“O, a bone! Fie, what a comparison! You have brought back the manners of the wood,” returned the lady.
“Madam, it is what the dog has dearest,” said the Prince. “But I observe Madame von Rosen.”
And Otto, leaving the group to which he had been piping, stepped towards the embrasure of a window where a lady stood.
The Countess von Rosen had hitherto been silent, and a thought depressed, but on the approach of Otto she began to brighten. She was tall, slim as a nymph, and of a very airy carriage; and her face, which was already beautiful in repose, lightened and changed, flashed into smiles, and glowed with a lovely colour at the touch of animation. She was a good vocalist; and, even in speech, her voice commanded a great range of changes, the low notes rich with tenor quality, the upper ringing, on the brink of laughter, into music. A gem of many facets, and variable hues of fire; a woman who withheld the better portion of her beauty, and then, in a caressing second, flashed it like a weapon full on the beholder; now merely a tall figure and a sallow handsome face, with the evidences of a reckless temper; anon opening like a flower to life and colour, mirth and tenderness: – Madame von Rosen had always a dagger in reserve for the despatch of ill-assured admirers. She met Otto with the dart of tender gaiety.
“You have come to me at last, Prince Cruel,” she said. “Butterfly! Well, and am I not to kiss your hand?” she added.
“Madam, it is I who must kiss yours.” And Otto bowed and kissed it.
“You deny me every indulgence,” she said, smiling.
“And now what news in court?” inquired the Prince. “I come to you for my gazette.”
“Ditch-water!” she replied. “The world is all asleep, grown grey in slumber; I do not remember any waking movement since quite an eternity; and the last thing in the nature of a sensation was the last time my governess was allowed to box my ears. But yet I do myself and your unfortunate enchanted palace some injustice. Here is the last – O positively!” And she told him the story from behind her fan, with many glances, many cunning strokes of the narrator’s art. The others had drawn away, for it was understood that Madame von Rosen was in favour with the Prince. None the less, however, did the Countess lower her voice at times to within a semitone of whispering; and the pair leaned together over the narrative.
“Do you know,” said Otto, laughing, “you are the only entertaining woman on this earth!”
“O, you have found out