Dombey and Son. Чарльз ДиккенсЧитать онлайн книгу.
Blimber’s study, Ma’am,’ was the reply.
Lady Skettles took a panoramic survey of it through her glass, and said to Sir Barnet Skettles, with a nod of approval, ‘Very good.’ Sir Barnet assented, but Master Skettles looked suspicious and doubtful.
‘And this little creature, now,’ said Lady Skettles, turning to Paul. ‘Is he one of the – ’
‘Young gentlemen, Ma’am; yes, Ma’am,’ said Paul’s friend.
‘And what is your name, my pale child?’ said Lady Skettles.
‘Dombey,’ answered Paul.
Sir Barnet Skettles immediately interposed, and said that he had had the honour of meeting Paul’s father at a public dinner, and that he hoped he was very well. Then Paul heard him say to Lady Skettles, ‘City – very rich – most respectable – Doctor mentioned it.’ And then he said to Paul, ‘Will you tell your good Papa that Sir Barnet Skettles rejoiced to hear that he was very well, and sent him his best compliments?’
‘Yes, Sir,’ answered Paul.
‘That is my brave boy,’ said Sir Barnet Skettles. ‘Barnet,’ to Master Skettles, who was revenging himself for the studies to come, on the plum-cake, ‘this is a young gentleman you ought to know. This is a young gentleman you may know, Barnet,’ said Sir Barnet Skettles, with an emphasis on the permission.
‘What eyes! What hair! What a lovely face!’ exclaimed Lady Skettles softly, as she looked at Florence through her glass.
‘My sister,’ said Paul, presenting her.
The satisfaction of the Skettleses was now complete. And as Lady Skettles had conceived, at first sight, a liking for Paul, they all went upstairs together: Sir Barnet Skettles taking care of Florence, and young Barnet following.
Young Barnet did not remain long in the background after they had reached the drawing-room, for Dr Blimber had him out in no time, dancing with Florence. He did not appear to Paul to be particularly happy, or particularly anything but sulky, or to care much what he was about; but as Paul heard Lady Skettles say to Mrs Blimber, while she beat time with her fan, that her dear boy was evidently smitten to death by that angel of a child, Miss Dombey, it would seem that Skettles Junior was in a state of bliss, without showing it.
Little Paul thought it a singular coincidence that nobody had occupied his place among the pillows; and that when he came into the room again, they should all make way for him to go back to it, remembering it was his. Nobody stood before him either, when they observed that he liked to see Florence dancing, but they left the space in front quite clear, so that he might follow her with his eyes. They were so kind, too, even the strangers, of whom there were soon a great many, that they came and spoke to him every now and then, and asked him how he was, and if his head ached, and whether he was tired. He was very much obliged to them for all their kindness and attention, and reclining propped up in his corner, with Mrs Blimber and Lady Skettles on the same sofa, and Florence coming and sitting by his side as soon as every dance was ended, he looked on very happily indeed.
Florence would have sat by him all night, and would not have danced at all of her own accord, but Paul made her, by telling her how much it pleased him. And he told her the truth, too; for his small heart swelled, and his face glowed, when he saw how much they all admired her, and how she was the beautiful little rosebud of the room.
From his nest among the pillows, Paul could see and hear almost everything that passed as if the whole were being done for his amusement. Among other little incidents that he observed, he observed Mr Baps the dancing-master get into conversation with Sir Barnet Skettles, and very soon ask him, as he had asked Mr Toots, what you were to do with your raw materials, when they came into your ports in return for your drain of gold – which was such a mystery to Paul that he was quite desirous to know what ought to be done with them. Sir Barnet Skettles had much to say upon the question, and said it; but it did not appear to solve the question, for Mr Baps retorted, Yes, but supposing Russia stepped in with her tallows; which struck Sir Barnet almost dumb, for he could only shake his head after that, and say, Why then you must fall back upon your cottons, he supposed.
Sir Barnet Skettles looked after Mr Baps when he went to cheer up Mrs Baps (who, being quite deserted, was pretending to look over the music-book of the gentleman who played the harp), as if he thought him a remarkable kind of man; and shortly afterwards he said so in those words to Doctor Blimber, and inquired if he might take the liberty of asking who he was, and whether he had ever been in the Board of Trade. Doctor Blimber answered no, he believed not; and that in fact he was a Professor of – ’
‘Of something connected with statistics, I’ll swear?’ observed Sir Barnet Skettles.
‘Why no, Sir Barnet,’ replied Doctor Blimber, rubbing his chin. ‘No, not exactly.’
‘Figures of some sort, I would venture a bet,’ said Sir Barnet Skettles.
‘Why yes,’ said Doctor Blimber, yes, but not of that sort. Mr Baps is a very worthy sort of man, Sir Barnet, and – in fact he’s our Professor of dancing.’
Paul was amazed to see that this piece of information quite altered Sir Barnet Skettles’s opinion of Mr Baps, and that Sir Barnet flew into a perfect rage, and glowered at Mr Baps over on the other side of the room. He even went so far as to D – Mr Baps to Lady Skettles, in telling her what had happened, and to say that it was like his most con-sum-mate and con-foun-ded impudence.
There was another thing that Paul observed. Mr Feeder, after imbibing several custard-cups of negus, began to enjoy himself. The dancing in general was ceremonious, and the music rather solemn – a little like church music in fact – but after the custard-cups, Mr Feeder told Mr Toots that he was going to throw a little spirit into the thing. After that, Mr Feeder not only began to dance as if he meant dancing and nothing else, but secretly to stimulate the music to perform wild tunes. Further, he became particular in his attentions to the ladies; and dancing with Miss Blimber, whispered to her – whispered to her! – though not so softly but that Paul heard him say this remarkable poetry,
‘Had I a heart for falsehood framed,
I ne’er could injure You!’
This, Paul heard him repeat to four young ladies, in succession. Well might Mr Feeder say to Mr Toots, that he was afraid he should be the worse for it to-morrow!
Mrs Blimber was a little alarmed by this – comparatively speaking – profligate behaviour; and especially by the alteration in the character of the music, which, beginning to comprehend low melodies that were popular in the streets, might not unnaturally be supposed to give offence to Lady Skettles. But Lady Skettles was so very kind as to beg Mrs Blimber not to mention it; and to receive her explanation that Mr Feeder’s spirits sometimes betrayed him into excesses on these occasions, with the greatest courtesy and politeness; observing, that he seemed a very nice sort of person for his situation, and that she particularly liked the unassuming style of his hair – which (as already hinted) was about a quarter of an inch long.
Once, when there was a pause in the dancing, Lady Skettles told Paul that he seemed very fond of music. Paul replied, that he was; and if she was too, she ought to hear his sister, Florence, sing. Lady Skettles presently discovered that she was dying with anxiety to have that gratification; and though Florence was at first very much frightened at being asked to sing before so many people, and begged earnestly to be excused, yet, on Paul calling her to him, and saying, ‘Do, Floy! Please! For me, my dear!’ she went straight to the piano, and began. When they all drew a little away, that Paul might see her; and when he saw her sitting there all alone, so young, and good, and beautiful, and kind to him; and heard her thrilling voice, so natural and sweet, and such a golden link between him and all his life’s love and happiness, rising out of the silence; he turned his face away, and hid his tears. Not, as he told them when they spoke to him, not that the music was too plaintive or too sorrowful, but it was so dear to him.
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