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Les Misérables, v. 5. Victor HugoЧитать онлайн книгу.

Les Misérables, v. 5 - Victor Hugo


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felt somewhat vexed at the little useless effort her memory made, and said to herself that it was very wrong and culpable of her to forget words pronounced by Marius. She left her bed, and performed the two ablutions of the soul and the body, her prayers and her toilette.

      We may, if absolutely required, introduce a reader into a nuptial chamber, but not into a virgin's room. Verse could hardly venture it, prose ought not. It is the interior of a still closed flower, a whiteness in the gloaming, the inner cell of a closed lily, which must not be gazed at by man till it has been gazed at by the sun. Woman in the bud is sacred: this innocent bud which discovers itself, this adorable semi-nudity which is afraid of itself, this white foot which takes refuge in a slipper, this throat which veils itself before a mirror as if the mirror were an eye, this chemise which hurriedly rises and covers the shoulder at the sound of a piece of furniture creaking or a passing vehicle, these knotted strings, this stay-lace, this tremor, this shudder of cold and shame, this exquisite shyness in every movement, this almost winged anxiety when there is nothing to fear, the successive phases of the apparel, which are as charming as the clouds of dawn, – it is not befitting that all this should be described, and it is too much to have merely indicated it. The eye of man must to even more religious before the rising of a maiden than before the rising of a star. The possibility of attaining ought to be turned into augmented respect. The down of the peach, the first bloom of the plum, the crystal radiate of the snow, the butterfly's wing Powdered with feathers, are but coarse things by the side of this chastity, which does not know itself that it is chaste. The maiden is only the flash of the dream, and is not yet a statue; her alcove is concealed in the dim part of the ideal, and the indiscreet touch of the eye brutalizes this vague twilight. In this case contemplation is profanation. We will therefore say nothing about the sweet awaking and rising of Cosette. An Eastern fable tells us that the rose was made white by God, but that Adam having looked at it for a moment when it opened, it felt ashamed, and turned pink. We are of those who feel themselves abashed in the presence of maidens and flowers, for we find them worthy of veneration.

      Cosette dressed herself very rapidly, and combed and dressed her hair, which was very simple at that day, when women did not swell their ringlets and plaits with cushions and pads, and placed no crinoline in their hair. Then she opened the window and looked all around, hoping to discern a little of the street, an angle of the house, or a corner of the pavement, to watch for Marius. But nothing could be seen of the outside: the court-yard was surrounded by rather lofty walls, and was bounded by other gardens. Cosette declared these gardens hideous, and for the first time in her life considered flowers ugly. The paltriest street gutter would have suited her purpose better; and she resolved to look up to heaven, as if she thought that Marius might possibly come thence. Suddenly she burst into tears, not through any fickleness of temperament, but her situation consisted of hopes dashed with despondency. She confusedly felt something horrible; that it was really in the air. She said to herself that she was sure of nothing, that letting herself out of sight was losing herself; and the idea that Marius might return to her from heaven appeared to her no longer charming but lugubrious. Then – for such these clouds are – calmness returned, and hope, and a species of smile, unconscious, but trusting in God.

      Everybody was still asleep in the house, and a provincial silence prevailed. No shutter was opened, and the porter's lodge was still closed. Toussaint was not up, and Cosette naturally thought that her father was asleep. She must have suffered greatly, and must still be suffering, for she said to herself that her father had been unkind, but she reckoned on Marius. The eclipse of such a light was decidedly impossible. At moments she heard some distance off a sort of heavy shock, and thought how singular it was that gates were opened and shut at so early an hour; it was the sound of the cannon-balls battering the barricade. There was a martin's nest a few feet below Cosette's window in the old smoke-blackened cornice, and the mouth of the nest projected a little beyond the cornice, so that the interior of this little Paradise could be seen from above. The mother was there expanding her wings like a fan over her brood; the male bird fluttered round, went away, and then returned, bringing in his bill food and kisses. The rising day gilded this happy thing; the great law, increase and multiply, was there smiling and august; and the sweet mystery was unfolded in the glory of the morn. Cosette, with her hair in the sunshine, her soul in flames, enlightened by love within and the dawn without, bent forward as if mechanically, and, almost without daring to confess to herself that she was thinking at the same time of Marius, she began looking at these birds, this family, this male and female, this mother and her little ones, with all the profound agitation which the sight of a nest occasions a virgin.

      CHAPTER XI

      THE SHOT WHICH DOES NOT MISS AND WHICH KILLS NOBODY

      The fire of the assailants continued, and the musketry and grape-shot alternated, though without producing much mischief. The upper part of Corinth alone suffered, and the first-floor and garret windows, pierced by slugs and bullets, gradually lost their shape. The combatants posted there were compelled to withdraw; but, in fact, such are the tactics of an attack on a barricade, – to skirmish for a long time and exhaust the ammunition of the insurgents, if they commit the error of returning the fire. When it is discovered by the slackening of their fire that they have no powder or ball left, the assault is made. Enjolras had not fallen into this trap, and the barricade did not reply. At each platoon fire Gavroche thrust his tongue into his cheek, a sign of supreme disdain.

      "That's good," he said; "tear up the linen, for we require lint."

      Courfeyrac addressed the grape-shot on its want of effect, and said to the cannon, —

      "You are becoming diffuse, my good fellow."

      In battle, intrigues take place as at a ball; and it is probable that the silence of the redoubt was beginning to render the assailants anxious, and make them fear lest some unexpected incident had occurred. They felt a need of seeing clearly through this pile of paving-stones, and what was going on behind this impassive wall, which received shots without answering them. The insurgents suddenly perceived a helmet glistening in the sun upon an adjoining roof: a sapper was leaning against a tall chimney-pot and apparently a sentry there. He looked down into the barricade.

      "That's a troublesome spy," said Enjolras.

      Jean had returned Enjolras his fowling-piece, but still had his own musket. Without saying a word he aimed at the sapper, and a second later the helmet, struck by a bullet, fell noisily into the street. The soldier disappeared with all possible haste. A second watchman took his place, and it was an officer. Jean Valjean, who had reloaded his musket, aimed at the new-comer, and sent the officer's helmet to join the private's. The officer was not obstinate, but withdrew very quickly. This time the hint was understood, and no one again appeared on the roof.

      "Why did you not kill the man?" Bossuet asked Jean Valjean, who, however, made no reply.

      CHAPTER XII

      DISORDER THE PARTISAN OF ORDER

      Bossuet muttered in Combeferre's ear, —

      "He has not answered my question."

      "He is a man who does kind actions with musket-shots," said Combeferre.

      Those who have any recollection of this now distant epoch know that the suburban National Guards were valiant against the insurrection, and they were peculiarly brave and obstinate in the days of June, 1832. Any worthy landlord, whose establishment the insurrection injured, became leonine on seeing his dancing-room deserted, and let himself be killed in order to save order represented by the suburban public-house. At this time, which was at once heroic and bourgeois, in the presence of ideas which had their knights, interests had their Paladins, and the prosaic nature of the motive took away none of the bravery of the movement. The decrease of a pile of crowns made bankers sing the Marseillaise, men lyrically shed their blood for the till, and defended with Lacedæmonian enthusiasm the shop, that immense diminutive of the country. Altogether there was a good deal that was very serious in all this; social interests were entering into a contest, while awaiting the day when they would enter a state of equilibrium. Another sign of this time was the anarchy mingled with the governmentalism (a barbarous name of the correct party), and men were for order without discipline. The drums played unexpectedly fancy calls, at the command of some colonel of the National Guard: one captain went under fire


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