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Night and Day. Virginia WoolfЧитать онлайн книгу.

Night and Day - Virginia Woolf


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still.

      “There’s more of the old maid in you than the poet,” she observed briefly.

      William shut the door sharply, gave the address to the driver, and turned away, lifting his hat punctiliously high in farewell to the invisible lady.

      He looked back after the cab twice, suspiciously, half expecting that she would stop it and dismount; but it bore her swiftly on, and was soon out of sight. William felt in the mood for a short soliloquy of indignation, for Katharine had contrived to exasperate him in more ways than one.

      “Of all the unreasonable, inconsiderate creatures I’ve ever known, she’s the worst!” he exclaimed to himself, striding back along the Embankment. “Heaven forbid that I should ever make a fool of myself with her again. Why, I’d sooner marry the daughter of my landlady than Katharine Hilbery! She’d leave me not a moment’s peace – and she’d never understand me – never, never, never!”

      Uttered aloud and with vehemence so that the stars of Heaven might hear, for there was no human being at hand, these sentiments sounded satisfactorily irrefutable. Rodney quieted down, and walked on in silence, until he perceived some one approaching him, who had something, either in his walk or his dress, which proclaimed that he was one of William’s acquaintances before it was possible to tell which of them he was. It was Denham who, having parted from Sandys at the bottom of his staircase, was now walking to the Tube at Charing Cross, deep in the thoughts which his talk with Sandys had suggested. He had forgotten the meeting at Mary Datchet’s rooms, he had forgotten Rodney, and metaphors and Elizabethan drama, and could have sworn that he had forgotten Katharine Hilbery, too, although that was more disputable. His mind was scaling the highest pinnacles of its alps, where there was only starlight and the untrodden snow. He cast strange eyes upon Rodney, as they encountered each other beneath a lamp-post.

      “Ha!” Rodney exclaimed.

      If he had been in full possession of his mind, Denham would probably have passed on with a salutation. But the shock of the interruption made him stand still, and before he knew what he was doing, he had turned and was walking with Rodney in obedience to Rodney’s invitation to come to his rooms and have something to drink. Denham had no wish to drink with Rodney, but he followed him passively enough. Rodney was gratified by this obedience. He felt inclined to be communicative with this silent man, who possessed so obviously all the good masculine qualities in which Katharine now seemed lamentably deficient.

      “You do well, Denham,” he began impulsively, “to have nothing to do with young women. I offer you my experience – if one trusts them one invariably has cause to repent. Not that I have any reason at this moment,” he added hastily, “to complain of them. It’s a subject that crops up now and again for no particular reason. Miss Datchet, I dare say, is one of the exceptions. Do you like Miss Datchet?”

      These remarks indicated clearly enough that Rodney’s nerves were in a state of irritation, and Denham speedily woke to the situation of the world as it had been one hour ago. He had last seen Rodney walking with Katharine. He could not help regretting the eagerness with which his mind returned to these interests, and fretted him with the old trivial anxieties. He sank in his own esteem. Reason bade him break from Rodney, who clearly tended to become confidential, before he had utterly lost touch with the problems of high philosophy. He looked along the road, and marked a lamp-post at a distance of some hundred yards, and decided that he would part from Rodney when they reached this point.

      “Yes, I like Mary; I don’t see how one could help liking her,” he remarked cautiously, with his eye on the lamp-post.

      “Ah, Denham, you’re so different from me. You never give yourself away. I watched you this evening with Katharine Hilbery. My instinct is to trust the person I’m talking to. That’s why I’m always being taken in, I suppose.”

      Denham seemed to be pondering this statement of Rodney’s, but, as a matter of fact, he was hardly conscious of Rodney and his revelations, and was only concerned to make him mention Katharine again before they reached the lamp-post.

      “Who’s taken you in now?” he asked. “Katharine Hilbery?”

      Rodney stopped and once more began beating a kind of rhythm, as if he were marking a phrase in a symphony, upon the smooth stone balustrade of the Embankment.

      “Katharine Hilbery,” he repeated, with a curious little chuckle. “No, Denham, I have no illusions about that young woman. I think I made that plain to her to-night. But don’t run away with a false impression,” he continued eagerly, turning and linking his arm through Denham’s, as though to prevent him from escaping; and, thus compelled, Denham passed the monitory lamp-post, to which, in passing, he breathed an excuse, for how could he break away when Rodney’s arm was actually linked in his? “You must not think that I have any bitterness against her – far from it. It’s not altogether her fault, poor girl. She lives, you know, one of those odious, self-centered lives – at least, I think them odious for a woman – feeding her wits upon everything, having control of everything, getting far too much her own way at home – spoilt, in a sense, feeling that every one is at her feet, and so not realizing how she hurts – that is, how rudely she behaves to people who haven’t all her advantages. Still, to do her justice, she’s no fool,” he added, as if to warn Denham not to take any liberties. “She has taste. She has sense. She can understand you when you talk to her. But she’s a woman, and there’s an end of it,” he added, with another little chuckle, and dropped Denham’s arm.

      “And did you tell her all this to-night?” Denham asked.

      “Oh dear me, no. I should never think of telling Katharine the truth about herself. That wouldn’t do at all. One has to be in an attitude of adoration in order to get on with Katharine.

      “Now I’ve learnt that she’s refused to marry him why don’t I go home?” Denham thought to himself. But he went on walking beside Rodney, and for a time they did not speak, though Rodney hummed snatches of a tune out of an opera by Mozart. A feeling of contempt and liking combine very naturally in the mind of one to whom another has just spoken unpremeditatedly, revealing rather more of his private feelings than he intended to reveal. Denham began to wonder what sort of person Rodney was, and at the same time Rodney began to think about Denham.

      “You’re a slave like me, I suppose?” he asked.

      “A solicitor, yes.”

      “I sometimes wonder why we don’t chuck it. Why don’t you emigrate, Denham? I should have thought that would suit you.”

      “I’ve a family.”

      “I’m often on the point of going myself. And then I know I couldn’t live without this” – and he waved his hand towards the City of London, which wore, at this moment, the appearance of a town cut out of gray-blue cardboard, and pasted flat against the sky, which was of a deeper blue.

      “There are one or two people I’m fond of, and there’s a little good music, and a few pictures, now and then – just enough to keep one dangling about here. Ah, but I couldn’t live with savages! Are you fond of books? Music? Pictures? D’you care at all for first editions? I’ve got a few nice things up here, things I pick up cheap, for I can’t afford to give what they ask.”

      They had reached a small court of high eighteenth-century houses, in one of which Rodney had his rooms. They climbed a very steep staircase, through whose uncurtained windows the moonlight fell, illuminating the banisters with their twisted pillars, and the piles of plates set on the window-sills, and jars half-full of milk. Rodney’s rooms were small, but the sitting-room window looked out into a courtyard, with its flagged pavement, and its single tree, and across to the flat red-brick fronts of the opposite houses, which would not have surprised Dr. Johnson, if he had come out of his grave for a turn in the moonlight. Rodney lit his lamp, pulled his curtains, offered Denham a chair, and, flinging the manuscript of his paper on the Elizabethan use of Metaphor on to the table, exclaimed:

      “Oh dear me, what a waste of time! But it’s over now, and so we may think no more about it.”

      He then busied himself very dexterously in lighting a fire, producing glasses, whisky, a cake, and cups and saucers. He put


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