Sartor Resartus, and On Heroes, Hero-Worship, and the Heroic in History. Томас КарлейльЧитать онлайн книгу.
To the Professor, women are henceforth Pieces of Art; of Celestial Art, indeed; which celestial pieces he glories to survey in galleries, but has lost thought of purchasing.
Psychological readers are not without curiosity to see how Teufelsdröckh, in this for him unexampled predicament, demeans himself; with what specialties of successive configuration, splendour and colour, his Firework blazes-off. Small, as usual, is the satisfaction that such can meet with here. From amid these confused masses of Eulogy and Elegy, with their mad Petrarchan and Werterean ware lying madly scattered among all sorts of quite extraneous matter, not so much as the fair one’s name can be deciphered. For, without doubt, the title Blumine, whereby she is here designated, and which means simply Goddess of Flowers, must be fictitious. Was her real name Flora, then? But what was her surname, or had she none? Of what station in Life was she; of what parentage, fortune, aspect? Specially, by what Pre-established Harmony of occurrences did the Lover and the Loved meet one another in so wide a world; how did they behave in such meeting? To all which questions, not unessential in a Biographic work, mere Conjecture must for most part return answer. ‘It was appointed,’ says our Philosopher, ‘that the high celestial orbit of Blumine should intersect the low sublunary one of our Forlorn; that he, looking in her empyrean eyes, should fancy the upper Sphere of Light was come down into this nether sphere of Shadows; and finding himself mistaken, make noise enough.’
We seem to gather that she was young, hazel-eyed, beautiful, and some one’s Cousin; highborn, and of high spirit; but unhappily dependent and insolvent; living, perhaps, on the not-too-gracious bounty of monied relatives. But how came ‘the Wanderer’ into her circle? Was it by the humid vehicle of Æsthetic Tea, or by the arid one of mere Business? Was it on the hand of Herr Towgood; or of the Gnädige Frau, who, as ornamental Artist, might sometimes like to promote flirtation, especially for young cynical Nondescripts? To all appearance, it was chiefly by Accident, and the grace of Nature.
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