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The Open Door, and the Portrait. Маргарет ОлифантЧитать онлайн книгу.

The Open Door, and the Portrait - Маргарет Олифант


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says.”

      “But you believe in it,” I said, turning upon her hastily. The woman was taken by surprise. She made a step backward out of my way.

      “Lord, Cornel, how ye frichten a body! Me!—there’s awfu’ strange things in this world. An unlearned person doesna ken what to think. But the minister and the gentry they just laugh in your face. Inquire into the thing that is not! Na, na, we just let it be.”

      “Come with me, Jarvis,” I said hastily, “and we’ll make an attempt at least. Say nothing to the men or to anybody. I’ll come back after dinner, and we’ll make a serious attempt to see what it is, if it is anything. If I hear it,—which I doubt,—you may be sure I shall never rest till I make it out. Be ready for me about ten o’clock.”

      “Me, Cornel!” Jarvis said, in a faint voice. I had not been looking at him in my own preoccupation, but when I did so, I found that the greatest change had come over the fat and ruddy coachman. “Me, Cornel!” he repeated, wiping the perspiration from his brow. His ruddy face hung in flabby folds, his knees knocked together, his voice seemed half extinguished in his throat. Then he began to rub his hands and smile upon me in a deprecating, imbecile way. “There’s nothing I wouldna do to pleasure ye, Cornel,” taking a step further back. “I’m sure she kens I’ve aye said I never had to do with a mair fair, weel-spoken gentleman—” Here Jarvis came to a pause, again looking at me, rubbing his hands.

      “Well?” I said.

      “But eh, sir!” he went on, with the same imbecile yet insinuating smile, “if ye’ll reflect that I am no used to my feet. With a horse atween my legs, or the reins in my hand, I’m maybe nae worse than other men; but on fit, Cornel—It’s no the—bogles—but I’ve been cavalry, ye see,” with a little hoarse laugh, “a’ my life. To face a thing ye dinna understan’—on your feet, Cornel.”

      “Well, sir, if I do it,” said I tartly, “why shouldn’t you?”

      “Eh, Cornel, there’s an awfu’ difference. In the first place, ye tramp about the haill countryside, and think naething of it; but a walk tires me mair than a hunard miles’ drive; and then ye’re a gentleman, and do your ain pleasure; and you’re no so auld as me; and it’s for your ain bairn, ye see, Cornel; and then—”

      “He believes in it, Cornel, and you dinna believe in it,” the woman said.

      “Will you come with me?” I said, turning to her.

      She jumped back, upsetting her chair in her bewilderment. “Me!” with a scream, and then fell into a sort of hysterical laugh. “I wouldna say but what I would go; but what would the folk say to hear of Cornel Mortimer with an auld silly woman at his heels?”

      The suggestion made me laugh too, though I had little inclination for it. “I’m sorry you have so little spirit, Jarvis,” I said. “I must find some one else, I suppose.”

      Jarvis, touched by this, began to remonstrate, but I cut him short. My butler was a soldier who had been with me in India, and was not supposed to fear anything,—man or devil,—certainly not the former; and I felt that I was losing time. The Jarvises were too thankful to get rid of me. They attended me to the door with the most anxious courtesies. Outside, the two grooms stood close by, a little confused by my sudden exit. I don’t know if perhaps they had been listening,—as least standing as near as possible, to catch any scrap of the conversation. I waved my hand to them as I went past, in answer to their salutations, and it was very apparent to me that they also were glad to see me go.

      And it will be thought very strange, but it would be weak not to add, that I myself, though bent on the investigation I have spoken of, pledged to Roland to carry it out, and feeling that my boy’s health, perhaps his life, depended on the result of my inquiry,—I felt the most unaccountable reluctance to pass these ruins on my way home. My curiosity was intense; and yet it was all my mind could do to pull my body along. I daresay the scientific people would describe it the other way, and attribute my cowardice to the state of my stomach. I went on; but if I had followed my impulse, I should have turned and bolted. Everything in me seemed to cry out against it: my heart thumped, my pulses all began, like sledge-hammers, beating against my ears and every sensitive part. It was very dark, as I have said; the old house, with its shapeless tower, loomed a heavy mass through the darkness, which was only not entirely so solid as itself. On the other hand, the great dark cedars of which we were so proud seemed to fill up the night. My foot strayed out of the path in my confusion and the gloom together, and I brought myself up with a cry as I felt myself knock against something solid. What was it? The contact with hard stone and lime and prickly bramble-bushes restored me a little to myself. “Oh, it’s only the old gable,” I said aloud, with a little laugh to reassure myself. The rough feeling of the stones reconciled me. As I groped about thus, I shook off my visionary folly. What so easily explained as that I should have strayed from the path in the darkness? This brought me back to common existence, as if I had been shaken by a wise hand out of all the silliness of superstition. How silly it was, after all! What did it matter which path I took? I laughed again, this time with better heart, when suddenly, in a moment, the blood was chilled in my veins, a shiver stole along my spine, my faculties seemed to forsake me. Close by me, at my side, at my feet, there was a sigh. No, not a groan, not a moaning, not anything so tangible,—a perfectly soft, faint, inarticulate sigh. I sprang back, and my heart stopped beating. Mistaken! no, mistake was impossible. I heard it as clearly as I hear myself speak; a long, soft, weary sigh, as if drawn to the utmost, and emptying out a load of sadness that filled the breast. To hear this in the solitude, in the dark, in the night (though it was still early), had an effect which I cannot describe. I feel it now,—something cold creeping over me, up into my hair, and down to my feet, which refused to move. I cried out, with a trembling voice, “Who is there?” as I had done before; but there was no reply.

      I got home I don’t quite know how; but in my mind there was no longer any indifference as to the thing, whatever it was, that haunted these ruins. My scepticism disappeared like a mist. I was as firmly determined that there was something as Roland was. I did not for a moment pretend to myself that it was possible I could be deceived; there were movements and noises which I understood all about,—cracklings of small branches in the frost, and little rolls of gravel on the path, such as have a very eerie sound sometimes, and perplex you with wonder as to who has done it, when there is no real mystery; but I assure you all these little movements of nature don’t affect you one bit when there is something. I understood them. I did not understand the sigh. That was not simple nature; there was meaning in it, feeling, the soul of a creature invisible. This is the thing that human nature trembles at,—a creature invisible, yet with sensations, feelings, a power somehow of expressing itself. I had not the same sense of unwillingness to turn my back upon the scene of the mystery which I had experienced in going to the stables; but I almost ran home, impelled by eagerness to get everything done that had to be done, in order to apply myself to finding it out. Bagley was in the hall as usual when I went in. He was always there in the afternoon, always with the appearance of perfect occupation, yet, so far as I know, never doing anything. The door was open, so that I hurried in without any pause, breathless; but the sight of his calm regard, as he came to help me off with my overcoat, subdued me in a moment. Anything out of the way, anything incomprehensible, faded to nothing in the presence of Bagley. You saw and wondered how he was made: the parting of his hair, the tie of his white neckcloth, the fit of his trousers, all perfect as works of art; but you could see how they were done, which makes all the difference. I flung myself upon him, so to speak, without waiting to note the extreme unlikeness of the man to anything of the kind I meant. “Bagley,” I said, “I want you to come out with me to-night to watch for—”

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