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the same imbrowning and heating circumstances. Ladies and gentlemen, who came to market, looked on at a larger amount of amateur fighting than could easily be seen in these later times, and beheld more revolting rags, beggary, and rascaldom, than modern householders could well picture to themselves. As the day wore on, the hideous drama of the gaming-house might be seen here by any chance open-air spectator—the quivering eagerness, the blank despair, the sobs, the blasphemy, and the blows:—
“E vedesi chi perde con gran soffi,
E bestemmiar colla mano alia mascella,
E ricever e dar di molti ingoffi.”
But still there was the relief of prettier sights: there were brood-rabbits, not less innocent and astonished than those of our own period; there were doves and singing-birds to be bought as presents for the children; there were even kittens for sale, and here and there a handsome gattuccio, or “Tom,” with the highest character for mousing; and, better than all, there were young, softly-rounded cheeks and bright eyes, freshened by the start from the far-off castello (walled village) at daybreak, not to speak of older faces with the unfading charm of honest goodwill in them, such as are never quite wanting in scenes of human industry. And high on a pillar in the centre of the place—a venerable pillar, fetched from the church of San Giovanni—stood Donatello’s stone statue of Plenty, with a fountain near it, where, says old Pucci, the good wives of the market freshened their utensils, and their throats also; not because they were unable to buy wine, but because they wished to save the money for their husbands.
But on this particular morning a sudden change seemed to have come over the face of the market. The deschi, or stalls, were indeed partly dressed with their various commodities, and already there were purchasers assembled, on the alert to secure the finest, freshest vegetables and the most unexceptionable butter. But when Bratti and his companion entered the piazza, it appeared that some common preoccupation had for the moment distracted the attention both of buyers and sellers from their proper business. Most of the traders had turned their backs on their goods, and had joined the knots of talkers who were concentrating themselves at different points in the piazza. A vendor of old-clothes, in the act of hanging out a pair of long hose, had distractedly hung them round his neck in his eagerness to join the nearest group; an oratorical cheesemonger, with a piece of cheese in one hand and a knife in the other, was incautiously making notes of his emphatic pauses on that excellent specimen of marzolino; and elderly market-women, with their egg-baskets in a dangerously oblique position, contributed a wailing fugue of invocation.
In this general distraction, the Florentine boys, who were never wanting in any street scene, and were of an especially mischievous sort—as who should say, very sour crabs indeed—saw a great opportunity. Some made a rush at the nuts and dried figs, others preferred the farinaceous delicacies at the cooked provision stalls—delicacies to which certain four-footed dogs also, who had learned to take kindly to Lenten fare, applied a discriminating nostril, and then disappeared with much rapidity under the nearest shelter; while the mules, not without some kicking and plunging among impeding baskets, were stretching their muzzles towards the aromatic green-meat.
“Diavolo!” said Bratti, as he and his companion came, quite unnoticed, upon the noisy scene; “the Mercato is gone as mad as if the most Holy Father had excommunicated us again. I must know what this is. But never fear: it seems a thousand years to you till you see the pretty Tessa, and get your cup of milk; but keep hold of me, and I’ll hold to my bargain. Remember, I’m to have the first bid for your suit, specially for the hose, which, with all their stains, are the best panno di garbo—as good as ruined, though, with mud and weather stains.”
“Ola, Monna Trecca,” Bratti proceeded, turning towards an old woman on the outside of the nearest group, who for the moment had suspended her wail to listen, and shouting close in her ear: “Here are the mules upsetting all your bunches of parsley: is the world coming to an end, then?”
“Monna Trecca” (equivalent to “Dame Greengrocer”) turned round at this unexpected trumpeting in her right ear, with a half-fierce, half-bewildered look, first at the speaker, then at her disarranged commodities, and then at the speaker again.
“A bad Easter and a bad year to you, and may you die by the sword!” she burst out, rushing towards her stall, but directing this first volley of her wrath against Bratti, who, without heeding the malediction, quietly slipped into her place, within hearing of the narrative which had been absorbing her attention; making a sign at the same time to the younger stranger to keep near him.
“I tell you I saw it myself,” said a fat man, with a bunch of newly-purchased leeks in his hand. “I was in Santa Maria Novella, and saw it myself. The woman started up and threw out her arms, and cried out and said she saw a big bull with fiery horns coming down on the church to crush it. I saw it myself.”
“Saw what, Goro?” said a man of slim figure, whose eye twinkled rather roguishly. He wore a close jerkin, a skull-cap lodged carelessly over his left ear as if it had fallen there by chance, a delicate linen apron tucked up on one side, and a razor stuck in his belt. “Saw the bull, or only the woman?”
“Why, the woman, to be sure; but it’s all one, mi pare: it doesn’t alter the meaning—va!” answered the fat man, with some contempt.
“Meaning? no, no; that’s clear enough,” said several voices at once, and then followed a confusion of tongues, in which “Lights shooting over San Lorenzo for three nights together”—“Thunder in the clear starlight”—“Lantern of the Duomo struck with the sword of Saint Michael”—“Palle” (Arms of the Medici)—“All smashed”—“Lions tearing each other to pieces”—“Ah! and they might well”—“Boto1 caduto in Santissima Nunziata!”—“Died like the best of Christians”—“God will have pardoned him”—were often-repeated phrases, which shot across each other like storm-driven hailstones, each speaker feeling rather the necessity of utterance than of finding a listener. Perhaps the only silent members of the group were Bratti, who, as a new-comer, was busy in mentally piecing together the flying fragments of information; the man of the razor; and a thin-lipped, eager-looking personage in spectacles, wearing a pen-and-ink case at his belt.
“Ebbene, Nello,” said Bratti, skirting the group till he was within hearing of the barber. “It appears the Magnifico is dead—rest his soul!—and the price of wax will rise?”
“Even as you say,” answered Nello; and then added, with an air of extra gravity, but with marvellous rapidity, “and his waxen image in the Nunziata fell at the same moment, they say; or at some other time, whenever it pleases the Frati Serviti, who know best. And several cows and women have had still-born calves this Quaresima; and for the bad eggs that have been broken since the Carnival, nobody has counted them. Ah! a great man—a great politician—a greater poet than Dante. And yet the cupola didn’t fall, only the lantern. Che miracolo!”
A sharp and lengthened “Pst!” was suddenly heard darting across the pelting storm of gutturals. It came from the pale man in spectacles, and had the effect he intended; for the noise ceased, and all eyes in the group were fixed on him with a look of expectation.
“’Tis well said you Florentines are blind,” he began, in an incisive high voice. “It appears to me, you need nothing but a diet of hay to make cattle of you. What! do you think the death of Lorenzo is the scourge God has prepared for Florence? Go! you are sparrows chattering praise over the dead hawk. What! a man who was trying to slip a noose over every neck in the Republic that he might tighten it at his pleasure! You like that; you like to have the election of your magistrates turned into closet-work, and no man to use the rights of a citizen unless he is a Medicean. That is what is meant by qualification now: netto di specchio2 no longer means that a man pays his dues to the Republic: it means that he’ll wink at robbery of the people’s money—at robbery of their daughters’ dowries; that he’ll play the chamberer and the philosopher by turns—listen to bawdy songs at the Carnival and cry ‘Bellissimi!’—and listen to sacred lauds and cry again ‘Bellissimi!’ But this is what you love: you grumble and raise a
A votive image of Lorenzo, in wax, hung up in the Church of the Annunziata, supposed to have fallen at the time of his death.
The phrase used to express the absence of disqualification—i.e., the not being entered as a debtor in the public book—