Kenelm Chillingly — Complete. Эдвард Бульвер-ЛиттонЧитать онлайн книгу.
“They are mine,” replied the singer.
“And the air?”
“Mine too.”
“Accept my compliments. I hope you find these manifestations of genius lucrative?”
The singer, who had not hitherto vouchsafed more than a careless glance at the rustic garb of the questioner, now fixed his eyes full upon Kenelm, and said, with a smile, “Your voice betrays you, sir. We have met before.”
“True; but I did not then notice your guitar, nor, though acquainted with your poetical gifts, suppose that you selected this primitive method of making them publicly known.”
“Nor did I anticipate the pleasure of meeting you again in the character of Hobnail. Hist! let us keep each other’s secret. I am known hereabouts by no other designation than that of the ‘Wandering Minstrel.’”
“It is in the capacity of minstrel that I address you. If it be not an impertinent question, do you know any songs which take the other side of the case?”
“What case? I don’t understand you, sir.”
“The song I heard seemed in praise of that sham called love. Don’t you think you could say something more new and more true, treating that aberration from reason with the contempt it deserves?”
“Not if I am to get my travelling expenses paid.”
“What! the folly is so popular?”
“Does not your own heart tell you so?”
“Not a bit of it,—rather the contrary. Your audience at present seem folks who live by work, and can have little time for such idle phantasies; for, as it is well observed by Ovid, a poet who wrote much on that subject, and professed the most intimate acquaintance with it, ‘Idleness is the parent of love.’ Can’t you sing something in praise of a good dinner? Everybody who works hard has an appetite for food.”
The singer again fixed on Kenelm his inquiring eye, but not detecting a vestige of humour in the grave face he contemplated, was rather puzzled how to reply, and therefore remained silent.
“I perceive,” resumed Kenelm, “that my observations surprise you: the surprise will vanish on reflection. It has been said by another poet, more reflective than Ovid, that ‘the world is governed by love and hunger.’ But hunger certainly has the lion’s share of the government; and if a poet is really to do what he pretends to do,—namely, represent nature,—the greater part of his lays should be addressed to the stomach.” Here, warming with his subject, Kenelm familiarly laid his hand on the musician’s shoulder, and his voice took a tone bordering on enthusiasm. “You will allow that a man in the normal condition of health does not fall in love every day. But in the normal condition of health he is hungry every day. Nay, in those early years when you poets say he is most prone to love, he is so especially disposed to hunger that less than three meals a day can scarcely satisfy his appetite. You may imprison a man for months, for years, nay, for his whole life,—from infancy to any age which Sir Cornewall Lewis may allow him to attain,—without letting him be in love at all. But if you shut him up for a week without putting something into his stomach, you will find him at the end of it as dead as a door-nail.”
Here the singer, who had gradually retreated before the energetic advance of the orator, sank into the seat by the elm-tree and said pathetically, “Sir, you have fairly argued me down. Will you please to come to the conclusion which you deduce from your premises?”
“Simply this, that where you find one human being who cares about love, you will find a thousand susceptible to the charms of a dinner; and if you wish to be the popular minne-singer or troubadour of the age, appeal to nature, sir,—appeal to nature; drop all hackneyed rhapsodies about a rosy cheek, and strike your lyre to the theme of a beefsteak.”
The dog had for some minutes regained his master’s side, standing on his hind legs, with the tray, tolerably well filled with copper coins, between his teeth; and now, justly aggrieved by the inattention which detained him in that artificial attitude, dropped the tray and growled at Kenelm.
At the same time there came an impatient sound from the audience in the tea-garden. They wanted another song for their money.
The singer rose, obedient to the summons. “Excuse me, sir; but I am called upon to—”
“To sing again?”
“Yes.”
“And on the subject I suggest?”
“No, indeed.”
“What! love, again?”
“I am afraid so.”
“I wish you good evening then. You seem a well-educated man,—more shame to you. Perhaps we may meet once more in our rambles, when the question can be properly argued out.”
Kenelm lifted his hat, and turned on his heel. Before he reached the street, the sweet voice of the singer again smote his ears; but the only word distinguishable in the distance, ringing out at the close of the refrain, was “love.”
“Fiddle-de-dee,” said Kenelm.
CHAPTER VI
AS Kenelm regained the street dignified by the edifice of the Temperance Hotel, a figure, dressed picturesquely in a Spanish cloak, brushed hurriedly by him, but not so fast as to be unrecognized as the tragedian. “Hem!” muttered Kenelm, “I don’t think there is much triumph in that face. I suspect he has been scolded.”
The boy—if Kenelm’s travelling companion is still to be so designated—was leaning against the mantelpiece as Kenelm re-entered the dining-room. There was an air of profound dejection about the boy’s listless attitude and in the drooping tearless eyes.
“My dear child,” said Kenelm, in the softest tones of his plaintive voice, “do not honour me with any confidence that may be painful. But let me hope that you have dismissed forever all thoughts of going on the stage.”
“Yes,” was the scarce audible answer.
“And now only remains the question, ‘What is to be done?’”
“I am sure I don’t know, and I don’t care.”
“Then you leave it to me to know and to care; and assuming for the moment as a fact that which is one of the greatest lies in this mendacious world—namely, that all men are brothers—you will consider me as an elder brother, who will counsel and control you as he would an imprudent young—sister. I see very well how it is. Somehow or other you, having first admired Mr. Compton as Romeo or Richard III., made his acquaintance as Mr. Compton. He allowed you to believe him a single man. In a romantic moment you escaped from your home, with the design of adopting the profession of the stage and of becoming Mrs. Compton.”
“Oh,” broke out the girl, since her sex must now be declared, “oh,” she exclaimed, with a passionate sob, “what a fool I have been! Only do not think worse of me than I deserve. The man did deceive me; he did not think I should take him at his word, and follow him here, or his wife would not have appeared. I should not have known he had one and—and—” here her voice was choked under her passion.
“But now you have discovered the truth, let us thank Heaven that you are saved from shame and misery. I must despatch a telegram to your uncle: give me his address.”
“No, no.”
“There is not a ‘No’ possible in this case, my child. Your reputation and your future must be saved. Leave me to explain all to your uncle. He is your guardian. I must send for him; nay, nay, there is no option. Hate me now for enforcing your will: you will thank me hereafter. And listen, young lady; if it does pain you to see your uncle, and encounter his reproaches, every fault must undergo its punishment. A