New Chronicles of Rebecca. Wiggin Kate Douglas SmithЧитать онлайн книгу.
when saying her prayers at night, to look up all doubtful words in her small dictionary, before copying her Thoughts into the sacred book for the inspiration of posterity; but when genius burned with a brilliant flame, and particularly when she was in the barn and the dictionary in the house, impulse as usual carried the day.
There sits Rebecca, then, in the open door of the Sawyers barn chamber—the sunset door. How many a time had her grandfather, the good deacon, sat just underneath in his tipped-back chair, when Mrs. Israel’s temper was uncertain, and the serenity of the barn was in comforting contrast to his own fireside!
The open doors swinging out to the peaceful landscape, the solace of the pipe, not allowed in the “settin’-room”—how beautifully these simple agents have ministered to the family peace in days agone! “If I hadn’t had my barn and my store BOTH, I couldn’t never have lived in holy matrimony with Maryliza!” once said Mr. Watson feelingly.
But the deacon, looking on his waving grass fields, his tasseling corn and his timber lands, bright and honest as were his eyes, never saw such visions as Rebecca. The child, transplanted from her home farm at Sunnybrook, from the care of the overworked but easy-going mother, and the companionship of the scantily fed, scantily clothed, happy-go-lucky brothers and sisters—she had indeed fallen on shady days in Riverboro. The blinds were closed in every room of the house but two, and the same might have been said of Miss Miranda’s mind and heart, though Miss Jane had a few windows opening to the sun, and Rebecca already had her unconscious hand on several others. Brickhouse rules were rigid and many for a little creature so full of life, but Rebecca’s gay spirit could not be pinioned in a strait jacket for long at a time; it escaped somehow and winged its merry way into the sunshine and free air; if she were not allowed to sing in the orchard, like the wild bird she was, she could still sing in the cage, like the canary.
II
If you had opened the carefully guarded volume with the mottled covers, you would first have seen a wonderful title page, constructed apparently on the same lines as an obituary, or the inscription on a tombstone, save for the quantity and variety of information contained in it. Much of the matter would seem to the captious critic better adapted to the body of the book than to the title page, but Rebecca was apparently anxious that the principal personages in her chronicle should be well described at the outset.
She seems to have had a conviction that heredity plays its part in the evolution of genius, and her belief that the world will be inspired by the possession of her Thoughts is too artless to be offensive. She evidently has respect for rich material confided to her teacher, and one can imagine Miss Dearborn’s woe had she been confronted by Rebecca’s chosen literary executor and bidden to deliver certain “Valuable Poetry and Thoughts,” the property of posterity “unless carelessly destroyed.”
THOUGHT BOOK of Rebecca Rowena Randall Really of Sunnybrook Farm But temporily of The Brick House Riverboro. Own niece of Miss Miranda and Jane Sawyer Second of seven children of her father, Mr. L. D. M. Randall (Now at rest in Temperance cemmetary and there will be a monument as soon as we pay off the mortgage on the farm) Also of her mother Mrs. Aurelia Randall
In case of Death the best of these Thoughts
May be printed in my Remerniscences
For the Sunday School Library at Temperance, Maine
Which needs more books fearfully
And I hereby
Will and Testament them to Mr. Adam Ladd
Who bought 300 cakes of soap from me
And thus secured a premium
A Greatly Needed Banquet Lamp
For my friends the Simpsons.
He is the only one that incourages
My writing Remerniscences and
My teacher Miss Dearborn will
Have much valuable Poetry and Thoughts
To give him unless carelessly destroyed.
The pictures are by the same hand that
Wrote the Thoughts.
IT IS NOT NOW DECIDED WHETHER REBECCA ROWENA RANDALL WILL BE A PAINTER OR AN AUTHOR, BUT AFTER HER DEATH IT WILL BE KNOWN WHICH SHE HAS BEEN, IF ANY.
FINIS
From the title page, with its wealth of detail, and its unnecessary and irrelevant information, the book ripples on like a brook, and to the weary reader of problem novels it may have something of the brook’s refreshing quality.
OUR DIARIES May, 187—
All the girls are keeping a diary because Miss Dearborn was very much ashamed when the school trustees told her that most of the girls’ and all of the boys’ compositions were disgraceful, and must be improved upon next term. She asked the boys to write letters to her once a week instead of keeping a diary, which they thought was girlish like playing with dolls. The boys thought it was dreadful to have to write letters every seven days, but she told them it was not half as bad for them as it was for her who had to read them.
To make my diary a little different I am going to call it a THOUGHT Book (written just like that, with capitals). I have thoughts that I never can use unless I write them down, for Aunt Miranda always says, Keep your thoughts to yourself. Aunt Jane lets me tell her some, but does not like my queer ones and my true thoughts are mostly queer. Emma Jane does not mind hearing them now and then, and that is my only chance.
If Miss Dearborn does not like the name Thought Book I will call it Remerniscences (written just like that with a capital R). Remerniscences are things you remember about yourself and write down in case you should die. Aunt Jane doesn’t like to read any other kind of books but just lives of interesting dead people and she says that is what Longfellow (who was born in the state of Maine and we should be very proud of it and try to write like him) meant in his poem:
“Lives of great men all remind us
We should make our lives sublime,
And departing, leave behind us
Footprints on the sands of time.”
I know what this means because when Emma Jane and I went to the beach with Uncle Jerry Cobb we ran along the wet sand and looked at the shapes our boots made, just as if they were stamped in wax. Emma Jane turns in her left foot (splayfoot the boys call it, which is not polite) and Seth Strout had just patched one of my shoes and it all came out in the sand pictures. When I learned The Psalm of Life for Friday afternoon speaking I thought I shouldn’t like to leave a patched footprint, nor have Emma Jane’s look crooked on the sands of time, and right away I thought Oh! What a splendid thought for my Thought Book when Aunt Jane buys me a fifteen-cent one over to Watson’s store.
REMERNISCENCES
June, 187—
I told Aunt Jane I was going to begin my Remerniscences, and she says I am full young, but I reminded her that Candace Milliken’s sister died when she was ten, leaving no footprints whatever, and if I should die suddenly who would write down my Remerniscences? Aunt Miranda says the sun and moon would rise and set just the same, and it was no matter if they didn’t get written down, and to go up attic and find her piece-bag; but I said it would, as there was only one of everybody in the world, and nobody else could do their remerniscensing for them. If I should die tonight I know now who would describe me right. Miss Dearborn would say one thing and brother John another. Emma Jane would try to do me justice, but has no words; and I am glad Aunt Miranda never takes the pen in hand.
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