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The New Republic. Lionel ShriverЧитать онлайн книгу.

The New Republic - Lionel Shriver


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      “I’ve only been back to Barrington’s once,” she continued. “And please don’t mention it to Henry. But I simply couldn’t bear the idea of the police smashing that lovely cedar door with a battering ram. So when Barrington became an official missing person, I rang the chief inspector and arranged to let him in.

      “The detectives went through everything,” she explained. “All they found was some gibberish on Barrington’s computer disks. Nonsense, according to Lieutenant de Carvalho. There was only one part of the house I steered the police away from. A small tower; they never noticed the door. You’ve the key to its padlock. But Barrington told me not to go up there. So I haven’t.”

      “Even Bluebeard’s wives didn’t play along with that shit,” Edgar slurred. “You always so obedient?”

      “When I make a promise.”

      Including to your husband? “What do you think’s up there, then? Bodies?”

      “Maybe one. That’s the only place we haven’t checked for Barrington. But on the off chance … I guess I didn’t want to know.”

      She pulled up to a long dark hulk and sat, with the Land Rover idling, hands in her lap. Though the villa was virtually invisible, she closed her eyes, as if for good measure. “It does light up,” she said dismally, all but spelling out: Though only when a certain someone was inside.

      Edgar fumbled his good-byes and trundled with his bags to the dim front porch. The lock responded gladly to his skeleton key. Pushed by the Barban gale, the thick cedar door opened by itself, as if Edgar were expected.

      After groping for a light switch, he had a vague, cockeyed impression of having infiltrated a deserted sheikdom. He bumbled upstairs to a king-size four-poster. An ironing board would have sufficed. Having dragged off his clothes, he plunged into a small death.

      Edgar woke between royal blue satin sheets, under billows of goose-down duvets. Pillows buttressed his every side, as if he were packed for overseas shipping. Opposite, lemony late-day sunlight filtered between shifting drapes of crimson velvet, and upper panes of leaded stained glass dolloped red and green lollipops onto the bed. A sole reminder of where he was, a high hissing whistle sang through the window cracks. Panes rattled as if o vento insano were rapping to get in, and a faint, low-pitched moan groaned outside.

      According to his diving watch—in his freelance poverty so discordantly showy, yet in the context of his immediate surroundings a dime-store trinket—he’d slept fifteen hours.

      Edgar propped on the springy pillows, which puffed cool air onto his cheek at every readjustment. This was indeed a master bedroom. Laid with overlapping Oriental carpets, the floor was elevated a step under the bed. Raising the four-poster into a throne of repose, the dais made fifteen hours’ sleep seem his due. Edgar could easily see settling here for days at a time amid splayed half-read books, occasionally granting an audience or tinkling a clear brass bell for breakfast service. The image of broad trays (carved camphor wood, Edgar decided, with ivory handles) hovered over both tall side tables. Spread with embroidered cloths, they’d be littered with goblets of guava juice, crumbs of honeyed pastries, ornate cups of thick, sweet coffee, and filigreed silver spoons.

      Disquieted, Edgar disentangled himself. He disapproved of sloth, and had a positive horror of honeyed pastries. The bedding was contaminated with another man’s fantasy life.

      Edgar padded gingerly around the room, as if afraid to wake someone up—like himself. More crimson velvet canopied the bed, and velvet drapes hung on rings from the frame’s upper rail. The curtains could be pulled all the way around the mattress to make a private tent. The fragrant dark cherries and rosewoods of the massive furniture were carved into busty prows of women or tumbles of ripe fruit; the bureau shimmered with mother-of-pearl inlays. A mosaic of colored glass beads framing the mirror threw highlights on Edgar’s naked figure, making his chest look more finely muscled than it was and his complexion lustier than he felt. The reflection likewise elongated his frame to tower beside the bedpost, and Edgar was only five-foot-eight. It was a mirror made for self-deceit. What it must have done for Saddler, a much larger man by all accounts, well—he must have looked leviathan.

      Penetrating scents of cedar, sandalwood, and the residual haunt of a woman’s perfume intoxicated Edgar with the giddy notion of going back to bed. Rubbing his eyes, he ambled to the cavernous en suite bath to splash his face in the black alabaster sink. Drying, he plunged into a white towel plush as rabbit’s fur; the nap buried his fingers to the first knuckle. Scoping out the sunken tub—round, black marble, and wide enough for laps—he drew himself a bath.

      Edgar treated himself to warm-up hot-water blasts and picked through an array of toiletries—saffron conditioner, mandarin-and-cloudberry shampoo, almond oil, truffle-and-musk mud-mask: effeminate frippery. Edgar inclined toward plain Ivory and timeless Head & Shoulders: man-stuff. Still. He tried the cloudberry shampoo.

      The clothing he’d packed was clearly too summery, so Edgar was able to rationalize picking through rack upon rack of preposterous regalia in the walk-in closet: old-fashioned tails and cutaways, with magenta cummerbunds; kimonos whose dragons licked up the facing; quilted smoking jackets; flowing rayon shirts wide as kites, writhing with van Gogh sunflowers or flaming with foot-wide poinsettias; a charcoal woolen cape, lined with cream silk, fit for Bela Lugosi; some biblically voluminous caftans and togas; and a number of officers’ uniforms from foreign military outfits, whose appearance of authenticity was all the more reason not to prance around in them. None of the outlandish glad rags suited a man for writing, only for being written about. Although a smattering of standard Anglo fare—Burberrys, camelhairs, and tweeds from the finest London tailors—bespoke a journalist who occasionally did his job, the suspenders (braces, a voice whispered) marched with toy soldiers, and there wasn’t a tie to be found, just two dozen ascots.

      Impetuously, Edgar slipped a dressing gown off its wooden hanger. The radiant golden robe faced with plum brocade might have costumed Apollo Creed.

      Camp, sure. But somehow in their vastness all these garments stopped shy of kitsch. The lines of the finery were so drastic, their patterns so fantastic, their pretensions drafted on such a scale that they were rescued from ridiculousness by sheer audacity.

      Except on Edgar. A foot too long, the nacreous dressing gown dragged like a wedding train. The shoulder pads drooped to his elbows, and the sleeves dangled inches beyond his fingertips. Even in the magic mirror, he looked like a Norman Rockwell: Junior Wears Father’s Bathrobe.

      Fuck it. Edgar gathered the train and swirled out of the bedroom with a little transvestite flounce, assured that you could get away with anything so long as you did it with conviction.

      Nicola was right: the house was enormous. Edgar’s disgust that the National Record would coddle any correspondent with such palatial accommodations failed to undermine exultation at his own good fortune. Aside from the one tiny round tower, the villa rose only two stories high, but spread across what must have amounted to half a New York City block. Its Moorish architecture expressed the clean, wide lines of Frank Lloyd Wright fare, without the iciness of modernity. Hanging tapestries and Oriental carpet softened the perpendiculars of mosaic tile and marble parquet. Downstairs was constructed on a variety of levels, the floors landscaped into benches cushioned with rotund pillows. The dining area’s table, like the bath, was sunken.

      Though the western windows looked frosted, their panes were pitted irregularly: dulled by gale-borne sand. When the wind would poom a door against its frame, like a body slammed from the patio, it took practice not to jump.

      Edgar’s favorite room at ground level was the atrium: open and Romanesque, lit by skylights slit around the ceiling, and organized around a rectangular pool whose fountain still plashed in Saddler’s absence. The atrium called out for scantily clad slave girls offering fleshy grapes, palm-leaf fans, and a flow of red wine as ceaseless as the fountain. While Edgar formed an instantaneous affection for the hall, it also made him nervous. Lassitude! Indiscipline! Sloth!

      In fact, the entire villa was imbued with an indulgent sensibility to which


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