The Planets. Dava SobelЧитать онлайн книгу.
space at the dazzling speed of 186,000 miles per second, takes ages to emerge from the dense interior of the Sun. Light advances only a few miles per year near the Sun’s core, where the crush of matter repeatedly absorbs it and impedes its escape. Radiating this way, light may journey for a million years before reaching the Sun’s convective zone, there to catch a quick ride up and out on roiling eddies of rising gas. As soon as these eddies release their cargoes of light, they sink back down, to soar again later with more.
The light-emitting, visible surface of the Sun – the photosphere – seethes as though boiling from the constant tumult of energy release. Gas bubbles bursting with light give the photosphere a grainy complexion, marred here and there by pairs of dark, irregularly shaped sunspots, with black centres and grey, graded shading around them like the penumbras of shadows. Sunspots designate areas of intense magnetic activity on the Sun, and their darkness bespeaks their relative coolness of about 4000°K, compared to neighbouring areas at nearly 6000.* The level of solar activity rises and falls in cycles averaging eleven years, and sunspots mingle, morph, and multiply according to this same schedule. Their number and distribution vary like famine and plenty, from no spots at ‘solar minimum’, or just a few spots dotting the Sun’s high latitudes, to ‘solar maximum’ five to six years later, when hundreds of them crowd closer to the equator. Although sunspots seem to gather and scud like clouds across the photosphere, really it is the Sun’s rotation that carries them around.
The Sun rotates on its axis approximately once a month, in a continuation of the spinning motion it was born in. Being an enormous ball of gas, the Sun spins complexly, in layers of various speeds. The core and its immediate surroundings turn at one rate, as a solid body. The overlying zone spins faster, and above that, the visible photosphere whirls around at several different rates, more quickly at the Sun’s equator than near its poles. These combined, contrary motions whip the Sun into a fury, with consequences felt clear across the Solar System.
The ‘solar wind’, a hot exhalation of charged particles (reminiscent of the ‘wind from God’), blows out from the turbulent Sun and keeps up a constant barrage on the planets. Were it not for the protective envelope of Earth’s magnetic field, which deflects most of the solar wind, humankind could not withstand the onslaught. From time to time, especially during solar maximum, the steady solar wind is augmented by sudden blasts of higher-energy particles from solar flares on the Sun’s surface, or by gargantuan blobs of ejected solar gas. Such outbursts can disable our communications satellites and disrupt power grids, causing blackouts. In milder doses, particles of solar wind trickle into the upper atmosphere near the North and South Poles, initiating cascades of electrical charge that draw curtains of coloured lights across the sky – the so-called Northern and Southern Lights. Other planets also sprout colourful auroras in response to the solar wind, which billows on past Pluto all the way to the heliopause – the undiscovered boundary where the Sun’s influence ends.
From Earth, we see the Sun as a blazing circle in the sky, brighter but no bigger than the circumference of the full Moon. The ‘two great lights’, as the Sun and Moon are described in Genesis, make a matched pair. For although the Moon measures only one four-hundredth the Sun’s million-mile diameter, it nevertheless lies four hundred times closer to Earth. This uncanny coincidence of size and distance enables the puny Moon to block out the Sun whenever the two bodies converge on their shared path across Earth’s sky.
Approximately once every two years, some narrow swath of Earth – as often as not a godforsaken, all but inaccessible place – is blessed with a total solar eclipse. There, dusk falls and dawn breaks twice on the same day, and the stars come out with the Sun still overhead. Temperatures may drop ten or fifteen degrees at a stroke, allowing even the most jaded observer to sense the bizarre disorientation that birds and animals share as they hasten to their nests or burrows through the sudden midday darkness.
No total eclipse can last much longer than seven minutes, because of Earth’s persistent turning on its axis and the Moon’s unwavering march along its orbit. But totality of the briefest duration affords sufficient reason for scientific expeditions and curious individuals to travel halfway around the world, even if they have seen one or more eclipses before.
At totality, when the Moon is a pool of soot hiding the bright solar sphere, and the sky deepens to a crepuscular blue, the Sun’s magnificent corona, normally invisible, flashes into view. Pearl and platinum-coloured streamers of coronal gas surround the vanished Sun like a jagged halo. Long red ribbons of electrified hydrogen leap from behind the black Moon and dance in the shimmering corona. All these rare, incredible sights offer themselves to the naked eye, as totality provides the only safe time to gaze at the omnipotent Sun without fear of requital in blindness.
Moments later, the shadow of the Moon passes and the natural world order is restored by the ordinary grace of the Sun’s familiar light. But visions of the eclipse persist among viewers, as though a miracle had been witnessed. Is it an accident that the Solar System’s lone inhabited planet possesses the only satellite precisely sized to create the spectacle of a total solar eclipse? Or is this startling manifestation of the Sun’s hidden splendour part of a divine design?
* Discarded comet dust litters interplanetary space, and when the Earth trundles into a patch of it, the particles that fall through the atmosphere are incinerated, appearing as isolated ‘shooting stars’ or whole showers of meteors.
* Degrees K, for Kelvin, are the same size as degrees Celsius (or centigrade) – almost double the value of Fahrenheit degrees. However the Kelvin scale starts lower, at −273 °C, or ‘absolute zero’, the point at which all motion ceases, and has no upper limit, which makes it useful for describing the temperatures of stars.
The planets speak an ancient dialect of myth. Their names recall all that happened before history, before science, when Prometheus hung shackled to that cliff in the Caucasus for stealing fire from the sky, and Europe was not yet a continent but still a girl, beloved by a god, who beguiled her disguised as a bull.
In those days Hermes – or Mercury, as the Romans renamed the Greek messenger god – flew fleet as thought on divine errands that earned him more mentions in the annals of mythology than any other Olympian: after the goddess of the harvest lost her only daughter to the god of the underworld, Mercury was sent to negotiate the victim’s rescue, and drove her home in a golden cart pulled by black horses. When Cupid got his wish, making Psyche immortal and therefore fit to marry him, it was Mercury who led the bride into the palace of the gods.
The planet Mercury appeared to the ancients, as it appears to the naked eye today, only on the horizon, where it coursed the twilight limbo between day and night. Swift Mercury either heralded the Sun at dawn, or chased after it through dusk. Other planets – Mars, Jupiter, Saturn – could be seen shining high in the sky all night for months on end. But Mercury always fled the darkness for the light, or vice versa, and hastened from view within an hour’s time. Likewise the god Mercury served as a go-between, traversing the realms of the living and the dead, conducting the souls of the deceased down to their final abode in Hades.
Myth may have conferred the god’s name on the planet, because it mirrored his attributes, or perhaps the observed behaviour of the planet gave rise to legends of the god. Either way, the union of planet Mercury with divine Mercury – and with Hermes, and the Babylonian deity Nabû the Wise before him – was sealed by the fifth century BC.
The persistent image of Mercury, lean and hell-bent as a marathon runner, personifies dispatch. Wings on his sandals urge him on, spurred faster by the wings on his cap, and the magic powers of his winged wand. Although speed tops the panoply of his powers, Mercury also gained fame as a giant-killer (after he slew thousand-eyed Argus) and as the god of music (because he invented the lyre, and his son, Pan, fashioned the shepherd’s pipe of reeds), god of commerce and protector of traders (for which