The Replacement Wife. CAITLIN CREWSЧитать онлайн книгу.
“I am Theo Markou Garcia,” he said, in the way men did when they expected to be known, recognized. Celebrated.
“I’m Becca—the bastard daughter of the sister no one dares mention out loud.”
“I know who you are.” This time it was his low, insinuating voice that seemed to reverberate behind her ribs and spread out through her bones. “As for what I want—I don’t think that’s the right question.”
“It’s the right question if you want me to whirl around in front of you,” Becca countered, some recklessness charging through her, making her courageous. “Though I doubt you’ll give me the right answer.”
“The right question is this: what do you want, and how can I give it to you? And the only other question is, how far are you willing to go to get what you want?”
About the Author
CAITLIN CREWS discovered her first romance novel at the age of twelve. It involved swashbuckling pirates, grand adventures, a heroine with rustling skirts and a mind of her own, and a seriously mouthwatering and masterful hero. The book (the title of which remains lost in the mists of time) made a serious impression. Caitlin was immediately smitten with romances and romance heroes, to the detriment of her middle school social life. And so began her life-long love affair with romance novels, many of which she insists on keeping near her at all times.
Caitlin has made her home in places as far-flung as York, England, and Atlanta, Georgia. She was raised near New York City, and fell in love with London on her first visit when she was a teenager. She has backpacked in Zimbabwe, been on safari in Botswana, and visited tiny villages in Namibia. She has, while visiting the place in question, declared her intention to live in Prague, Dublin, Paris, Athens, Nice, the Greek Islands, Rome, Venice, and/or any of the Hawaiian islands. Writing about exotic places seems like the next best thing to moving there.
She currently lives in California, with her animator/comic book artist husband and their menagerie of ridiculous animals.
The Replacement Wife
Caitlin Crews
To Kate Rogers for her unsung, invaluable help before,
and to Megan Bassett, my editor, for making all my books so very much better
CHAPTER ONE
THE HOUSE HAD not improved since she’d seen it last. It loomed over New York City’s tony Fifth Avenue like a displeased society matron, all disapproving elegance and a style that dated to the excesses of the Gilded Age. Becca Whitney sat in the vast and chilly parlor, stuffed with priceless paintings and fussy, disturbingly detailed statuary, and tried to pretend she couldn’t feel the way her two so-called relatives were glaring at her. As if her presence there, as the illegitimate daughter of their disinherited and long-disparaged late sister, polluted the very air.
Maybe it did, Becca thought. Maybe that was one reason the great hulking mansion felt like a soulless crypt.
The strained silence—that Becca refused to break, since she’d been called here this time and was thankfully no longer the supplicant—was broken suddenly, by the slight creaking sound of the ornate parlor door.
Thank God, Becca thought. She had to keep her hands tightly laced together in her lap, her teeth clenched in her jaw, to keep the bitter words she’d like to say from spilling out. Whatever this interruption was, it was a relief.
Until she looked up and saw the man who stepped inside the room. Something like warning, like anticipation, seemed to crackle over her skin, making it hum in reaction. Making her sit straighter in her chair.
“Is this the girl?” he asked, his voice a low, dark rumble, his tone brisk. Demanding.
Everything—power, focus, the strained air itself—shifted immediately. Away from the horrible aunt and uncle she’d never planned to see again and toward the man, dark and big and goose bump-raising, who moved as if he expected the world to shuffle and rearrange itself around him—and with the kind of confidence that suggested it usually did exactly that.
Becca felt her lips part slightly as their eyes met, across centuries of artifacts and the frowns of these terrible people who had tossed her mother out like so much trash twenty-six years ago. His were a rich, arresting color, an electric amber, and seared into her, making her blink. Making her wonder if she’d been scarred by the contact.
Who was he?
He was not particularly tall, not much over six feet, but he was … there. A force to be reckoned with, as if a live wire burned in him, and from him. He wore the same kind of clothes they all wore in this hermetically sealed world of wealth and privilege—expensive. Yet unlike her fussy relatives, in their suits and scarves and ostentatious accessories, everything about this man was stripped down. Lean. Powerful. Impressive. A charcoal-gray sweater that clung to his perfectly shaped torso, and dark trousers that outlined the strength of his thighs and his narrow hips. He looked elegant and elemental all at once.
He gazed at her, his head cocking slightly to one side as he considered her, and Becca knew two things with every cell in her body. The first was that he was dangerous in a way she could not quite grasp—though she could see the fierce intelligence in him, coupled with a certain ruthless intensity. And the second was that she had to get away from him. Now. Her stomach cramped and her heart pounded. Something about him just … spooked her.
“You see it, then,” Becca’s pompous uncle Bradford said in the same patronizing tone he’d used when he’d thrown Becca out of this very same house six months ago. In the very same tone he’d used to tell her that she and her sister Emily were mistakes. Embarrassments. Certainly not Whitneys. “The resemblance.”
“It is uncanny.” The man’s remarkable, disconcerting eyes narrowed, focused entirely on Becca even as he spoke to her uncle. “I thought you exaggerated.”
Becca stared back at him. Something was alive, hot, in the air between them. She felt her mouth dry, her palms twitch. Panic, she thought. It was only panic, and perfectly reasonable! She wanted to leap to her feet and run out into the streets, far away from this overwrought place and the scene unfolding around her that she no longer wanted to understand—but she couldn’t seem to move. It was the way he looked at her. The command in it, perhaps. The heat. It kept her still. Obedient.
“I still don’t know why I’m here,” Becca said, forcing herself to speak. To do something other than mutely obey. She turned and looked at Bradford, and her mother’s pursed-mouthed sister, the censorious Helen. “After the way you threw me out the last time—”
“This has nothing to do with that,” her uncle—a technical title at best, in Becca’s opinion—sniffed impatiently. “This is important.”
“So is my sister’s education,” Becca replied, a snap in her voice. She was too aware of the other man, like a dark shadow in her peripheral vision. She could feel the way his eyes ate her up, consumed her. It made her lungs feel tight in her chest. It made her body… ache.
“For God’s sake, Bradford,” Helen murmured to her brother, twisting the elegant rings on her fingers. “What can you be thinking? Look at this creature. Listen to her! Who would ever believe that she was one of us?”
“She has about as much interest in being ‘one of you’ as she does in walking back home to Boston naked, over a sea of broken glass,” Becca retorted, but then reminded herself to focus on the reason she’d come back here, the reason she’d subjected herself to this. “All I want from you people is what I’ve always wanted from you. Help with my sister’s education. I still don’t see how that’s too