After Hours. Sandra FieldЧитать онлайн книгу.

      CHAPTER TWO

      MARCIA stayed behind in the room that she now decided must be the gallery owner’s office, struggling to subdue a mixture of rage at Quentin’s effrontery and a truant amusement at his persistence. Mr. Quentin Ramsey, she’d be willing to bet, wasn’t used to women who said no. Not that she’d been playing games with him. She was in enough trouble at work, without adding a man who asked questions she didn’t want to answer, who had blue eyes that seemed to burn their way into her very soul and who was—she could admit it now that she was alone—sexual dynamite.

      It wasn’t just his body, its hard planes ill-concealed by his tailored suit. His fingers were long and sensitive, the backs of his hands taut with sinews, and his face with its strong bones had character more than standard good looks—a character hinting at the complexities of the man within. It was an inhabited face, she thought slowly, the face of a man who’d tasted deeply of life, experiencing its dark side as well as its light.

      She’d noticed an awful lot in a very few minutes. Too much for her own peace of mind. Altogether too much.

      Every instinct she possessed urged her to head straight for the coat rack and leave. But if she did so Lucy and Troy would have a fit. She squared her shoulders and marched back into the gallery, purposely not looking at the painting so unimaginatively called Composition Number 8.

      She picked out Quentin immediately; he was talking to a man in a pin-striped suit with every evidence of courteous attention. But then his eyes swiveled to meet hers, as though he’d sensed her standing there watching him. He winked at her. Marcia tilted her chin, turned her back and headed for the far gallery.

      Lucy and Troy were gazing at a small work in one corner. Troy had his arm draped around Lucy’s shoulders while Lucy’s body language said more clearly than words that the man holding her was the man she adored. Again hot tears flooded Marcia’s eyes. I’ve got to stop this, she thought frantically. Right now. I’ve avoided marriage and commitment like the plague. So why does the sight of my sister’s happiness make me feel like a failure? Smarten up, Marcia! she made a gallant effort to gather the shreds of the control for which she was so famous. Then, her lips set, her chin high, she said casually, “Hi, Lucy... Troy.”

      Lucy whirled, ducking out of the circle of Troy’s arm. “Marcia—I’m so pleased to see you!”

      Marcia had never encouraged hugging. Lucy contented herself with kissing her sister on the cheek and Troy brushed his lips in the vicinity of her other cheek. Then Lucy stood back, scrutinizing her sister. “You look tired,” she said. “Are you all right?”

      Exactly the question Quentin had asked. “I’m fine—-I’ ve been exceptionally busy at work. What do you think of the show?”

      “There are four silk screen prints on the other wall that I lust after. And I think the acrylics are brilliant—such a departure.” Lucy put her head to one side. “This one, for instance—it’s a jewel.”

      In exquisite detail Quentin had painted three little girls running through a meadow full of wildflowers; it was a tribute to his talent that the work was entirely without sentimentality. “They look like us,” Marcia blurted.

      “Oh...I hadn’t thought of that. You and I and Cat, you mean. You’re right—two brunettes and a redhead!” Lucy laughed. “Maybe he saw the photo I have of the three of us on the piano.”

      “Would you like to have it?” Troy asked, his slate-gray eyes resting affectionately on his wife.

      “I would,” Marcia heard herself say.

      Lucy was gazing at her speculatively and Troy’s eyebrows had shot halfway up his forehead. Aghast, Marcia sputtered, “I didn’t really mean that—I don’t want it, of course I don’t. You get it, Lucy.”

      “Have you met Quentin?” Lucy asked.

      “Yes. Very briefly. Please, Lucy, forget I ever said I wanted it. Buy her the painting, Troy.”

      “I’ll get it for you, sis,” Troy said. “I didn’t give you anything for your last birthday.”

      “But we never give each other expensive presents!”

      “This will be the exception that proves the rule... I’ll be right back.”

      And Marcia, for the third time that evening, found her eyes brimming with tears. Lucy drew her further into the corner, shielding her from the other guests. “You’re not yourself—what’s wrong?”

      “Nothing. Everything. I don’t know.”

      “Have lunch with me tomorrow.”

      “I can’t. I’ve got to go into work.”

      “Darn your work, Marcie!”

      Lucy only used Marcia’s childhood name when she was upset. Marcia said, “I’m going to phone Mother in the morning—could you and Troy come for dinner on Sunday? Catherine’s free.”

      “Love to,” Lucy said promptly.

      “Come around six, then... I do wish Troy wasn’t buying me that painting.”

      “Too bad we can’t take it home right away. It’d look perfect in your bedroom.”

      A painting of Quentin Ramsey’s in her bedroom? No way, thought Marcia, and from the corner of her eye saw Emily Harrington-Smythe parting the crowd with Troy in her wake. “An excellent choice,” Emily said, sticking a little red circle beside the painting. “Congratulations, Dr. Donovan.”

      “Happy birthday, Marcia,” Troy said, with a lazy grin at his sister-in-law.

      The painting was hers. Whether she wanted it or not. Standing on tiptoes, Marcia kissed Troy on the chin and said limpidly, “Thank you, Troy, that was sweet of you.”

      “Let’s go and find Quentin and tell him what we’ve done,” he rejoined.

      In sheer panic Marcia said, “I’ve really got to go—I was in the lab at six this morning. But I’ll see you both on Sunday.” Giving them a quick smile, she almost ran from the room.

      Quentin was standing in the far corner of the gallery with three very attractive women—two of them blondes, the other a voluptuous creature with glorious black curls. He was laughing at something